Monthly Archives: June 2018

Translation Tuesday: “The Classmate” by Elsa Morante

Our classmate was so indulged by nature that none of us doubted that he was so treated by fortune.

This Translation Tuesday, we continue to showcase the theme of childhood, this time through a story from 1940’s Italy about the ways that children form their own narratives about their peers. The quiet intensity of Elsa Morante’s “The Classmate” gives us a compelling glimpse of the disruption of such narratives. Be sure to also check out the Spring 2018 Fiction section, which also explores childhood. Robert Walser, Joanna Bator, and Jacques Fux, for example, all consider the formative nature of childhood memory (or lack thereof) on identity. 

I was a boy of thirteen, a student in junior high school: among my many classmates, most of whom were neither particularly beautiful nor ugly, there was one who was extremely handsome.

He was too rebellious and lazy to be the first in the class, but everyone knew that even the slightest of effort on his part would have been enough to make him so. None us demonstrated an intellect like his, so limpid and fortunate. I was the first in the class; I had a poetic disposition and, at the thought of my classmate, I had the idea of calling him Arcangelo.

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Translating le multilinguisme

Translation is never a horizontal movement; there is always an uneven power dynamic between two languages.

Mektoub. Taleb. Mesquin. Cheb. Bezef. Each of these French words is also Arabic, albeit represented in French orthography. Through long proximity by colonization and immigration, Arabic influence has bled—at some moments more overtly than others—into the French language, and Azouz Begag’s 1986 autobiographical novel Le gone du Chaâba engages with this reality in each word choice and every line of dialogue.

The son of an Algerian migrant worker who settled permanently in France in 1949, not long before the brutal war for independence began, Begag employs a remarkable mixture of French, spoken Arabic, and Lyonnais slang to illustrate the linguistic realities of his community—something that poses problems for a translator who wants to retain its linguistic flavor without rendering the text totally opaque. Written in the eighties, the book and its projet linguistique is perhaps even more relevant at a time when so many Westerners think the Arabic phrase “Allahu akbar” is exclusively synonymous with terrorism.

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Uncover New Worlds, Join Asymptote Today!

Apply by June 18th to join our dynamic crew!

Old maps often feature cherubs blowing gusts of wind, baroque allegorical figures—or sea monsters lurking in unknown waters. But for the reader of world literature, there are no known lands, for even the familiar deserves to be explored with fresh eyes—including sea monsters! Now you too can join Asymptote’s intrepid explorers: just apply to our mid-year recruitment drive! From Assistant Blog Editor (yes, of this Blog no less!) and Copy Editor to Social Media Manager and Graphic Designer, check out all available volunteer positions here, and then be sure to submit an application by June 18th! Summer internships are available for most positions as well.

Don’t wait! Apply to join the Asymptote team today!

Weekly Dispatches from the Frontlines of World Literature

This week we report from Slovakia, Brazil, and Egypt.

Welcome back for a fresh batch of literary news, featuring the most exciting developments from Slovakia, Brazil, and Egypt. 

Julia Sherwood, Editor-at-Large, reporting from Slovakia:

Hot on the heels of the prolonged Night of Literature, held from 16 to 18 May in sixteen towns and cities across Slovakia, the fifth annual independent book festival, BRaK, took place between 17 and 20 May in the capital, Bratislava. In keeping with the festival’s traditional focus on the visual side of books, the programme included bookbinding, typesetting and comic writing workshops, activities for children, and exhibitions of works by veteran Czech illustrator, poster and animation artist Jiří Šalamoun, as well as French illustrators Laurent Moreau and Anne-Margot Ramstein. The last two also held illustration masterclasses, while the German Reinhard Kleist launched the Slovak translation of his graphic novel Nick Cave: Mercy on Me, accompanied by a local band.

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On Translating Indigenous Languages

The translator bears a particular kind of ethical responsibility towards the text, the poet, and poet’s community.

Perhaps it goes without saying, but in 2018 translating Indigenous literatures in the Américas from Indigenous languages and/or Spanish is a political act. Even prior to now, at dinner parties and other settings for droll conversation in the United States, people have often perked up when I mention that I study Mesoamerican languages and cultures. With an interest typically grounded in lost civilizations, ancient mysteries, and, occasionally, UFOs, they usually then follow up with an inquiry as to why, if I study dead languages, I didn’t opt to study Latin, ancient Greek, or Biblical Hebrew instead. When I assert that no, Maya languages such as Yucatec and Tsotsil are far from dead, many people refuse to believe it and are more than happy to contest the point.

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What’s New with the Crew? A Monthly Update

Touch base with our industrious team's literary achievements as we approach the halfway mark of 2018!

We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!

Poetry Editor Aditi Machado’s book of poetry, Some Beheadings, has been awarded The Believer Poetry Award.

Communications Manager Alexander Dickow has published an article in French on the creative imagination in Apollinaire’s Méditations esthétiques in Littérature’s 190th edition.

Editor-at-Large for Romania & Moldova Chris Tanasescu aka MARGENTO delivered a computational poetry paper at a major Artificial Intelligence conference, presented a Digital Humanities paper at Congress2018, and has flown to Europe to launch a computationally assembled poetry anthology.

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Translation Tuesday: ‘Moss’ by Julia Fiedorczuk

I shall have to overcome the vanity, the applause, my own self, and measure up to life—measure up to death.

Much of the prose in Asymptote‘s Spring 2018 fiction section (especially Jon Fosse’s Scenes from a Childhood) includes keenly observed sketches from childhood. This Tuesday, we bring you a piece from Poland that continues that theme. In Julia Fiedorczuk’s ‘Moss’, the narrator’s recollections of her grandmother are a powerful evocation of a child’s experience through the grown-up’s consciousness. And fair warning: you’re probably gonna shed a tear or two when you get to the last line.

But I’m still a child, then, who doesn’t know how to read yet.

I’m five, maybe six years old, in a purple flannel dress with little green roses. That child’s thin legs are sticking out from under the dress. Scratched and bruised like seventy sorrows. I’m sitting on a high stool in front of a mirror, legs dangling in mid-air. She’s standing behind me. Brushing my hair. I have long hair, the colour of ripe corn. Fine hair; it won’t survive adolescence: it’ll have to be cut when I hit fifteen.

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What’s New in Translation: June 2018

Float away with one of these three new June releases.

Time for another round of translations hitting bookstores this month. June sees the publication of new translations from Morocco and Portugal. As always, check out the Asymptote Book Club for a specially curated new title each month.

ahmed b

The Hospital (translated by Lara Vergnaud) and The Shutters (translated by Emma Ramadan), from the French by Ahmed Bouanani, New Directions, 2018

Reviewed by Poupeh Missaghi, Iran Editor-at-Large

Two books by Ahmed Bouanani, Moroccan writer, poet, illustrator, and filmmaker hit the English literary scene this June.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Colombia, Mexico, Argentina, and Indonesia.

June is upon us and we are settling in for some summer reading. Join us as we catch up with our international correspondents about the literary happenings around the world. This week brings us the latest on indigenous literature from Colombia and Mexico, book fairs in Argentina, and new artistic endeavors in Indonesia!

Paul Worley and Kelsey Woodburn, Editors at Large, reporting from Colombia and Mexico:

From April 25 to 29 in Bogotá, Colombia, indigenous writers and scholars and critics of indigenous literatures from throughout the Américas came together in the 5th Continental Intercultural Encounter of Amerindian Literatures (EILA). The theme for this iteration of the bi-annual conference was “Indigenous Writing, Extractivism, and Bird Songs.” The centering of these concerns reflects a turn in the field of Indigenous literatures towards recognizing indigenous ways of writing that take place beyond Latin script, as well as ongoing ecological concerns that are at the heart of a good deal of indigenous literatures and Indigenous activism. In addition to literary readings and panels held at the Pontificia Universidad Javeriana, writers and critics presented to the general public at Bogotá’s International Book Festival (FILBO), and indigenous poets gave a reading in the town of Guatavita, home to a lake sacred to the Muisca people. Among the writers in attendance were (K’iche’) Humberto Ak’abal, (Yucatec) Jorge Cocom Pech, (Wayuu) Vito Apüshana, (Wayuu) Estercilla Simanca, (Wayuu) Vicenta Siosi, and (Yanakuna) Fredy Chicangana.

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