This week, our writers bring you the latest news from Belgium, Sweden, and Japan. In Belgium, the 2020 SACD and Scam prizes were awarded; in Sweden, Littfest is kicking off with a special emphasis on Sámi voices; and in Japan, two new thrillers and science fiction short stories are being translated into English. Read on to find out more!
MARGENTO, Editor-at-Large, reporting from Belgium
In the mix of despair and sarcastic humor surrounding the Covid vaccine tragicomedy—pocked by the persiflage at the abundance of excessively well-paid officials of a small nation with . . . six governments and nine health ministers—Belgian literary and artistic life seems to have found its own path. Breaking news: the 2020 SACD and Scam prizes were awarded yesterday within a pandemic-adapted in-person ceremony whose online video version is already attracting numerous social media viewers. The literary prize goes this year to young poet Charline Lambert, author of 4 collections of poetry and 2017 winner of the Wallonia-Brussels Federation prize for her debut book Chanvre et lierre. The 2021 special format involved rewarding writers and artists for their long-standing contributions rather than a specific work, and previous editions have highlighted established poet, novelist, philosopher, and literary critic Véronique Bergen and prolific writer and translator Emmanuèle Sandron.
The in-person-and-online combination seems to have gained ground on a larger scale across the nation as the Royal Library of Belgium (KBR) is inviting visitors to enjoy a 600-year-old previously hidden treasure-trove (the library of the Dukes of Burgundy) while substantially boosting its collection digitizing and digital culture related initiatives. Among the latter, most notably, the cutting-edge Digital Research Lab facilitates text and data mining research on KBR’s diverse, multilingual digitised and born-digital collections, and co-organizes together with Camille and two universities—Université libre de Bruxelles and Ghent University—a widely mediatized Digital Heritage Seminar series. The library’s collaboration with Belgian universities goes in the field of literary translation as well, as a newly launched research initiative run jointly with KU Leuven and UCLouvain (BELTRANS) undertakes to tell the untold history of “literary translation flows” in Belgium between French and Dutch in the period 1970-2020. However gigantically active, KBR is still not the only cultural hub digitally adjusting to the ‘new normal’. PILEn (the book and digital publishing inter-professional partnership) has recently launched an online tool for browsing Belgian Francophone presses by subject and genre, and continues its long-standing hybrid writing series featuring cross-artform projects and multi-support poetry. READ MORE…

