Posts featuring Linda Boström Knausgård

How to Start Women in Translation Month Off Right

Stock up this August with some of our favourite presses and titles!

The impetus to read women is very similar to the desire to read the world; one does not necessarily do it out of a purely social cause—though that can hardly be argued against—but because the profound, intelligent curiosity that sustains the act of reading can only be validated by reading variously, probingly, and with an awareness of life as it is being lived now. Even as the world of letters is slowly ridding itself of entrenched biases and definitions, it remains an indisputable truth that the idea of being a woman in this world continues to throb with chaos and fragility, and increasing globalist awareness only reinforces the fact that womanhood remains replete with mystery, inquiry, and greatly variegating methods of approach.

To find the language that does justice to this experience of living—whether or not womanhood is the subject—requires a persevering intellect and originality that one finds in the greatest of minds. A reader does not pick up a work of translated literature to learn how being a woman is done in that part of the world, but to be allowed entrance into a vast, ridiculously under-explored, realm of humanity, whose inner workings often prove to be—as a result of challenges that must be overcome—intellectually complex, stylistically thrilling, and revolutionary in their uncoverings of human nature.

That is why I, for one, am grateful for the existence of causes like Women in Translation Month, which celebrates the excellent work produced by women around the world and also urges towards an increased conscientiousness about our reading choices. In solidarity with our fellow comrades who support global literature, below are some incredible opportunities you can take advantage of this August.

Many presses are currently offering promotions for the duration of WIT Month. One of our favourites, Open Letter Books, is offering a generous discount for the women-written and women-translated books in their lineup. Some recommendations I can make confidently include Mercè Rodoreda’s Garden by the Sea, a gorgeously lyrical fiction of 1920s Barcelona; Marguerite Duras’ The Sailor from Gibraltar, of that terrific Durassian ardor and intimate poetry; and Can Xue’s Frontier, masterfully multilayered and graceful in its surrealism. Fum D’Estampa, a press specialising in Catalan literature, is also offering discounts on all their titles, with Rosa Maria Arquimbau’s brilliant melding of the personal and the political, Forty Lost Years among them.

The wonderful Charco Press, which time and time again has brought out exceptional Latin American works, has put together special bundles of their textsthree carefully curated sets of three books each. “Revolutions” includes Karla Suárez’s Havana Year Zero, a sharp and attentive novel about unexpected connections during Cuba’s economic crisis; “Interior Journeys” features the subversive, cerebral work of Ariana Harwicz; and lastly, “Stories of Survival” gathers narratives of persistence against violence and trauma, with Selva Almada’s incredibly powerful Dead Girls among them.

World Editions is another publisher getting it right, partnering with Bookshop to provide a list of highlighted titles. Included is Linda Boström Knausgård’s October Child, a poetic and elegant autofiction about the escaping borders of reality in her experiences with mental illness and memory loss. The Last Days of Ellis Island, the award-winning novel by Gaëlle Josse that centres around the painful tenets of migration, is also up for grabs. READ MORE…

What’s New in Translation: June 2021

The best and latest from Mexico, Sweden, and Poland!

This month, our selections of excellent works from around the world are manifold with mystery: some historical, some psychological, and some linguistic. From Poland, philosopher Remigiusz Ryziński attempts to figure out the sexual politics behind Michel Foucault’s hasty departure from Warsaw. The newest autobiographical novel from Linda Boström Knausgård contends with the author’s own experiences with electroshock therapy, and its impact on her memories. Lastly, in an essay collection by Mariana Oliver explores the act of moving between the various territories of cities and languages, between familiarity and curiosity. Read on to find out more!

foucault

Foucault in Warsaw by Remigiusz Ryziński, translated from the Polish by Sean Gasper Bye, Open Letter, 2021

Review by Julia Sherwood, Editor-at-Large for Slovakia

“Michel Foucault came to Poland in October 1958. He took a position as the first director of the newly founded Center for French Culture at the University of Warsaw. It was in Warsaw that he finished his doctoral thesis, later published as History of Madness. Yet in mid-1959, he was forced to leave Poland. The reason was a certain boy, Jurek. No one ever figured out who this boy really was.” With the mystery laid out, Remigiusz Ryziński opens his exploration of this little-known episode in the life of the philosopher as a young man, and his attempt to find out what led to Foucault’s expulsion from Warsaw.

Foucault in Warsaw is the first non-academic book by Remigiusz Ryziński—a Polish philosopher and cultural critic who studied at the Sorbonne—and another addition to Sean Gasper Bye’s impressive portfolio of translations. Combining the techniques of literary reportage with the analytical tools of Foucault’s archaeology of knowledge, Ryziński has unearthed secret police dossiers and trawled through hundreds of pages of reports filed by undercover cops and snitches: “Stories typed or handwritten, full of dates and places, names and connections, meetings, relationships, breakups, love, and suffering. Reading them felt like flipping through someone’s family photo album.” He immersed himself in the press and newsreels from the period, incorporating details, such as the price of everyday goods and statistical information, to conjure up the flavours, textures, and colours of Warsaw—the city that is as much a hero of this book as the philosopher himself, along with “the boys whose company Foucault enjoyed most.”

For those familiar with recent works of Polish literature, Ryziński’s reconstruction of the life of the gay community in Warsaw in the late 1950s will bring to mind Lubiewo, Michał Witkowski’s groundbreaking 2004 novel depicting gay life on Poland’s Baltic coast, before and after the end of communism. While Witkowski’s book presents fictionalised versions of real stories and characters, Ryziński has tracked down the actual people who knew Foucault during his time in Warsaw (including some who were romantically linked to him) or were active on the gay scene at the time. He retraced the places Foucault did—or was likely to—frequent, recreating a detailed topography of Warsaw’s cruising spots: an assortment of cafés and bars from the seedy to the sophisticated, steam baths both ornate and functional, public squares and monuments ideally suited for pulling soldiers, and public toilets such as the French-style urinals known as “mushrooms,” to the bathrooms at the Palace of Culture, considered “the height of luxury.” READ MORE…

What’s New in Translation: September 2019

Looking for what to read next? Our staff share their latest discoveries in new translations.

It is another month bringing us various gifts in the form of translated literatures, and our editors have selected the finest. Read below to find reviews of a short story collection detailing the various and complex natures of India, a haunting and poignant Swedish novel, unsettling tales from Israel, and a poignantly feminist work from Palestine.

ambai

A Kitchen in the Corner of the House by Ambai (C.S. Lakshmi), translated from the Tamil by Lakshmi Holmström, Archipelago Books, 2019

Review by Ben Dreith, Assistant Editor

C.S. Lakshmi, who writes in English and Tamil under the pseudonym Ambai, is a scion of post-revolutionary Indian feminism and women’s studies researcher who was raised and educated in Mumbai, Bangalore, and New Delhi. Of her work, the most recent to appear in English is A Kitchen in the Corner of the House, a mellifluous and courageous work translated by Lakshmi Holström, a dedicated scholar who passed away in 2016. She will be missed, and her efforts, evident in the enduring legacy and themes of A Kitchen in the Corner of the House, may inform the concerns of Indian feminism in the English-speaking world for generations.

The book is a collection of stories, told from multiple voices and perspectives, which centers on the travails and aspirations of women across a broad socio-economic and linguistic spectrum. The voices in A Kitchen in the Corner of the House reflect the varied cultural expectations and norms that simultaneously thrive and jostle for distinction within the Indian nation, which can be too easily regarded as a seamless whole by outside observers. What unites the characters in the stories, though, is a keen sense of subjective solidarity amongst women who are draped in desperation—and hope.

READ MORE…

“I Feel Free When I Write”: Linda Boström Knausgård on Her New Novel, Welcome to America

I am my dark, inner twin when I write.

Linda Boström Knausgård’s second novel, Welcome to America, is set not in the United States, but within the confines of a Swedish apartment swollen with family secrets and contrarian silence. Following the death of her father—a tragedy she is convinced she engineered through prayerBoström Knausgård’s child narrator, Ellen, stops speaking. While the trauma inciting Ellen’s selective mutism is palpable, the young protagonist synchronously radiates power, wielding her silence as the only means of maintaining control in the face of a self-absorbed mother, her increasingly volatile brother, and the specter of impending adulthood. Meticulously translated by Martin Aitkin, Welcome to America is Boström Knausgård’s defiantly pithy portrait of a family disconnected and consumed by grief. On the eve of the novel’s publication in the United States, we asked the Swedish author, poet, and radio documentary producer about writing bravely, the experience of being written into someone else’s narrative, and the unexpected power of silence.

 Sarah Timmer Harvey, August 2019

Sarah Timmer Harvey (STH): Welcome to America is your second novel to be translated into English. Did you collaborate with Aitken on the translation?

Linda Boström Knausgård (LBK): I didn’t work with Martin on the translation. In fact, I didn’t hear from him while he was working on it. Martin is a very good translator, and I think that he’s produced a beautiful translation. I’ve read it twice in English, and I am very happy with it. I believe that if I had started to concentrate too much during his work and asked him all my questions before he was ready, I’d be exhausted. Our languages have a lot of differencessentences do not start, or end, in the same way. I know Norwegian and Danish very well, and when it comes to translating work into these languages, it can be difficult not to intervene too much. When I finally had a book translated into Finnish, it was a relief because I didn’t understand a word. I think it’s best to let go as much you can, but you then must also be happy when you finally read it. If you have a good translator, you should stick with him or her!

STH: When you are writing, do you consider the language in which you are writing? For example, how Swedish might shape and contain the narrative? 

LBK: I write in Swedish and could not write in any other language, never! The language forms the story; it is my frame, and so I cannot abandon it. I love to write in Swedish. I like how it presents itself on the page, almost like a surprise. READ MORE…