Between the pages of beloved books some sunlight gathers, as writers and readers from the various corners of our world gather to greet, honour, and celebrate one another. Crowds gather in search for literature in Rio de Janeiro, a Guatemalan favourite is shortlisted for a prestigious Neustadt International Award, and genre fiction takes the spotlight in Hong Kong. Travel with us between cobblestone and concrete, as our editors bring you the close-up view on global literary news.
Daniel Persia, Editor-at-Large, reporting from Brazil
One can hardly say it’s been winter here in the state of Rio de Janeiro, with the sun shining over the 17th edition of FLIP, the International Literary Festival of Paraty, from July 10 to 14. The festival—one of the world’s largest, and certainly Brazil’s most anxiously awaited—brought thousands of readers and writers to the cobblestone streets of Paraty in celebration of world literature. The main programming welcomed internationally acclaimed writers Grada Kilomba (Portugal, author of Plantation Memories: Episodes of Everyday Racism), Ayòbámi Adébáyò (Nigeria, author of Stay with Me), and Kalaf Epalanga (Angola, author of Também os brancos sabem dançar), among others, with events in various languages, including Portuguese, Spanish, French, English, and Libras (Brazilian Sign Language). But the magic of this year’s FLIP certainly wasn’t confined to the mainstage: the “houses” of Paraty’s historic center were transformed into venues for book readings, signings, and endless conversation; a parallel “Flipinha” brought the literary festival alive for children of all ages; and the first-ever FLIP international poetry slam packed the main plaza for an unforgettable night, featuring poets from Cabo Verde, Portugal, Spain, Brazil, the US, and the UK. Anyone looking for a recap of the main events can head to FLIP’s YouTube page to check out the action!
We’re starting this month with news of literary awards, festivals, and translation parties to distract you from the last few weeks of winter! From the Bergen International Literary Festival and a Mother Tongues translation party to the European Union Prize for Literature and the PEN America Literary Awards, we have you covered with all of this week’s most important literary news.
Jacob Silkstone, Assistant Managing Editor, reporting from the Bergen International Literary Festival, Norway
A literary event in Bergen, Norway’s second largest city and Europe’s wettest, doesn’t quite feel complete without a few minutes spent outside the venue—some people smoking, some talking with the writers, some watching the rain drip slowly into their beer. At Bergen’s first International Literary Festival, all participants were presented with free umbrellas, but the weekend (an extended weekend, beginning on Valentine’s Day and ending on February 17th) was miraculously close to remaining rain-free.
In today’s post, Assistant Blog Editor Chloe Lim shares the books that defined her year in reading. As she moved between two cities and two phases of her life, Chloe also explored literature from Albania, Taiwan, and the Caribbean diaspora—and made some reading resolutions for 2019 along the way!
2018 has been a strange transitional year. I spent half of it in Oxford, finishing a Masters degree, and the other half in Singapore. Making sense of the world, and the daily madness of news cycles, became just a bit more bewildering working from two different cities. Recently, my days have been filled by attempts to try new things, and being open to the unexpected experiences that moving can bring. My year in reading has followed that pattern: eclectic as a whole, but generous in providing new perspectives and often respite from the chaos of world politics.
A friend gave me a copy of Murakami’s South of the Border, West of the Sun for my birthday last year, and it became one of the first books I read this year. A slim novel in and of itself, it’s breathtaking in its pacing, and filled with Murakami’s trademark haunting prose. Arguably a great read for the winter months, Shimamoto’s melancholy, grief, and terrible loneliness are coupled with an ennui she compares to the illness hysteria siberiana. Picturing herself as a Siberian farmer, she explains:
“Day after day you watch the sun rise in the east, pass across the sky, then sink in the west, and something breaks inside you and dies. You throw your plough aside and, your head completely empty of thought, you begin walking toward the west. Heading toward a land that lies west of the sun.”
In a riveting interview with the world-renowned writer Edwidge Danticat—announced just yesterday as next year’s recipient of the Neustadt International Prize for Literature or the “American Nobel”—Romie Desrogéne poses incisive questions about life and death, and how art attempts to make sense of them. Danticat’s works have earned her a long list of awards and have been translated into numerous languages including French, Italian, Spanish, Japanese, Korean, and Swedish. Her most recent novel, The Art of Death: Writing the Final Story, was released via Graywolf Press this past July.
Edwidge Danticat’s work creates spheres where the natural and the supernatural, the “isit” (here) and the “lòt bò” (elsewhere), the evil and the good, the historical and the fictional, the personal and the political, are in perpetual contention and symbiosis.