Weekly Roundup

Weekly Dispatches From the Frontlines of World Literature

The latest from India, Hong Kong, and Sweden!

This week, our editors are introducing a generous new anthology that illuminates India’s capital, the winners of prestigious Swedish literary awards, and a feature of Hong Kong poets. Read on to find out more.

Zohra Salih, Editor at Large, reporting from India

It has been a harrowing week in this part of the world. We are still, very cautiously, coming to terms with the ceasefire that was finally declared to de-escalate tensions between India and Pakistan, the consequences of which have been disproportionately and brutally borne by the residents of occupied Kashmir (one of the most militarized zones in the world). Things are now supposedly returning to ‘normal’, yet the fact that war was blatantly invoked, justified, and celebrated by fellow citizens has created an atmosphere of unease around writing about India in its aftermath, to say the least.

If he were alive today, one person would have found the words to make something meaningful and urgent amidst this fog of madness: Saadat Hasan Manto. Born in India and forced to make a second life in the newly formed Pakistan, the fiery writer and chronicler of Bombay was considered prophetic for his stories that anticipated with stark-eyed clarity the savagery awaiting the two nations post-Partition, a decision he vehemently opposed. May 11 is the 113th anniversary of his birth, and there is no better time to return to his short story, ‘Toba Tek Singh, or his collection Mottled Dawn: Fifty Sketches and Stories of Partition, than now. Those in Mumbai have also been able to experience his stories—many of them excluded from the usual anthologies—as part of an audio theatre piece performed by Katha Khana at the iconic Prithvi theatre on May 13.

I would also be remiss to not mention The World With Its Mouth Open by another journalist turned author, Zahid Rafiq, which came out in December last year. Rafiq’s debut short story collection vividly and humanely renders the lives of the people of Kashmir as they go on with what has come to be called ordinary life, marked by precarity. There is a quietness to the writing that allows Rafiq to enter your mind and transport it to the valley, blocking out all the noise that obscures its image in the mainstream imagination. Needless to say, it is essential reading for the times we are living in today. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from the Philippines, Canada, and Guatemala!

This week, our team members report on writers resisting governmental oppression, newly collected poems, one of the largest multilingual literary festivals in North America, and more!

Alton Melvar M Dapanas, Editor-at-Large, reporting from the Philippines

Writer, translator, and Amihan National Federation of Peasant Women organiser Amanda Socorro Lacaba Echanis, whose imprisonment PEN International has denounced as ‘a stark reminder of how governments silence female voices to suppress dissent’, has rolled out an unprecedented bid for the University of the Philippines (UP) Diliman student council while incarcerated under questionable charges.

The 36-year-old Bachelor of Arts (BA) in Malikhaing Pagsulat (Creative Writing in Filipino) student was arrested in 2020 for alleged illegal possession of firearms—an allegation she and several civil liberties organisations say is made-up. Amanda continues to write and translate behind bars, publishing her collection of poems, prose, and plays, Binhi ng Paglaya (Seeds of Liberation, Gantala Press) in 2023, and receiving fellowships from writing workshops like the Palihang Rogelio Sicat (which she attended virtually) in 2024. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary updates from the United States and North Macedonia!

This week, our Editors-at-Large bring us updates on the publishing industry across the globe, from the United States to North Macedonia. In the United States, book co-op Tertulia’s virtual reading lounge features four new and exciting titles, and in North Macedonia, the latest novel of German-Macedonian author, philosopher, and artist Kitsa Kolbe sustains the momentum of the publishing scene. 

Mary Noorlander, Editor-at-Large, Reporting from the United States

In a seasonal, virtual event from the Tertulia book co-op called the “First Dibs Salon,” readers from across the United States gather on Zoom to hear from the acquiring editors of notable forthcoming books. In the spring edition of this salon, editors presented four titles: Yoko by David Sheff (Simon & Schuster, March 25); Zeal by Morgan Jerkins (HarperCollins, April 22); The Book of Records by Madeleine Thien (W.W. Norton, May 6); and Gulf by Mo Ogrodnik (Summit Books, May 6).

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest on book festivals in Nairobi, a spotlight on Indian crime fiction, and changes to publishing norms in Sweden.

In this round-up of literary news, our editors inform on the dialogues and contemporary themes surrounding literary festivals in Kenya; an event celebrating genre fiction in India; and what publishers are doing to switch things up in Sweden. Read on to find out more!

Wambua Muindi, Editor-at-Large, reporting from Kenya

Book festival season is back in Nairobi, and first in line is—as always—Alliance Française’s Nyrobi Book Fest. The fourth edition of this festival, held from April 11 to 13, was a vibrant celebration of Kenyan storytelling, drawing a significant attendance under the theme “A Decade of Kenyan Stories: Past, Present and Beyond.” The festival offered a rich program, including writing masterclasses, storytelling sessions, book launches, and engaging panel discussions, between which attendees had the opportunity to connect with a diverse array of exhibitors such as Writers Space Africa-Kenya, eKitabu, Mvua Press, NAICONN, Mystery Publishers, NuriaBookstore, Writers Guild Kenya, and Jahazi Press, as well as interact with acclaimed authors like Peter Kimani, author of Dance of the Jacaranda; Billy Kahora, editor of Let Us Conspire and Other Short Stories; Iman Verjee, author of Who Will Catch Us if We Fall; Wangari the Storyteller; Yvonne Adhiambo Owuor, author of Dust; and Remy Ngamije, author of The Eternal Audience of One. The three-day festival particularly celebrated the creativity of young Kenyan writers, fostering inspiring conversations and discussions that underscored the dynamic landscape of Kenyan literature.

Following the Book Fest, Nairobi’s literary scene will continue to thrive with the fourth Nairobi Litfest, a festival of ideas by Bookbunk and Hay Festival, which is scheduled for June 26 to 29. Curated by Wanjeri Gakuru under the compelling theme of “exploring alternative knowledge systems,” this year’s edition will activate public spaces across the city, taking place at the McMillan Memorial Library, Eastlands Library, and Kaloleni Library. Building on the success of previous NBO Lit Fests, this edition promises a “thrilling experience” that will gather readers, thinkers, and writers for deep reflection, radical imagination, and collective action, addressing the urgent need for fresh perspectives in today’s world. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Palestine, France, and the United States!

This week, our editors take us behind-the-scenes at book festivals, from a festival spotlighting Latin American literature in Los Angeles to Paris’s Festival du Livre. From workshops on reimagining fairytales to a look at the only Palestinian-owned publishing house in America, read on to find out more!

Kathryn Raver, Assistant Managing Editor, reporting from France

Beneath the glittering glass ceiling of the Grand Palais, Paris welcomed over 114,000 attendees for its fourth annual Festival du Livre last weekend. The festival is a hub for publishing professionals and book lovers alike, promoting both Francophone and international literature to French-speaking readers and offering insights into the literary and cultural landscape of today.

Among an extraordinarily diverse selection of programming, a few of my personal favorites included a workshop on reimagining classic fairytales and a seminar on resisting the language of fascism—an examination of far-right language and how it is actively influencing popular discourses “blurring traditional political markers and weakening collective memory.”

Thousands of authors and publishers took part in the festival, as they do every year. Among them was Moroccan-French author Leila Slimani, whose previous works have been highly praised and have even been awarded prestigious prizes like the Prix Goncourt (Chanson douce, 2016). Slimani’s newest novel, J’emporterai le feu, was released in January of this year and concludes her Le Pays des autres trilogy.

In fact, Moroccan literature was the festival’s special cultural focus this year. Thirty-two publishers of Moroccan voices were present at the festival, most of them taking part in one of the many events offered at the Moroccan Pavilion—a dedicated space designed to highlight the country’s multilingual literary tradition and its “image as a cultural crossroads between tradition and modernity.” The events included a number of creative writing workshops, author talks, and even a seminar on translation and cultural reception of the Moroccan novel.

The Festival du Livre wasn’t the only event on which French readers could slake their thirst this month. Hors Limites, a festival hosted by the Association Bibliothèques en Seine Saint-Denis, seeks to highlight contemporary literature and address reading as a dialogue between creators and consumers. This festival, though smaller, still featured dozens of workshops and author meetings in Ile-de-France.

Among the authors present was Palestinian author Karim Kattan (whose 2021 interview with Asymptote can be found here). Kattan’s most recent novel, Eden à l’aube, was recently awarded the 2024 Prix de la Cagnotte. An English translation of his first novel, Le Palais des deux collines, was recently released by Foundry Editions. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

Literary updates from Bulgaria, Ireland, Spain, and India!

In this week of updates from around the world, our Editors-at-Large in Bulgaria, Ireland, and India cover events and awards around key figures in their countries’ respective literary traditions, from the legacies of monumental writers to the emergence of new and impassioned voices. 

Andriana Hamas, Editor-at-Large, Reporting from Bulgaria

I discovered Viktor Paskov, a Bulgarian writer and musician, in my early twenties. His books, which without fail reminded me of harmonically complex jazz compositions, left me enthralled and, unsurprisingly, with a wonderful melody stuck inside my head. Despite Paskov’s untimely passing at the age of 59 in 2009, his legacy is very much alive, and his work continues to inspire and stimulate the minds of his readers.

A recent example of his lingering influence is The Literature and Translation House’s announcement of the official launch of a new translation award under his name. The initiative has been made possible through a collaboration with Sofia University and, specifically, its Master’s degree program in translation and editing. According to the organizers, among them Marie Vrinat-Nikolov, a French translator specialized in the Bulgarian language, “the award’s goal is to honor texts that demonstrate an excellent command of the Bulgarian language in all of its expressive possibilities, coherence, and an ethical approach to the original text—to its rhythm, language(s), registers, historicity, images, and worlds.”

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

A growing boycott movement in the Philippines, Macedonia's most prestigious poetry award, and the Hong Kong International Literary Festival!

This week, our editors bring you the latest on a prestigious poetry award in North Macedonia; a Filipino comics movement leading the boycott of the Frankfurt Book Fair; and Hong Kong’s ever-exciting and evolving international intersections in letters.

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

Throughout the years, the main event in the Macedonian literary scene has been the Struga Poetry Evenings’ awarding of the prestigious Golden Wreath, which has gone to lauded writers such as W. H. Auden, Allen Ginsberg, Pablo Neruda, and Ted Hughes. This year, the prize is given to the Slovak poet Ivan Štrpka; the decision to crown him as this year’s laureate was unanimous, for his “rich, authentic and significant poetic corpus created over six decades.”

Štrpka, born in 1944, has maintained an engaged approach to art from the beginning of his career, committing himself to both moral and aesthetic values and continually incorporating contemporaneous cultural themes. In the 1960s, together with the poets Ivan Laučík and Peter Repka, he founded the poetry group Osamelí bežci (Lonely Runners), and together they composed a manifesto celebrating “freedom of thought . . . individual responsibility and the rejection of communist dictatorship and censorship”—which  was subsequently banned. (For those interested in finding out more, a documentary titled Lonely Runners: Moving On!, directed by Martin Repka, was released in 2019 and focuses on the friendship of the three members.)

Štrpka’s priorities are embodied in his writing, which illuminates—in the words of poet and member of the Macedonian Academy of Sciences and Arts Katica Kulavkova—“everyday life . . . fragments [of] interpersonal relationships, the relationships between man and woman . . . individual and society . . . the physical and the emotional.” Kulavkova also notes that the “intimate, meditative, communicative . . . dimension” of Štrpka’s work is in many ways achieved via his poetic style, which she describes as “unpretentious [and] subtle” and “filled with detail.” READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Kenya, India, and México!

This week, our editors-at-large take us to India, Kenya, and México. From a cross-cultural poetry retreat to a crime writer’s conference, read on to find out more!

Réne Esaú Sánchez, Editor-at-Large, reporting from México

Not so long ago, I was talking with some friends about the Guadalajara International Book Fair and how, for many locals, an event like that was actually their only chance to find certain books, meet certain authors and even reflect upon their literary activities. Despite the importance of the Fair, literary circulation remains centralized in Mexico City, while book commercialization in other places like Guadalajara, Monterrey, or Oaxaca is always secondary.

This is why I find it important to celebrate events like the Yucatán International Reading Fair (FILEY), which will conclude this Sunday, March 30. This year, it has hosted important authors including Cristina Rivera Garza, Verónica Murguía, Brenda Lozano, Jorge Comensal, and Xita Rubert. At the Fair, the 2025 José Emilio Pacheco Award for Excellence in Literature was presented to Alberto Ruy Sánchez, a prolific novelist who, in his unique style, shared the reasons behind his writing:

I write to know, to explore vast dimensions of reality that only literature can penetrate. I also write to remember, but no less, I write to forget. I write to extend my body, my senses, to experience the sensuality of the world day after day. I write for pleasure, for desire, for rage. To expose the falsification of icons, the abuse of public power. I write to be hated and to be loved, more so, to be desired. I write to propose new spaces in this world, to create places.

As its name suggests, FILEY has also been a space to reflect on why, how, and from where we read, something essential if we want to address the problem of cultural centralization. As María Teresa Mézquita, the Fair’s director, said in her opening remarks at the festival, beyond numbers and sales, the event is driven by a desire to foster personal growth, learning, and a cultural environment enriched precisely through reading.

It is good, as Ruy Sánchez’s remarks suggest, to know why we write; just as important is knowing why we read.

Wambua Muindi, Editor-at-Large reporting from Kenya READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary news from Japan, Sweden, and Scotland!

This week, the Asymptote team takes us across the globe for updates on all things literature. From the inaugural launch of a book fair in Japan, to the appearance of a popular novelist and throat singer at a book festival in Sweden, to the commemoration of a prolific poet and dear friend in Scotland, read on to learn more.

Bella Creel, Blog Editor, Reporting from Japan

Tomorrow, March 22, Kobe, Japan will see its first ever KOBE BOOK FAIR & MARKET, held on Rokkō Island with over sixty vendors, some bookish and some local food booths. While the majority of participating booksellers and publishers are based in the Kyoto-Osaka-Kobe metropolitan district, companies from across the country will amass tomorrow to promote literature and reading as part of the Kobe BOOK Culture Revitalization Project, created in response to the dwindling number of bookstores in recent years.

The fair will feature four panel events, including a tell-all on the nitty-gritty of running a bookstore and a deep dive into the production of local magazines. The former will bring together three booksellers working in markedly different environments: Tatsuya Isogami from toi books, a small local bookstore, Osamu Horiuchi from the gargantuan bookseller Junkudo, and Takashi Sesako from Page Pharmacy, a half-pharmacy-half-bookstore designed to encourage more random encounters with literature for his patients. The three will share the challenges and rewards of their respective environments and together ruminate on their role as booksellers. Later in the afternoon, Chief Editor of SAVVY and Meets Regional magazines Masaki Takemura will sit down with Youhei Sanjou of ORDINARY BOOKS to discuss the status of bookstores in the Kansai region and the intricacies of editing a magazine rooted in local life. 

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest from Bulgaria, Palestine, and Egypt!

This week, our editors report on the International Prize for Arabic Fiction, a profound new collaboration drawing attention to the “obliteration” in Gaza, and a movement highlighting women writers and creators in Bulgaria. Read on to find out more!

Ibrahim Fawzy, Editor-at-Large, reporting from Egypt

Last month, the six-book shortlist for the 2025 International Prize for Arabic Fiction (IPAF) was announced at a press conference held at the Bibliotheca Alexandrina in Alexandria, Egypt. The honored books includes two authors previously recognized by the prize: Azher Jirjees, shortlisted in 2023 for The Stone of Happiness after being longlisted in 2020, and Taissier Khalaf, longlisted in 2017 for The Slaughter of the Philosophers. Ahmed Fal Al Din, Mohamed Samir Nada, Nadia Najar, and Haneen Al-Sayegh are first-time IPAF nominees.

The shortlist for this eighteenth edition of the IPAF was revealed by this year’s Chair of Judges, Egyptian academic Mona Baker. She was joined by fellow judges—Moroccan academic and critic Said Bengrad, Emirati critic and academic Maryam Al Hashimi, Lebanese researcher and academic Bilal Orfali, and Finnish translator Sampsa Peltonen—as well as IPAF Chair of Trustees Professor Yasir Suleiman, Prize Administrator Fleur Montanaro, and Director of the Bibliotheca Alexandrina, Professor Ahmed Zayed. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary news from the Philippines and the United States!

This week, our Editors-at-Large take us from the Philippines to the United States for updates on literature around the globe. From an eclectic and exciting annual book festival to the grand re-opening of a local queer-owned bookstore, read on to learn more. 

Alton Melvar M Dapanas, Editor-at-Large, Reporting from the Philippines

The 2025 Philippine Book Festival (PBF) is set to take place from March 13-16 in SM Megamall’s Megatrade Hall in Mandaluyong City of the country’s capital region.

While I’m particularly excited to dive into Ang Propeta (Southern Voices, 2023), Layla Perez’s Filipino translation of Kahlil Gibran’s book of prose poems, The Prophet, the 2025 PBF lineup offers something for every participant: a cosplay event of characters from Philippine literature, panel discussions of contemporary queer and women writers, and a book talk on graphic novelist M.A. del Rosario’s Gods of Manila. The festival’s itinerary also includes a crime fiction panel, workshops on zine-making, book illustration, and writing in Baybayin (the script used in sixteenth- and seventeenth-century central Luzon), and sessions on pitching stories to filmmakers (led by studios Gushcloud Philippines and J Creative Entertainment). Festival-goers can enjoy a poetry slam, a Balagtasan (Filipino debate using rhymed verse), and book talks with authors of boys’ love (BL) and girls’ love (GL) fiction.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Kenya, North Macedonia, and Sweden!

This week, our editors-at-large report on clashes between writers and politics, recent awards, and exciting events. From Pippi Longstocking’s 80th birthday to a brand-new book fair, read on to find out more!

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

Venko Andonovski was recently named the most influential writer and educator of 2024 by TRI, the renowned, Skopje-based publishing house. Andonovski, whose novels and plays have been translated into twelve languages, is known as “the most widely read Macedonian writer and the most performed Macedonian novelist in the last twenty years.” Despite his fame, he is generous with both the public and his colleagues: he taught six writing workshops in 2024 and made a statement congratulating fellow Macedonian author Rumena Bužarovska on being named TRI’s most-read author of 2024, and condemning the “culture of silence” surrounding the accomplishments of domestic authors in the same breath. Andonovski termed the disinterest demonstrated by Macedonian politicians towards the literary scene “an embarrassment”, adding that the situation is exacerbated by authors who are equally silent about their colleagues’ attainments, and whose “bodies are 80% water and souls are 80% vanity.” Adding that “if we remain a culture of silence, our culture is bound to remain in silence [on the world stage]”, Andonovski posed a question that is both incisive and (unfortunately) relevant: “If we do not appreciate ourselves, who will appreciate us?” READ MORE…

Weekly Dispatches From the Frontlines of World Literature

Our editors bring you the latest from India, Mexico, and Romanian letters.

A vital new project to resurrect the works of a great Romanian poet in the English language, a slew of ambitious and global-minded book festivals in India, and a fair to highlight Oaxacan writing and languages in Mexico—our editors are bringing you the latest from a literary landscape that continues to expand in richness, variety, and intercultural exange.

MARGENTO, Editor-at-Large, reporting from Romania

In 1889, Mihai Eminescu—the iconic late romantic/early modernist Romanian poet—died at the age of thirty-nine, leaving behind only one published collection but tens of thousands of unreleased manuscripts. As they were gradually unearthed and released over the decades following his death, the posthumous publications only increased Eminescu’s fame and critical acclaim. Despite this unparalleled stature in Romanian literary history, however, the poet is relatively unknown to English-language readers—an issue that paradoxically has nothing to do with a lack of translations. In fact, a sizeable portion of Romanian and Anglophone translators and writers have tried their hand at this hugely demanding task, but they’ve all largely failed in two essential respects (to smaller or larger extents): first, in rendering the oceanic vastness and depth of the oeuvre, and, second, in capturing the exquisite euphony to an extent by which a non-Romanian reader could sense the original’s inescapable fascination.

One of the most important recent events in Romanian letters has now set out to address both those shortcomings in a spectacular fashion; K.V. Twain (Diana Cârligeanu’s pen-name), a young poet, writer, and translator educated in the US and Japan, has undertaken the task of translating Eminescu’s collected poems in an eight-volume series to be published by Eikon Press, and the first instalment was launched in January under the aegis of the Romanian Literary Translators Association in Bucharest. The association’s director, multilingual poet and performer Peter Sragher, was the event’s enthusiastic host, while literary critics Christian Crăciun and Vianu Mureșan contributed generous praise for the project.  READ MORE…

Weekly Dispatches From the Frontlines of World Literature

Dispatches on the latest in literature from Palestine, Sweden, and Colombia!

In this week’s roundup, from Palestine is a report on the recent raid of a Palestinian bookstore in Jerusalem; from Sweden, the nominees for a prestigious literary award; and from Latin America, coverage of the most recent edition of the Hay Festival in Cartagena de Indias.

Carol Khoury, Editor-at-Large, reporting from Palestine

In a striking escalation of censorship and cultural suppression, the Educational Bookshop in East Jerusalem—a revered institution for intellectual exchange and a cultural cornerstone for Palestinians—was the target of an Israeli police raid. Exactly three years ago (read the AWS dispatch here), this gem on Salah al-Deen al-Ayoubi street was celebrated for its role in publishing the first-ever Arabic edition of Granta, titled “Escape.” Today, however, the narrative has shifted from escape to arrest.

READ MORE…