Posts filed under 'Literary Awards'

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Spain, England, and Iran

Holidays are nearly upon us, but there is no rest in the world of literature. This Friday, Asymptote staff brings you dispatches from Spain, The United Kingdom, and Iran. Spain mourns the death of poet Adolfo Cueto, says Editor-at-Large Layla Benitez-James, while her colleague M. René Bradshaw has plenty of awards news from the UK. To wrap up, Editor-at-Large for Iran Poupeh Missaghi writes about the recent scandal involving the late poet and filmmaker Forugh Farrokhzad. 

Layla Benitez-James, our Podcast Editor, gives us the rundown on literary awards and new publications:  

Many in Spain’s creative community are mourning the death of Spanish poet Adolfo Cueto who passed away unexpectedly in Madrid on Sunday, December 4 at the young age of 47. His collection of poetry, Dragados y Construcciones, won him the Premio Alarcos de Poesía in 2010, followed by the Ciudad de Burgos de Poesía in 2013 for Diverso.es, and the Manuel Alcántara Prize in 2016.

As Spanish writers come to terms with losing one of their literary greats, they are also celebrating the accomplishments of Eduardo Mendoza, who has just won the Miguel de Cervantes Prize. The award celebrates an author’s entire career, and for Mendoza, the honor comes on the heels of the Premio Ciudad de Barcelona, Premio al “Libro del Año,” Premio de Novela Fundación José Manuel Lara Premio de la Cultura de Catalunya, and the Premio Franz Kafka, among many others. Mendoza was born in Barcelona in 1943, and his win has been especially heartwarming to the city. A group of young writers born after the invention of the prize in 1976 were inspired to get together and talk about the modern state of writing in Spain and Barcelona’s role as a key literary city.

The work of twelve important writers is about to debut in a new collection, Mujer, lenguaje y poesía, which will be forthcoming early in the New Year. Poets Alicia García Núñez, Lola Nieto, Laia López Manrique, Miriam Reyes, Chus Pato, Flavia Company, and Elena Medel, among others, will appear in this new anthology which hopes to expand the contemporary conversation of poetry in the country.

Further discussion and promotion of modern verse took place at the event “Displaced Verses: Nomadic Poetry Recital,” part of the recent Encuentro euroMediterráneo, a meeting of creative people showing solidarity with refugees. Participants hailed from eighteen Euro-Mediterranean countries: Spain, France, Belgium, Italy, United Kingdom, Germany, Serbia, Croatia, Greece, Turkey, Syria, Libya, Jordan, Palestine, Egypt, Tunisia, Algeria, and Morocco. The conference continued the trend of poets and writers in Spain taking an active role in advocating for human rights, highlighting the overlap of the poetic and the political.

In a similar spirit, María Isabel Quiñones, also known as Martirio, dedicated her recent Premio Nacional de Músicas Actuales 2016 to “young people who are ready to fight.”

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November News from the Asymptote team

From erotica in translation to magazine launches, no rest for world literature!

Spanish Social Media Manager Arthur Dixon has helped to found Latin American Literature Today, a new online literary journal, with support from World Literature Today! He will serve as its Managing Editor when it launches on January 31, 2017.

Contributing Editor Ellen Elias-Bursać will be part of an evening of readings in translation at Berl’s Brooklyn Poetry Shop on December 17, 2016, presented by Harlequin Creature. Her translation of Dubravka Ugrešić’s brilliant address on receiving the Neustadt International Prize for Literature 2016 has been published on LitHub.

Slovakia Editor-at-Large Julia Sherwood‘s co-translation (with Peter Sherwood) of Uršuľa Kovalyk’s short story “Julia” was published in the latest issue of SAND, Berlin’s English literary journal.

Romania & Moldova Editor-at-Large, Chris Tanasescu, aka MARGENTO, will be launching an anthology of contemporary Romanian erotic poetry in New York together with past Asymptote contributor Martin Woodside.  Another contributor to the project is Ruxandra Cesereanu, the primary editor of Moods & Women & Men & Once Again Moods.

Editor-at-Large for India Poorna Swami‘s poetry reading in Bangalore was featured by The Hindu, Metro Plus. Her poem “River Letters” was published in Prelude, Volume 3. She also wrote a blog piece on the politics of social media friendship for The Huffington Post, India. She has been long-listed for the 2017 Toto Awards for Creative Writing (English).

English Social Media Manager Thea Hawlin‘s ‘five-point guide’ to avant-garde artist Yves Klein was published in AnOther magazine.

Chief Executive Assistant Theophilus Kwek  placed Second in the Stephen Spender Prize 2016 for poetry in translation, and his translation of Wong Yoon Wah’s poem, ‘Shadow Puppets’, was featured in The Guardian‘s Translation Tuesday series in collaboration with Asymptote. He was also part of recent poetry readings at the Woodstock Poetry Festival and the Pitt Rivers Museum in Oxford.

Indonesia Editor-at-Large Tiffany Tsao has had two translations and a short story published in BooksActually’s Gold Standard 2016—a “best of” anthology of short fiction by cult writers from East and Southeast Asia that aims to counter the tokenistic way Asian writing is often curated in the West.

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More Dispatches from the Asymptote Team:

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Slovakia, Hungary, and the Nordic countries.

Friday is once again upon us, dear Asymptoters! This time, our report brings you the latest literature in translation news from Europe. Editor-at-Large for Slovakia Julia Sherwood has been at the Central European Forum conference and Blog Editor Hanna Heiskanen attended the Helsinki Book Fair, while Zsofia Paulikovics has an update from Hungary. Enjoy the ride!

Editor-at-Large for Slovakia Julia Sherwood has these stories from Slovakia:

On 20 October, the emerging writer Dominika Madro’s story Svätyňa [Sanctuary] won the annual short story contest Poviedka 2016. Now in its twentieth year, the competition is run by the publisher Koloman Kertész Bagala and all submissions are anonymous. This year’s runner-up was the story Šváby [Cockroaches] by novelist and Elena Ferrante’s Slovak translator and Asymptote contributor Ivana Dobrakovová.

A survey of reading habits, commissioned by the Slovak Publishers’ and Booksellers’ Association, has recently published very depressing findings: 72 percent of the public don’t buy a single book in any year; 40 percent read books only once a month and 28 percent don’t read at all. Nevertheless, judging by the crowds attending a huge variety of literary events taking place across the capital, Bratislava, over the past month, the picture isn’t perhaps quite as bleak as these figures suggest.

Slovak-Swiss writer and journalist Irena Brežná, Polish novelist Grażyna Plebanek, and recent Neustadt Prize winner Dubravka Ugrešić sought antidotes for despair as part of Bratislava’s annual Central European Forum conference from 11 to 13 November (video recordings here); Dubravka Ugrešić also read from her book of essays, Europe in Sepia, which will be published soon in a Slovak translation by Tomáš Čelovský. Parallel with the conference, some 200 publishers displayed their recent publications at the Bibliotéka Book Fair, held in the somewhat drab Incheba exhibition halls and vying for space with a “World of Minerals” exhibition. At the Centre for the Information of Literature stand two young authors, Peter Balko and Peter Prokopec, along with graphic designer David Koronczi, introduced their new “anti-logy” of Slovak writing. Aimed at schools but very far from being a stuffy textbook, Literatúra bodka sk (Literature.dot.sk) aims to show that contemporary authors inhabit the same world and share the same sensibilities as young readers, and includes samples of fiction and non-fiction as well as a graphic novel, Rudo, by Daniel Majling. Rudo started life as a Facebook cartoon strip and has now been issued in book form by Czech publisher Labyrint (in a Czech translation!).

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On the other side of the Danube, housed inside the Slovak National Gallery and overlooking the river, Café Berlinka is fast establishing itself as a vibrant literary venue, in association with the adjoining Ex Libris bookshop. Since September 2016, the café has been hosting Literárny kvocient [Literature quotient], a series of debates featuring leading literature scholars and critics.  Of the many book launches that took place over the past few weeks, the liveliest must have been the feminist press Aspekt’s presentation of a selection of poems by Hungarian activist poet Virág Erdős, Moja vina [My Fault].  The book was translated into Slovak by Eva Andrejčáková (a past Asymptote blog contributor) in cooperation with poet Vlado Janček, who read some of the hilariously outrageous poems to his own guitar accompaniment (you can watch Virág Erdős perform “Van egy ország”/ “There is a Country” in Hungarian with the band Rájátszás here). READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from South Africa, Nigeria, Hong Kong, and Singapore

Catch up with latest book festivals, translation awards, and advances in the fight against free speech restrictions with the Asymptote team this week. Editor-at-Large for Hong Kong Charlie Ng reports on the a new PEN branch, while Executive Assistant Theophilus Kwek sends us the scoop on graffiti-poetry and more from Singapore. Editor-at-Large Alice Inggs knows the best new publications coming out of South Africa and Nigeria and takes us along on the lit festival circuit. 

Editor-at-Large Charlie Ng Chak-Kwan calls in the news from Hong Kong:

PEN Hong Kong was re-established this September. The official launch of the organisation was held on 13 November to introduce its mission, work, and founding members to the community of writers, journalists, translators, publishers, and those interested in writing or concerned with free expression in Hong Kong. The re-launch at this timely moment is aimed at addressing the restraints on freedom of speech in Hong Kong in face of tightening political control from the Chinese Government, seen in such incidents as the disappearance of five members of a Hong Kong bookstore that sold publications critical of Chinese leaders. Additionally, Beijing’s interpretation of Article 104 of the Basic Law has led to the disqualification of two newly elected pro-democratic Legislative Councillors.

Besides featuring the launch of PEN Hong Kong, the Hong Kong International Literary Festival this year put together a broad range of activities for all literary lovers. Hong Kong-born, Chinese-British poet and winner of the 2015 T. S. Eliot Prize Sarah Howe read from her poetry collection Loop of Jade and gave a lecture at the University of Hong Kong. Meanwhile, renowned Chinese Misty poet Bei Dao also gave a poetry reading in the Festival. The two panels, ‘Lost and Found in Translation I and II‘, shed light on the significance of translation for poetry, fiction, and cultural exchange.

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Asymptote’s Pushcart Prize Nominations

It's that time of year, and we're proud to recognize six wonderful pieces of literature!

We are thrilled to nominate the following six articles published during the past year for the Pushcart Prize. Please join us in giving a round of applause to both the authors and translators behind these incredible pieces.

At 997 words, Pedro Novoa’s devastating short story, “The Dive”, won Peru’s “Story of 1,000 Words” contest. Translating this nautical thriller cum family saga into English, George Henson made it an Oulipian exercise by keeping the English text under 1,000 words as well. Shimmering with poignancy, the multi-layered story delivers a powerful allegory about the blood ties that bind even when broken—the concatenation of islands we will nevertheless always be.

“To translate means, therefore, not only to exercise extreme vigilance over the movements of the original text, but above all to scrutinize the limits of one’s own language, as it creeps up to the original.” Via co-translators Rebecca Falkoff and Stiliana Milkova, Anita Raja’s magnificent essay frames “Translation as a Practice of Acceptance ” and argues that the translator’s greatest resource must be her own inventiveness.

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