Posts by Sohini Basak

Ida Börjel Invents New Language to Examine Authoritarianism, Resistance, and Sabotage

what happens if the cute start to speak, if they start making claims on our way of reasoning?

Born in Lund, Sweden, Ida Börjel is one of the most radical voices in contemporary conceptual poetry. Since her multiple award-winning debut collection Sond (Probe, 2004), Börjel has been investigating the current conditions of our world, raising questions such as ”Why do we walk in circles when we are lost?”, and, ”what is a waist measure of nationalistic characters?” Her poetry absorbs and reinvents language from consumer law, juridicial clauses, racist radio, political pamphlets and other sprawling sources to expose our contemporary, linguistic, and societal circumstances in relation to various forms and systems of power and authority. Her collection Miximum Ca’Canny the Sabotage Manuals (Commune Editions, 2016) is available to English-language readers in the translation of Jennifer Hayashida. Hayashida is working on a forthcoming translation of Ma, Börjel’s most widely-acclaimed book, which received many awards in the original, including the prestigious Erik Lindegren prize and Albert Bonnier’s poetry prize.

Asymptote‘s Sohini Basak caught up with the poet over email last month.      

Sohini Basak (SB): In your collection Miximum Ca’Canny the Sabotage Manuals, a collective of industrial workers’ voices confound and sabotage capitalist machinery and “the boss” in various ways, including providing instructions for what to do when they “cutta da pay”: hide paperwork, peel off labels, forget tools, embrace slowness, hold meetings, ask questions—it’s a very real and fascinating interaction between materiality and ownership of language. I’m interested in the blueprints of this collection. Where did you begin?

Ida Börjel (IB): It began, I guess, with that old question about free will, about akrasia and how we might come to deviate from a given pattern. What compels a person to step across the threshold, out on the piazza, into action? Or to activate a gesture of refusal, discontinuation, or silence? And, in addition, the question I’ve been dragging along in my writing since day one: How, in what kind of language, can I think differently about a system of which we are a part? In which we are apart?

So, in pursuing those questions, I conducted a minor survey of sabotage in time and space, from above and below, inside and out: from Elisabeth Gurley Flynn and her 1916 pamphlet ”Sabotage: The Conscious Withdrawal of the Worker’s Industrial Efficiency,” to—still in the U.S. but directed overseas—the OSS (a predecessor to the CIA) pamphlet ”Sabotage: A Simple Field Manual,” which suggests the ”citizen-saboteurs” in France and Norway during WWII issue two tickets for one seat on the train in order to set up an ”interesting” argument, just to name example. It also states that ”purposeful stupidity is contrary to human nature,” so the citizen-saboteur ”frequently needs pressure, stimulation or assurance.” From there, I I looked at contemporary workers in the textile industry in Pakistan or the closing of an Ericsson factory in Gävle, Sweden, in 2009, and many others—there are pamphlets, diaries, blog texts, conversations, memories to sift through. There is much to be found and read out there, though there are sources that need to stay anonymous.

SB: That’s very immersive … and once you had points of references, memories, material, how did you map it all out?

IB: What seemed urgent to me in rewording and sampling texts from these various sources was not a simple whodunnit, but rather, how does one find and pick up that ”fine thread of deviation,” as Gurley Flynn puts it, in the present order of things? In the factory or at the office, yes, but also in factory life outside of the factory. In the prevailing social structures, in our daily lives… Do we speak, think, write, like in a factory? Leslie Kaplan, author of Excess– The Factory, asks this.

READ MORE…

Monthly Update from the Asymptote Team

The first month of 2017 has been a big one for the folks here at Asymptote!

Poetry Editor Aditi Machado read with fellow poet Kea Wilson at Washington University in St Louis on 26 January. Her recent translation of Farid Tali’s Prosopopoeia was reviewed in Europe Now by Asymptote‘s Editor-at-Large for Iran, Poupeh Missaghi.

Spanish Social Media Manager Arthur Dixon launched Latin American Literature Today, a new bilingual journal affiliated to World Literature Today. He serves as Managing Editor and principal translator.

Contributing Editor (Chinese) Francis Li Zhuoxiong’s recent memoir looking back on his 20 illustrious years as a Chinese lyricist was announced as a top ten finalist for the nonfiction category by the organizers of the Taipei International Book Exhibition.

Assistant Managing Editor Lori Feathers is opening Interabang Books in Dallas, Texas. The independent bookstore is expected to open in May. In addition to being a co-owner, Lori will be the store’s book buyer. For more information about the store visit interabangbooks.com.

India Editor-at-Large Poorna Swami spoke at a panel on South Asian books in translation at Jaipur Bookmark, part of the Jaipur Literature Festival. On another panel, she and Assistant Managing Editor Janani Ganesan presented on Asymptote‘s Indian Languages Special Feature. The Indian online news publication The Wire ran a selection of poems from this Feature in a week-long series titled The Republic of Verse.

Social Media Manager Sohini Basak has received the inaugural Beverly Series manuscript prize. Her debut poetry collection We Live in the Newness of Small Differences will be published by Eyewear Publishing in early 2018. She has also received a Toto Funds the Arts award for her poetry.

Chief Executive Assistant Theophilus Kwek‘s latest chapbook, The First Five Storms, which won the 2016 New Poets’ Prize, was released this month by smith | doorstop press. His also launched ‘Words of Welcome’, a new fortnightly series dedicated to spotlighting the literary voices of refugees in Oxford and writers who work directly with them.

*****

Read More Dispatches from the Asymptote Team:

Monthly Update from the Asymptote Team

New year, same busy Asymptote members! Check out what we've been up to, from the page to the stage.

Poetry Editor Aditi Machado‘s translation project, ‘Sentences / Sententiae’, has been published in its current form in the latest issue of Almost Island. Her work also appears in Folder Magazine‘s latest print collection, and you can read a section of her recently-published translation of Farid Tali’s Prosopopoeia in The Guardian. 

‘After Orlando’, a theatre action piece co-led by Drama Editor Caridad Svich, was performed in New York and London, and featured in Exeunt Magazine. Her review of Chris Goode’s The Forest and the Field: Changing Theatre in a Changing World, was also published in the Contemporary Theatre Review. 

India Editor-at-Large, Poorna Swami, has a poem in the third issue of Prelude Magazine. Her interview with art critic and photographer Sadanand Menon on ‘Nationalism and Dance’ has also been featured in Ligament. 

A new short story by English Social Media Manager Sohini Basak has been published in the latest issue of Out of Print, and another was published earlier in December in 3:AM Magazine. 

Chief Executive Assistant Theophilus Kwek‘s New Year’s Eve round-up on ‘2016: A Year in Translation’ was published in The Oxford Culture Review. He also has a new poem in the current issue of The London Magazine. 

Indonesia Editor-at-Large Tiffany Tsao appeared on a segment of ABC iview’s ‘Bookish’ programme to discuss the question, “What is ‘Asian’ Literature?” Her novel, The Oddfits, appears on 2016’s ‘Top 5’ list of Superhero Novels 

Chile Editor-at-Large, Tomás Cohen, helped to present ‘Hafen Lesung #9‘, a multilingual literary evening in Hamburg. His poem, ‘Andarivel’ (from his collection, Redoble del ronroneo), was featured on Vallejo and Co., while a Greek translation of the same poem was also published this month in Vakxicon. 

Finally, if you missed it in December, check out Asymptote‘s lovely feature in The Hindu, and read the full version of our Editor-in-Chief Lee Yew Leong’s interview on our blog!

*****

Sign up to be a sustaining member today at just $5 a month! We’re still short of hitting our target by several members; each additional membership takes us closer to being able to operate beyond April 2017.

To reward your support, we have a whole range of Asymptote memorabilia—don’t forget to check them out!

Read More Dispatches from the Asymptote Team:

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Tibet, North America, and South Africa.

Friday, as you well know, is world literature news day here at Asymptote. This week, we delve into news from three continents. In Asia, Social Media Manager Sohini Basak has been following the Tibetan literary discussion, while in North America, Blog Editor Nina Sparling is keeping a close eye on post-election developments. Finally, we go to South Africa where Editor-at-Large Alice Inggs has plenty of awards news. 

Social Media Manager Sohini Basak sends us this fascinating report on the Tibetan literary scene:

Some very interesting work on Tibetan literature is in the pipelines, as we found out from writer and researcher Shelly Bhoil Sood. Sood is co-editing two anthologies of academic essays (forthcoming from Lexington Books in 2018) on Tibetan narratives in exile with Enrique Galvan Alvarez. These books will offer a comprehensive study of different cultural and socio-political narratives crafted by the Tibetan diaspora since the 1950s, and will cover the literary works of writers such as Jamyang Norbu, Tsewang Pemba, Tsering Wangmo Dhompa, Tenzin Tsundue as well as look at the cinematographic image of Tibet in the West and the music and dance of exile Tibet.

Speaking to Asymptote, Shelly expressed concern for indigenous Tibetan languages: ‘It is unfortunate that the condition of exile for Tibetans, while enabling secular education in English and Hindi, has been detrimental to the Tibetan language literacy among them.’ She also pointed towards important work being done by young translators of Tibetans like Tenzin Dickie and Riga Shakya and UK-based Dechen Pemba, who is dedicated to making available in English several resistance and banned writings from Tibet, including the blog posts of the Sinophone Tibetan writer Tsering Woeser (who is prohibited from travelling outside Tibet), on highpeakspureearth.com.

At Himal magazine, which Asymptote reported in an earlier column will suspend operations from November due to “non-cooperation of regulatory state agencies in Nepal”, writer and scholar Bhuchung D Sonam has pointed to another facet of Tibetan literature, in what could be one of the last issues of the magazine. In his essay, Sonam looks at the trend in Tibetan fiction to often use religion and religious metaphors as somewhat formulaic devices which ‘leaves little space for exploration and intellectual manoeuvring’. He sees this trend being adopted by several writers as a challenge to locate themselves ‘between the need to earn his bread and desire to write without fear, and between the need to tell a story and an urge to be vocal about political issues and faithful to religious beliefs.’ READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The magazine was being “silenced not by direct attack or overt censorship but [by] the use of the arms of bureaucracy to paralyse its functioning.”

The first stop on our world tour takes us Down Under with Editor-at-Large Beau Lowenstern, who brings us the latest on book awards and the state of the arts industry in Australia. Switching hemispheres, we then join Blog Editor Nina Sparling in the US, where she has the update on must-see, Spanish-language author events and hot new publications. Then we’re off to Nepal where Social Media Manager Sohini Basak reports on everything from the shrinking freedom of the press to poetry slams.

Editor-at-Large Beau Lowenstern brings us the latest in lit from Australia:

Spring in Australia kicked off with the announcement of the winner of the Miles Franklin Literary Award on the opening night of the Melbourne Writers Festival. The award, established in 1954, is Australia’s most prestigious literary honor and celebrates uniquely Australian works. A.S. Patrić won for his debut novel Black Rock White City, which explores the immigrant experience amidst the carnage of war and isolation.

The festival offered a full week of incredible events. Maxine Beneba Clarke, known as one of the boldest and most prolific literary voices in Australia today, opened the first night. Her forthcoming memoir, The Hate Race, frames topics like violence and racism in the Australia of her childhood and opens a dialogue much-needed today. The remainder of the festival saw contributions from such names as PJ Harvey, Geoff Dyer, Lionel Shriver, A.C. Grayling, Eimear McBride, and Lev Grossman, with special showcases on identity and feminist writing.

Literary festivals like those that take place each year in Melbourne, Sydney, Brisbane, and Adelaide have increasingly become the backbone of the country’s literary community. Australian arts and literature have been the victims of significant budget cuts in recent years, with 2015 seeing a more than 20 percent reduction in funds to one of the nation’s leading arts organizations. Against this backdrop, it’s even more encouraging to see the positive response to such literary events and the vibrant cultural scene continuing to flourish in new ways.

Blog Editor Nina Sparling has the scoop from the United States:

This week in North America, as we stagger under the heavy weight of this contentious election season, writers, critics, and literary folks are celebrating Banned Books Week. It seems a fitting moment to focus on the voices of those courageous, innovative writers whose work has been censored, and to meditate on the political and cultural moments that produced their repression. In Washington, D.C., the public library system hid hundreds of copies of banned books in bookstores in a citywide scavenger hunt. The New York Public Library kept it digital with a multiple-choice quiz where readers can guess the reason for a book’s prohibition.

READ MORE…

My 2015

The off-white of the page and the off-white of the walls. The world outside the door. And you reading.

What is the memory of reading? How do you remember reading? For me, I cannot simply recall the book in question, but also when I read it, why I had chosen to read it if there was a choice involved, or how I chanced upon it, and most significantly, where I read it: in which rooms and in which seats. I have moved around a lot this year, both travelling and relocating, but at the same time, my memories of reading certain books invoke stillness, the kind where you notice the slightest movement of daylight changing the hours. The off-white of the page and the off-white of the walls. The world outside the door. And you reading. And then there are some books that do not ask for a stupor, but an attention where you want to see or imagine it being made, you want to know what it looked like in its first stages and what conversations transformed it into its finished present state. Well-arranged poetry anthologies have this effect on me. When I heard Robert Chandler speak about The Penguin Book of Russian Poetry at the Place for Poetry conference, at Goldsmiths in London earlier this year, I knew I had to spend time looking at the way he had organized the contents and think back to what he had said about editorial choices, about being both editor and translator, and working with co-editors. How does one take on the challenge of representing 200 years of Russian poetry to be published in 2015 and under the banner of a Penguin Classic? The key, Chandler said was in striking a balance between what is available and what should ideally be available. So he had to go beyond the ‘seductive neatness’ of the four that most representation of Russian poetry is over-fixated on (Anna Akhmatova, Osip Mandelstam, Boris Pasternak and Marina Tsvetaeva), and include a few non-Russian poets, and have over fifty contemporary translators work on the anthology. READ MORE…

New in Translation: November

Wolfgang Koeppen’s Youth, Vietnamese poetry by Nguyen Phan Que Mai, and Melania G. Mazzucco’s Limbo

The strength of Wolfgang Koeppen’s Youth (Jugend), an autobiographical account of the German author’s formation, lies in the small stuff: its sentence constructions, its often-startling words. These sentences can go on endlessly, such as the evocation of its setting that starts the book. After a first, short sentence—“My mother was afraid of snakes”—Koeppen goes on to describe the area of Rosental in one elaborate sentence that continues for the next three pages. This sentence twists and grows, covering furniture, landmarks, food, even the history of the young narrator’s family, until the speaker plunges into a fantastic rant against the place:

[…] while all around the streets smelled complacently of the anatomy of clinics, the sweat of patients, the horror of the dying, the fear of the examinee and the guilty innocents at the mercy of the prison-warders […] of the vanity of professors, the dead hearts of officials, the frowst of the laws, and then the poverty of the Lange Reihe and the indurated humiliation of the gray school, how I hated the city and wished it consigned to the snakes (5).

READ MORE…

Publisher Profile: Tulika Books

An inside look at translating and publishing children's literature… in nine languages!

Interview with Radhika Menon, founder & managing editor of Tulika Books, India.

Sohini Basak: How did Tulika start out?

Radhika Menon: When we set up Tulika Publishers in 1996, we wanted to create Indian books that were as good as the best books anywhere. No, not “just as good as.” We want to give the children supremely good books and we wanted these books to be right in the Indian context. Our own generation had been fed books from the West, and had been taught to keep away from the more didactic, mass-produced Indian books. Good books, we assumed, came from elsewhere, usually from England!

We needed to reflect a contemporary Indian sensibility. But the contemporary Indian reality was vast, varied, and multilingual. It was clear to us that we would have to publish in as many of the Indian languages as possible.

Today we publish picture books in nine languages simultaneously—English, Hindi, Tamil, Malayalam, Kannada, Telugu, Marathi, Gujarati and Bengali. We also do bilingual books—English paired with each of the other eight languages. Some of the books for older children are in English alone and they too reflect a contemporary “Indianness” in their perspective, and in their very feel and look. READ MORE…