Highlights from Our Winter 2017 Issue

The blog editors share their favorite pieces from our latest issue!

Here at the blog, we’ve been mesmerized by the new Winter 2017 Issue since its launch on Monday. We hope you’ve had time to dive in, too, but if not, here are a few great places to start!

“Daland” by Lika Tcheishvili, translated from the Georgian by Ekaterine Chialashvili and Alex Scrivener, is a curious little story, told in the first person by an unnamed dock worker in Bandar Abbas, Iran. Anyone who has seen or read about Lin Manuel Miranda’s Hamilton will find themselves in familiar territory when the narrator becomes the unlikely participant in a duel. Any sense of familiarity stops there, however. The man who challenges him is a mysterious smoker with a perpetually fresh lily—flowers foreign to Bandar Abbas—in his lapel and an appointment with a schooner no one has heard of…

I also cannot get the words of Christiane Singer out of my head. In her essay, “The Feminine, Land of Welcome,” translated from the French by Hélène Cardona, she writes to women, “stand bewitched and ready to leap: the queen, the sister, the lover, the friend, the mother—all those who have the genius for relationship, for welcoming. The genius for inventing life.” She highlights the danger of defining women only by their commonalities, as well as the horrors that could have come to pass—and could still—in a world without women. Their absence would be powerfully felt, even in comparison to situations in which they are already roundly ignored or discredited.

—Madeline Jones, Blog Editor

In “Always Already Translated: Questions of Language in Singaporean Literature”, Boston-born Philip Holden, who has lived in Singapore for more than 20 years, writes lyrically about this multilingual city-state. Having worked with languages Holden mentions—Malay, Malayalam, Javanese, and many others—I loved his description of situations where “I speak in Mandarin to Chinese patients, and they reply not to me but to my Chinese co-worker, who looks back at me in incomprehension. She speaks in Malay to older Chinese and Malay patients, and they reply in Malay not to her but to the third of us, the Indian woman who wears a tudung that marks her out as Muslim and, by a process of mistaken association, Malay.” Multilingual societies are sadly often depicted as wrought with conflict. While language in Singapore is, like everywhere in the world, a political issue, too, Holden focuses on the opportunities it provides for performing and literary arts. We don’t have to search for a common language, he argues—it’s more interesting to find “holes between languages that everyday translation continually fills up”.

I have never read Albanian literature before, however. If you are like me, I can warmly recommend the three poems by Luljeta Lleshanaku, one of the country’s most important writers, as an introduction. Taken from the collection Negative Space and translated by Ani Gjika, the poems describe a simple life: apple trees, a butcher carving meat, “gardens hidden behind houses like sensual neck bites”. But behind each poem is a rotten apple, or cold floors, and getting one’s way without any real gain—poetic realism. Do also have a listen to the translator reading the original text in Albanian!

—Hanna Heiskanen, Blog Editor

Check out the gorgeous video preview of the new issue here:

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Read More from the Asymptote team:

Translation Tuesday: Two poems by Shubham Shree

I know this poem is really weak—just like a menstruating woman.

Our Winter 2017 issue, hot off the presses yesterday, celebrated our six years of publishing world literature with new work from 27 countries by authors such as Colm Tóibín, Cesare Pavese and Monika Rinck, alongside a Special Feature on Indian poetry focusing on marginalized voices. Here, via acclaimed translator Daisy Rockwell, we present two works from this Special Feature by 2016 Bharat Bhushan Agrawal Prize winner Shubham Shree—who recently caused great controversy with her bold use of slang and English words, considered a desecration of the tradition of Hindi poetry.

My Boyfriend

(An essay proposed for the Grade Six Moral Education Curriculum)

My boyfriend is a two-legged boy human
He has two hands, two feet, and one tail
(Note—I’m the only one who can see his tail)
My boyfriend’s name is Honey
At home, he’s Babloo, on his notebooks, Umashankar
His name is also Baby, Sweetie-pie, and Darling
I call my boyfriend Babu
Babu also calls me Babu
Babu has dandruff in his hair
Babu crunches when he eats
Babu slurps when he drinks
When he’s annoyed he packs a 440 volt punch
He has vaccine scars on his arms, twin half-lemons
If you poke them he screams
My Babu also cries
in a hiccupy sort of way
And he laughs with his eyes closed
He loooves salty food
When he sleeps, he snores from his nose and mouth
I am a good girlfriend
I swat away the flies trying to sneak into his mouth
I even smacked a mosquito on his belly
I always start laughing when I see him
He has very nice cheeks
If you stretch them out they get five centimeters bigger
He gave me a teddy bear named Kitty
We are the world’s best couple
Our anniversary is the 15th of May
Please congratulate us

*What we learn from my boyfriend
Is that you should smack mosquitos on your boyfriend’s belly
And swat flies away from his mouth
READ MORE…

Book Recommendations for the New Normal

Suggested reading for the fast-approaching U.S. Presidential Inauguration and our changing world politics

This Friday, real estate mogul Donald Trump will be sworn is in as the 45th President of the United States. Last month, Italy’s citizenry voted effectively for the resignation of its Prime Minister, Matteo Renzi, in a referendum applauded by France’s right-wing, nationalist party leader Marine Le Pen, while another far-right conservative, Francois Fillon, is expected to win the French presidential election in May. Last summer, the world watched the historic Brexit vote, and Austrian presidential candidate Norbert Hofer, who ran on the promise of an Austrian Brexit, lost the nation’s vote by a very close margin last month.  

The political climate all over the west is profoundly changing, and those who failed to predict the current developments are scrambling to make sense of them. Book proposals by diplomats, pundits, and economists are flooding publishers’ inboxes, all claiming to have the most accurate analysis of the causes of Trump’s win or Britain’s isolationism. But a look at the past, and some past literature, suggests that perhaps we should be surprised at our own surprise. We gathered some book recommendations to prepare you for this Friday and the vast challenges ahead because—wait for it—knowledge is power (sorry!) and there are many already-published texts, many in the history category, with a wealth of relevant knowledge to impart.

Asymptote’s Marketing Manager David Maclean suggests you check out:

Stefan Zweig’s The World of Yesterday , translated by Anthea Bell (Pushkin Press, 2013)

“As a great many political pundits have pointed out, the resurgence of nationalist and far-right movements throughout Europe has more than a passing resemblance to the initial rise of fascist groups prior to the Second World War. Disguised as an autobiography, Zweig’s The World of Yesterday offers a coruscating portrayal of the idealism of pre-war Europe and the European cross-cultural project, as well as the fragility of the ideals of Enlightenment in the face of (dangerously) cynical realpolitik, ignorance, and the fostering of prejudice. The nation cannot be loved above all else, warned Simone Weil, since it has no soul—and indeed it is the balkanization of Europe that Zweig portrays as a logical result of nationalist movements that propagate loyalty to the nation above all else. His book is also one of resistance, of the possibility for literature and art to resist the totalitarianism of thought imposed upon us through exercising our creative imaginations—an understated but underestimated daily act of resistance.”

The Word for World is Forest by Ursula le Guin (Tor Books, 2010)

“I had thought to include Rachel Carson’s seminal 1962 book The Silent Spring, which arguably thrust eco-criticism and global conservation into the mainstream debate, but since the United States’ president-elect seems intent on living in a fantasy world regarding man-made climate change, I decided to be magnanimous and stick with his chosen genre. The novella details a logging colony established on the fictional planet of Athshe by Earth’s military-industrial complex, which is slowly but surely denuding the planet of its primary resources and leaving vast swathes of it barren and lifeless. The novel hinges on a conflict of ideologies between the native population, which may be well be seen as a surrogate for nature, and ourselves (the Terrans) who view nature as a disposable resource for immediate consumption and have little to no regard for the long-term consequences. In the Athshean language, the word for “forest” is also the word for “world”, showing the dependence of the Athshean culture upon the forest, much as we all depend upon a fecund, hospitable world that continues to dance on the brink of ecological ruin.”

Blog Editor Madeline Jones found pertinent wisdom in:

The Beautiful Country and the Middle Kingdom: America and China, 1776 to Present by John Pomfret (Henry Holt, 2016)

“We all know that the U.S. president-elect likes to make China a scape goat for basically whatever he thinks is unsatisfactory about American affairs that he can’t conceivably blame on Crooked somebody or Lyin’ somebody else. Of Trump’s targets of aggression now that he’s been elected, China perhaps comes in second only to FAKE NEWS (caps his). We’ve all heard the “Gina” jokes. His lack of understanding of diplomacy generally but particularly regarding China is near-comical, so it’s difficult to even wrap your mind around the implications of his attitudes toward the world’s largest economy, but it is vital that at least someone in his administration does. In the meantime, I decided to try to understand the nuances of the relationship better myself. This book is invaluable—and highly readable—to that end. It’s not short, but it’s a one-stop shop.”

The Fire This Time, edited by Jesmyn Ward (Scribner, 2016)

“Pointedly drawing inspiration from James Baldwin’s The Fire Next Time, Ward has gathered responses from her generation’s most eminent voices on race in the form of critical essays, personal reflections, and poetry. From Jericho Brown to Daniel Jose Older, Claudia Rankine to Clint Smith, the contributors make this a worthwhile read for its own, aesthetic sake, but it’s also an emotional and timely reminder of the ways in which society has not changed since Baldwin was writing, the areas in which there is still vital need for improvement. While newspapers and magazines have been praising J.D. Vance’s memoir Hillbilly Elegy since Trump won the Republican nomination as the book to understand America today, I found Ward’s book to be an important counterargument to that narrative, especially given Jeff Sessions’s imminent confirmation by the Senate. Vance’s book has merit, certainly, but the current focus on “understanding the white working class” cannot be emphasized at the expense of a focus on race relations and the continued economic and privilege gap between white Americans and black and Hispanic Americans. Reading Hillbilly Elegy is a worthwhile exercise in empathy, but it’s no more important than reading Ward’s collection. Baldwin wrote, ‘You think your pain and your heartbreak are unprecedented in the history of the world, but then you read.’ There is plenty of pain and heartbreak in The Fire This Time, too.”

Blog Editor Hanna Heiskanen recommends:

The Establishment: And How They Get Away With It by Owen Jones (Penguin, 2014)

“British journalist and writer Owen Jones (b. 1984) hasn’t made a secret of his political inclinations (very left-wing, in case you haven’t heard), and he was a staunch critic of Donald Trump throughout his election campaign. His 2014 book, The Establishment: And How They Get Away With It, which was met both with great praise and criticism, zooms in on the power structures of British society and is now more relevant than ever. Owen claims that while the people continue voting in elections, behind the scenes, a network of the unelected, unaccountable, and immensely powerful advisors and diplomats control our lives and steer decision-making. Though Jones’s book focused on the UK and some of its seemingly unique features, such as the grooming of the new ruling class at top universities, or the privatisation of public services, its fundamental premise applies to almost any country you could point to on the map. Whether you grew up in a Nordic welfare society or listening to stories about the American Dream, this makes for a relevant, albeit depressing, read.”

The Communist Manifesto by Karl Marx and Friedrich Engels (1848, 2015 Penguin)

“It might be old, and many would say old-fashioned, but the grand ideologies of the 19th and 20th centuries, capitalism and communism, continue to have an undeniable impact on our societies and politics. Many have explained the rise of the far-right and nationalist sentiments around the world with the collapse of traditional industries that would have supported generations of working families who now feel unnecessary or displaced. Now, with the rise of China as a world power, as well as a future in which robots will take over an increasing number of tasks from humans, Marx’s writings suddenly don’t seem as outdated anymore.”

And literary critic Harold Bloom offered:

“The only thing I can think of right now is Yeats’ ‘The Second Coming’.”

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Weekly Dispatches from the Frontlines of World Literature

This week's literary updates from the Czech Republic, Iran, and England

This Friday, we present three very distinct reports from the world of literature. Slovakian Editor-at-Large Julia Sherwood looks back at what was a great year of Czech literature in translation and gives us a sneak peek at what to look forward to this year. Her Iranian colleague Poupeh Missaghi reports on language-related issues in a human rights Twitter campaign. And finally, the UK Editor-at-Large M. René Bradshaw tells us where to head for great readings in London this month and next.

Julia Sherwood, our Editor-at-Large for Slovakia, has good news from the publishing world:

Last year proved to be a big year for Czech literature in English translation, with no fewer than eighteen publications from eight different presses at the latest count. They include, to mention just a few, Worm-Eaten Time, poet Pavel Šrut’s elegy for his homeland after the Soviet-led invasion of Czechoslovakia, translated by Deborah Garfinkle, and symbolist poet Jaroslav Durych‘s (1886-1962) 1956 novella God’s Rainbow on the expulsion of the German-speaking population from Bohemia after World War II. First published in censored form in 1969, it is now available in full in David Short’s translation as part of Karolínum Press’s Modern Classics series, which also features Eva M. Kandler’s translation of the World War II literary horror The Cremator by Ladislav Fuks, a study of the totalitarian mindset that still resonates today (extract in BODY Literature), and served as the basis for one of the key films of the Czech new wave, directed by Juraj Herz.

Stoppard_and_Bajaja,_photo_by_Pavel_Stojar

On 30 November, a packed audience at the launch of Antonín Bajaja’s Burying the Season (also translated by David Short) at Waterstones Piccadilly in the heart of London included the playwright Tom Stoppard. Stoppard’s father came from the town of Zlín, the setting for this novel depicting the early years of communism in Czechoslovakia. Czech literature scholar Rajendra Chitnis introduces the book as part of an Istros Conversations podcast on Audioboom, while Michael Tate of Jantar Publishing discusses on Czech radio the challenges of bringing Central European literature to English readers.

World Literature Today picked Czech writer Magdaléna Platzová’s The Attempt as one of its Notable translations of 2016, characterizing it as “historical fiction at its best”. In an interview with the Czech cultural bi-weekly A2, the novel’s translator Alex Zucker points out that while more books by Czech authors are now being published than ever before, they don’t necessarily reach many more readers since—like translated literature in general—quite a few are brought out by small independent presses and are therefore not visible in major bookshops and rarely reviewed.

In 2017, we can look forward to Zucker’s translations of two the most acclaimed contemporary Czech writers: Jáchym Topol’s Angel Station is due from Dalkey Archive in May, and Petra Hůlová’s taboo-breaking Plastic Three Rooms will be brought out by Jantar Publishing. Budding UK translators keen to be part of this unprecedented boom in Czech literature in English can participate in the fourth annual international competition for young translators, who this year are asked to tackle an excerpt from Bianca Bellová’s The Lake by 31 March (see their call for submissions). Budding Czech-to-English translators can also dip into the treasure trove of tricky issues, complete with solutions generously shared by Melvyn Clarke, in his blog post Translating Hrdý Budžes.

Acclaimed writer Zuzana Brabcová, who sadly passed away in 2015, was posthumously awarded the Josef Škvorecký prize for her haunting last novel Voliéry [Aviaries]. And as the year drew to a close, scores of students and literature lovers mourned the loss of the legendary Fišer bookstore in Kaprova Street near Prague’s Old Town Square, which closed its doors after selling books since the 1930s.

READ MORE…

What’s New in Translation? January 2017

Asymptote reviews some of the best new books from Spanish, German, and Occitan.

proensa_1024x1024

Proensa: An Anthology of Troubadour Poetry, tr. by Paul Blackburn, edited and introduced by George Economou. New York Review Books.

Review: Nozomi Saito, Executive Assistant

Translated from the Occitan by Paul Blackburn, Proensa: An Anthology of Troubadour Poetry is a remarkable collection of troubadour poetry, which had vast influence on major literary figures, including Dante and Ezra Pound. As poems of the twelfth century, the historic weight of troubadour poetry might intimidate some, but the lively language in Paul Blackburn’s translations is sure to shock and delight twenty-first century readers in the same way that these poems did for their contemporary audiences.

The context surrounding the original publication of Proensa in 1978 is nearly as interesting as the troubadour poems themselves. Although Proensa was in fact ready for publication in the late 1950s, lacking only an introduction, the collection was not published until seven years after Paul Blackburn’s death. The manuscript was then given to George Economou, who edited the collection and saw to its posthumous publication.

The circumstances of the publication of Proensa, of the pseudo-collaboration between a deceased translator and a living editor, are reminiscent of another publication that came out in 1916, Certain Noble Plays of Japan. This manuscript was a collection of Noh plays translated by Ernest Fenollosa, which Ezra Pound received after Fenollosa’s death.

Interestingly, it was Ezra Pound’s influence and the great importance he placed on the troubadours that ignited the fire of translation within Blackburn.  Pound, as Economou explains, “did more than any other twentieth-century poet to introduce the troubadours and their legacy to the English-speaking world”. Pound viewed the translation of the troubadours as an all-important task, and Paul Blackburn answered the call-to-action.

Six degrees of Ezra Pound. The coincidence (if it is one) begs the question of why Proensa is being reprinted now, thirty-nine years after its original publication, and one hundred years after the publication of Certain Noble Plays.

In the case of Certain Noble Plays, the significance of its publication was that Pound (as well as William Butler Yeats) felt that the Noh plays could revitalize Anglo-American poetry and drama in ways that suited modernist aesthetics. One might wonder if the same intention lies behind the reprinting of Proensa—if these troubadour poems are appearing again to twenty-first century readers to revitalize poetry and performance using literary forms from the past. READ MORE…

Monthly Update from the Asymptote Team

New year, same busy Asymptote members! Check out what we've been up to, from the page to the stage.

Poetry Editor Aditi Machado‘s translation project, ‘Sentences / Sententiae’, has been published in its current form in the latest issue of Almost Island. Her work also appears in Folder Magazine‘s latest print collection, and you can read a section of her recently-published translation of Farid Tali’s Prosopopoeia in The Guardian. 

‘After Orlando’, a theatre action piece co-led by Drama Editor Caridad Svich, was performed in New York and London, and featured in Exeunt Magazine. Her review of Chris Goode’s The Forest and the Field: Changing Theatre in a Changing World, was also published in the Contemporary Theatre Review. 

India Editor-at-Large, Poorna Swami, has a poem in the third issue of Prelude Magazine. Her interview with art critic and photographer Sadanand Menon on ‘Nationalism and Dance’ has also been featured in Ligament. 

A new short story by English Social Media Manager Sohini Basak has been published in the latest issue of Out of Print, and another was published earlier in December in 3:AM Magazine. 

Chief Executive Assistant Theophilus Kwek‘s New Year’s Eve round-up on ‘2016: A Year in Translation’ was published in The Oxford Culture Review. He also has a new poem in the current issue of The London Magazine. 

Indonesia Editor-at-Large Tiffany Tsao appeared on a segment of ABC iview’s ‘Bookish’ programme to discuss the question, “What is ‘Asian’ Literature?” Her novel, The Oddfits, appears on 2016’s ‘Top 5’ list of Superhero Novels 

Chile Editor-at-Large, Tomás Cohen, helped to present ‘Hafen Lesung #9‘, a multilingual literary evening in Hamburg. His poem, ‘Andarivel’ (from his collection, Redoble del ronroneo), was featured on Vallejo and Co., while a Greek translation of the same poem was also published this month in Vakxicon. 

Finally, if you missed it in December, check out Asymptote‘s lovely feature in The Hindu, and read the full version of our Editor-in-Chief Lee Yew Leong’s interview on our blog!

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Sign up to be a sustaining member today at just $5 a month! We’re still short of hitting our target by several members; each additional membership takes us closer to being able to operate beyond April 2017.

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Translation Tuesday: “The War is Coming” by Jazra Khaleed

“On the 7th of January 2014, the United Nations stopped counting Syria’s dead.”

In this sobering poem, Chechnya-born Greek poet Jazra Khaleed vividly depicts a war “so trite and pedestrian, filled with similes and ornate adjectives, its history is written in the font Comic Sans.” For most of us in the settled world unable to imagine what it is that Syrian refugees go through, these words encompass a different but now less unknowable spectrum of the human experience.

 

The War is Coming

For Ghayath al-Madhoun
and his million Arab poets

1.

I decided to leave Syria the day a stray bullet passed in front of my eyes. That day I realized my homeland was not my homeland, my blood not my blood, and my freedom belonged to a freedom fighter who didn’t think to ask my permission before he shot me: a lack of courtesy we encounter often in war time.

2.

If they are going to kill me, better to kill me in a foreign language.

3.

On the road from Damascus to Berlin I met an old soldier from Dara’a who couldn’t carry his nightmares anymore. I wrapped them and put them in my suitcase; at the airport I paid the fine for excess baggage.

4.

Whoever is not afraid to cross the border carries the war on his back.

5.

Swap your best shirt for a bulletproof vest, your poems for the first chapter of the Koran and your house in Athens for a throne atop Mount Aigaleo so you can survey from on high the coming war.

6.

This war is trite and pedestrian, filled with similes and ornate adjectives, its history is written in the font Comic Sans, violence so limitless the war doesn’t know where to put it, one grave for every thousand corpses, one shadow for every thousand survivors, it’s an indelicate war, barrels vomiting explosives, steel cylinders filled with accessories for washing machines and car parts, the death that disseminates is an earthy death, this war is rightfully ours because in it we have buried all our loved ones.

7.

On the 7th of January 2014, the United Nations stopped counting Syria’s dead. This decision certified mathematics as the science of quality, not quantity, of living labor, not shapes, of time, not space—in other words, mathematics is the science that studies the material relations among all countable objects.

8.

By the end of 2015, according to Facebook, 311 friends of mine had died since the start of the war. I decided to shut down my account: death must have a beginning, middle, and end. I can’t spend my life in its wake.

9.

I, Ahmed, son of Aisha, although nothing more than a humble migrant, wish to apologize on behalf of the Syrians to Greek men and women for filling their televisions with our deaths as they eat their dinners and wait for their favorite shows, I wish to apologize to the municipal authorities for leaving our trash on their beaches and polluting their shores with tons of plastic, we are uncivilized and we have no environmental awareness, I wish to apologize to the hotel owners and tour operators for damaging the island tourist industry, I wish to apologize for shattering the stereotype of the miserable migrant with our mobile phones and clean clothes, I wish to apologize to the coast guard who have the thankless task of sinking our boats, to the police for standing in disorderly lines, to the bus drivers who have to wear surgical masks to protect themselves from the diseases we carry, I also wish to make a most humble apology to Greek society for exceeding the capacity of their detention camps and for sleeping in their squares and parks—finally, I wish to apologize to the Greek government who had to request additional funds from the European Union in order to pay the purveyors who stock the detention camps, as well as the bus drivers, the police, the coast guard, the tour operators, the hotel owners, the municipal authorities, and the television stations.

10.

“Don’t worry,” said the bullet, “I’ll go in and out.” I explained to her that I couldn’t allow it since when she left she was bound to take some of my memories—like the face of the girl I loved in the fifth grade, the voice of the imam the first time my father took me to pray, the smell of the freshly baked bread in my grandmother’s house, the fingers of my teacher as she taught me to write the word الحرب and Van Basten’s final goal in the Euro of ’88.

11.

It’s well known that no organization can buy arms on the black market without American authorization. This is one of the reasons I never managed to understand the difference between enlightenment and genocide.

12.

If you don’t want to be canon fodder, if you don’t want the war to catch you with your pants down, put on that thinking cap, double down the class struggle, get organized, triple down the class struggle, fight, fill your pockets with rocks, stick to your guns.
Out with the Left! Bring back the Spartacists!
Out with the NGO’s! Bring back Garibaldi’s brigades!
Out with the Humanists! Bring back the Italian Autonomists!
The slaughter is about to begin.

Translated from the Greek by Karen Van Dyck

For more perspectives on the refugee crisis, we suggest Jan Dammu in the current issue of Asymptote, and Theophilus Kwek on reading the refugee crisis at the Asymptote blog.

Jazra Khaleed (Born Chechnya, 1979) lives in Athens, writes exclusively in Greek, and is known as a poet, editor, and translator. His works are protests against the injustices in contemporary Greece, especially the growing xenophobia and racism. His poems have been widely translated for publications in Europe, the US, Australia, and Japan. As a founding co-editor of the poetry magazine Teflon, and particularly through his own translations published there, he has introduced the works of Amiri Baraka, Keston Sutherland, Etel Adnan, and many other political and experimental poets to a Greek readership. His debut collection Grozny was published in spring 2016, while his newest short film “Gone is Syria, Gone” has been selected for the Internationale Kurzfilmtage Winterthur, the Kasseler Dokfest, and L’Alternativa . His poetry blog can be found at jazrakhaleed.blogspot.gr.

Karen Van Dyck is Professor of Modern Greek Literature in the Classics Department at Columbia University. She writes and teaches on issues of gender, diaspora, and translation. Her books include Kassandra and the Censors (Cornell, 1998), The Rehearsal of Misunderstanding (Wesleyan, 1998), The Greek Poets: Homer to the Present (Norton, 2009), and The Scattered Papers of Penelope: New and Selected Poems by Katerina Anghelaki-Rooke (Graywolf, 2009). Her bilingual anthology Austerity Measures: The New Greek Poetry (Penguin, 2016), a New Statesman Book of the Year pick, will be published by the NYRB in the US in March. She discusses the anthology as well as this new poem by Jazra Khaleed in her essay “What’s Found in Translation” (forthcoming, PN Review 234).

*****

Sign up to be a sustaining member today at just $5 a month! We’re still short of hitting our target by several members; each additional membership takes us closer to being able to operate beyond April 2017.

To reward your support, we have a whole range of Asymptote memorabilia—don’t forget to check them out!

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In Absentia: Photo Journals from Readings Abroad

Catch what you missed from two special events, plus the details on what's next

Happy Monday, Asymptote readers! We kick off the new week with two literary dispatches from South Africa and Germany.

Asymptote Editor-at-Large Alice Inggs attended the launch of the latest Ons Klyntji issue in Cape Town:

publicity-image-alice-inggs-outside-the-book-lounge

Alice Inggs outside the Book Lounge

“What is Ons Klyntji?” is a question often asked of its editors. The answer? Complicated: the unconventional pocketbook anthology has been through several incarnations throughout its 120-year history. First published in 1896 as the first ever Afrikaans-language publication, it has transformed into a modern literary zine, currently under the editorship of Toast Coetzer, Erns Grundling, and Asymptote Editor-at-Large Alice Inggs, featuring predominantly English and Afrikaans poetry and prose, but also multilingual pieces, translations, and works by graphic designers and fine artists.

Over the years, Ons Klyntji has published a number of celebrated South African writers, including Rian Malan (My Traitor’s Heart), Breyten Breytenbach (Confessions of an Albino Terrorist), and musician-author Koos Kombuis (who also edited Ons Klyntji in the 1990s). Recent editions have featured work by established poets Nathan Trantraal (Chokers en Survivors) and Moses Mtileni (ed. Ntsena Loko Mpfula A Yo Sewula); writer Jaco van Schalkwyk (The Alibi Club), and controversial artist Anton Kannemeyer (Bitterkomix), as well as a new generation of poets like Sindi Busuku-Mathese (Loud and Yellow Laughter), Genna Gardini (Matric Rage), and Rosa Lyster (Modern Rasputin).

erns-grundling-ons-klyntji-editor-reading

Editor of Ons Klyntji, Erns Grundling

Since 2015, Ons Klyntji has hosted an annual event at the Book Lounge, an independent bookstore in Cape Town. The event acts as a platform for writers featured in Ons Klyntji to share their work with a live audience, as well as a way of promoting the zine to readers and future contributors. The event also helps to underscore the main aim of Ons Klyntji: to encourage South African writers to write—be they eminent authors, emerging poets or even teenagers penning their first, awkward verse.

READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Your literary updates for the turn of the year from Brazil, India, Mexico, and more!

Before we jump into our weekly world news tours of 2017, here at the blog we wanted to look back at the waning days of 2016 and give the literary achievements that closed such an eventful year their full due. There is already so much we’re looking forward to in the year ahead, but no piece of writing or writer exists in a vacuum; each new publication, reading, and translation takes from and makes space within the existing cultural consciousness. To be able to understand the developments in the literary scenes around the world this year, we have to see the full scope of 2016’s progress. Luckily, Asymptote has eyes and ears in every hemisphere!  

First stop on the map: India, where we check in with our first contributor this week, PhD student of postcolonial literature Tanushree Vachharajani:

2016 saw a huge uprising across India for Dalit rights. The suicide of Hyderabad PhD student Rohit Vemula in January 2016 and the assault of a Dalit family of cow skinners in Una, Gujarat in June 2016 have led to a resurgence of Dalit identity in social and literary fields, along with much dissent and unrest about the government’s attitude towards lower castes. The Gujarat Dalit Sahitya Akademi in Ahmedabad issued a special edition of their literary journal Hayati, on Dalit pride this fall under the editorship of Dr. Mohan Parmar. Also in September, under the editorship of Manoj Parmar, literary journal Dalit Chetna published a special edition on Dalit oppression, featuring works written by Dalit as well as non-Dalit writers.

The well-documented human rights violations continue to inspire a flood of responses. For the first time last month, Delhi saw a literary festival dedicated entirely to Dalit protest literature, offering a platform for Dalit regional literature and its translations into English, French, and Spanish to increase accessibility and broaden the demographic of its readers.

Dalit literature is also no longer in the realm of the purely literary. Inspired by the death of Rohit Vemula, three young activists from Mumbai—Nayantara Bhatkal, Prem Ayyathurai, and Shrujuna Shridhar—have set up the unofficially titled Dalit Panther Project for which phone numbers were collected on December 6, Babasaheb Ambedkar’s death anniversary. Through the popular social messaging app WhatsApp, they will transmit four videos on the origins and legacy of the Dalit Panther literary movement. The videos were shot at the homes of Dalit Panther supporters, and are in Hindi. The creators are also looking to bring out a full-length feature film on the subject this year.

Hearteningly, the Dalit community is pushing back strongly against abuse of any members of the lower castes. From threatening a sanitation strike to bringing Dalit literature into mainstream circles and creating inclusive literary institutions and awards, Dalit protest movements across India only seem to be getting stronger as the New Year begins.

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Reading Resolutions from the Asymptote Team (Part III)

More reading resolutions for 2017

Anna Aresi, Educational Arm Assistant

At the cost of sounding corny, I will say that my reading resolution for 2017 is more than partly informed by the prospect of becoming a mother this forthcoming June. As our baby will grow up in a trilingual environment, with Italian and Cantonese spoken at home and English everywhere else, doing research on trilingualism has intensified my awareness of the absolute need of being global citizens and global readers of the world, not only for one’s own benefit, but also as a major responsibility towards future generations.

To begin with, then, I wish to fill my own embarrassing lack of knowledge of Chinese literature —my husband’s from Hong Kong—perhaps beginning with Tong Xian Zhu’s play The Peony Pavillion, my father-in-law’s all time favorite, and moving on to Tong Xian Zhu’s Not Written Words, which figures in World Literature Today’s list of notable translations of 2016. Xi Xi’s work has been characterized as a portrayal of the “constantly shifting urban space of Hong Kong—between tradition and modernity—as well as the multilingual zones created by its Mandarin and Cantonese speakers;” I can’t wait for literature to do its magic and transport me to a land that I haven’t, so far, visited in person but to which I already feel deeply connected.

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Moving from my family’s terrain to the world at large, but staying in Asia, Korean literature will also be a protagonist of my 2017: if reading Han Kang’s The Vegetarian was a defining existential experience of my 2016 and Jung Young Su’s Aficionados, featured in the Autumn 2016 issue of Asymptote, made me laugh my belly off, I can only expect good things from Korea, perhaps beginning with poetry. The anthology Brother Enemy, curated by Ji-moon Suh, is a collection of poems written by twenty-one authors during and following the Korean War, attractive and promising by virtue of its very humane title: what could change if we recognized the enemy as our brother? I hope to find some illuminating words in this volume.

Finally, I wish to follow Daniel Hahn’s appeal and read more children’s book in translation (again, also in preparation for future evenings of bedtime adventures). A simple peek at Pushkin Press’s Children Books page, to name but one, opens up a whole new world; in this case I let my inner child pick the book by its cover and my attention was caught by Tomiko Inui’s The Secret of the Blue Glass (another Asian book! I promise I didn’t do it on purpose!). The scene opens in a dusty library in a Tokyo suburb…what beginning could be more auspicious?

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Read More Recommendations from Asymptote Staff:

Reading Resolutions from the Asymptote Team (Part II)

More reading resolutions for 2017


Hannah Vose, Social Media Manager

I confess: 2016 was not a great reading year for me. Settling into a new job, traveling frequently—not to mention living through the U.S. election season!—made me retreat into videogames and the comforts of the suffering, over-handled paperbacks on my bookshelf. So in order to kick myself back out into the world of literature, I have two Reading Resolutions for 2017.

The first is to buy and read at least one book by an author from every continent, although since Antarctica is not awash in literature, Central America will be stepping in to play the role of the seventh. At a time when nationalism and xenophobia are rearing their ugly heads across the U.S. at an alarming rate, it feels more important than ever to remind myself of the incredible breadth and depth of international literature and to support the missions of the presses who publish and promote it by being an active consumer.

The second resolution is much simpler: to read at least one book in Spanish, because “rusty” is starting to become a generous description of my skill level.

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Luckily, I’ve got my Spanish-language, European title all lined up. In Asymptote’s April 2016 issue, we published Close Approximations 2016 runner-up Ona Bantjes-Ràfols’s sample translation of El Mundo Sobre Ruedas by Albert Casals. As a sucker for travel narratives—and funny ones, at that—I was hooked. And since there’s no full English translation available, this is the perfect opportunity to work on my Spanish.

Africa also already has a spot on the reading roster. When Rochester Knockings by Hubert Haddad (trans. Jennifer Grotz) came out in 2015, it jumped straight onto my ever-growing wishlist. Written originally in French by a Tunisian author, it concerns the Fox Sisters, fraudulent mediums and Rochester, New York residents. As a former student of the University of Rochester, where Open Letter Books is based, and a two-time former Open Letter intern, this one is right up my alley. Supporting a favorite indie press and getting to read about fake mystics? Win-win!

Thinking ahead, I’m anticipating difficulties choosing an Australian title. Ideally, I would like to read something in translation from a native Australian language, but I’m having trouble finding something. Failing in that mission, I do want to read something by a native Australian author. As of now, The Swan Book by Alexis Wright and Swallow the Air by Tara June Winch have both entered consideration.

2017 should be a good year for reading. Two books picked out, five to go, and—sorry in advance for the cringe you’ll get out of this—a whole world to explore.

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Translation Tuesday: “Le Rouge et le Noir (Moving House and Farewell)” by Zsófia Bán

As we were leaving the paralyzed city and the country, we too were facing a journey, though rather than flight, it turned out to be a return.

An award-winning fiction writer, essayist, and critic who grew up in Hungary and Brazil and now teaches American literature, Zsófia Bán is no stranger to forking paths; the roads not taken. Her beautiful essay below segues quickly from house-moving to the broader and richer philosophical theme of derailment against the backdrop of the ongoing refugee crisis. We hope you like it as much as we do.

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In memory of Svetlana Boym

 

Tumultuous, yes, tumultuous is what the summer of 2015 was. An unruly, riotous, tempestuous, bewildered summer, ravaged by the lack of order. Only the weather would not stir, hellbent on keeping up the atmospheric conditions prevalent since the beginning of summer. All heat records were broken, with temperatures close to 40 degrees recorded in July and August. We were clearly making meteorological history in Europe. The dull blanket of heat paralyzed our reason just enough to keep us from realizing the obvious until it was too late: history was being made, quite apart from the weather. In fact, the masses, the tumult of refugees pouring through the southern border, then the large families stranded in railway stations in the heart of our city, the gathering of desperate, exhausted people robbed of almost all their possessions warned us clearly enough, that this was the time, here and now, of fateful events. As we were leaving the paralyzed city and the country, we too were facing a journey, though rather than flight, it turned out to be a return: the compulsive, perpetual return to memory, to absence, to the relentless rigor of facts.

On August 3 we packed the car and set out for Berlin. With an ingenious space-saving trick we packed the child’s plush animals into plastic bags shrunk with a vacuum cleaner, so even the plumpest specimens were docilely flattened to two dimensions.

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Photograph by Zsófia Bán

Once taken out of their plastic bags upon arrival, they slowly regained their original dimensions: the breath of life gradually returned into them. Zserbó, the giant owl was the first to come to, then Dr Czuki-Czukermann, the anteater and finally Menyus, the ferret, Pöpe, the parrot and the rest, the whole sizeable coterie. The child greeted each miraculous resurrection with a dance of joy: her friends were saved, we had outwitted Archimedes or one of those types. The death news that came the day after our arrival flattened us to two dimensions the same way, except we held no hope of ever regaining our original shape. Remembrance, however alive, is inevitably flatter than the tumultuous nature of presence, the noisy, confusing, disorderly and yet, by virtue of the senses, coherent presence which only one word fits: the person’s name. The name that refers to the single being who is the sum of her traits: the voice, the gait, the colorful fabric of her mind, the fears and desires, the betrayals of the body, the dreams, and the loneliness. Her name is a message inscribed in stone, the imprint of sea-waves on prehistoric geological strata.

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New Year Reading Resolutions from the Asymptote team! (Part I)

From reading more small presses to children's literature in translation, here are our reading resolutions for 2017!

Sam Carter, Assistant Managing Editor

Rather than focusing on a single region in the coming year or trying to rectify one of my many reading deficiencies (such as an embarrassing lack of familiarity with Chinese or Arabic literature, to name just two), I will dedicate 2017 to exploring the work of those folks who are so dedicated to bringing us the best of world literature in book form: publishers. Not just any publishers, of course, but the small presses who tirelessly seek out the new voices that make the global literary conversation an exciting and ever-expanding one.

These small presses spread the wealth of work from across the globe, and my small contribution for the coming year will be to spread my meager wealth by monthly rewarding one of these risk-takers with the purchase of a recent release. This supplement to my regular habits will not only contribute a greater degree of diversity to my readings but also allow me to become better acquainted with the frequently impressive catalogs of these forward and outward looking publishers.

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To guide my exploration, I’ll be adding a further constraint by starting with those presses located close to home and working outward. Because I’m based in Ithaca, NY, I’ll turn to nearby Rochester’s Open Letter Books for my January pick, which will be Lúcio Cardoso’s Chronicle of the Murdered House. A friend and inspiration to Clarice Lispector, Cardoso’s novel incorporates letters, diaries, and a variety of other documents from the characters in this sprawling tale of a family’s downfall.

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My 2016 by Lori Feathers

By happenstance a number of the books that I’ve read most recently explore the theme of redemption.

I’m a fiction judge for this year’s Best Translated Book Award, which means evaluating the English translations of dozens of novels and story collections by writers representing many countries and languages, a thrilling assignment and one that richly sustained my 2016 reading. By happenstance a number of the books that I’ve read most recently explore the theme of redemption—fertile ground for authors to delve into a character’s sense of moral self, the tangle of thoughts and motivations that enable her to marginalize wrongs or justify culpability. The gifted authors of these books deserve our admiration for creating character-driven narratives that artfully articulate humankind’s innate hopefulness that past wrongs can be rectified and personal guilt, absolved.

Juan Gabriel Vásquez’s Reputations (translated by Anne McLean) places readers in the fictional world of Javier Mallarino, a renowned Columbian political cartoonist. Mallarino prides himself in exposing his country’s corruption and political scandals through his daily newspaper cartoon. He possesses the unwavering conviction that his drawings are vitally important for delivering potent truths, “like a stinger dipped in honey.” Years after one of his caricatures destroys the life of a prominent politician Mallarino becomes acquainted with the man’s alleged victim, and their discussions cause him to question the infallibility of his prior condemnation and the consequences of his influence. In an effort to rectify what might have been defamation Mallarino decides to go public with his doubts about the politician’s guilt, an act that will cause the media to turn on him, humiliating him in much the same way that his cartoons humiliated countless others in the past. Reputations is a fascinating study of a man whose entire sense of self-worth is his reputation—the very thing that he must sacrifice in order to redeem himself. READ MORE…