Posts by Catherine Belshaw

What’s New in Translation? August 2017

Not sure what to read next? Here are three of the most thrilling new releases from around the world.

With Asymptote you can be sure to have the latest reading recommendations. True to form, we bring you a selection of the exciting new books this month. Which one is going to claim a place in your bookshelf?

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Kholin 66: Diaries and Poems by Igor Kholin, translated from the Russian by Ainsley Morse and Bela Shayevich, Ugly Duckling Presse.

Reviewed by Paul Worley, Editor-at-Large, Mexico

English language readers already enamored of poets such as the Roman Catullus or the more recent Charles Bukowski will find a similarly humorous, difficult, and enthralling companion in the pages of Russian Igor Kholin’s (1920-1999) recently translated Kholin 66: Diaries and Poems from Ugly Duckling Presse. An autodidact whose experiences in the military included a near-death experience in World War II, Kholin in many ways perhaps serves as a vital counterpoint to the American Bukowski insofar as both writers, despite the fact that they are writing throughout the Cold War between their respective countries, cast an unrelentingly critical gaze on the societies they inhabit, bearing witness to abuse, the dirty, and the neglected, and rendering these as poetry. The translators note that although Kholin’s “occasionally unrestrained misogyny” may rankle the sensibilities of many readers, they nonetheless felt compelled to leave his attitude in their translation as “it seems to constitute part and parcel of his self-positioning and character” (9). Along those lines and, in tandem with Bukowski, one also wonders about the extent to which the writer’s misogyny is not a gendered version of a broader misanthropy from which the poet does not even exclude himself. After all, the poetic Kholin muses on the possibility that thinking he is “a creep…It’s not such a leap” (80), as well as understanding he is one for whom wine is “made” and shit is “laid” (85). As he criticizes his social circle for their faults and flaws in his diary, a passage written in a friend’s handwriting takes on the subject of Kholin himself, claiming the poet is “intellectually limited” (46) and that his “advice on writing is naive” (48). Perhaps unsurprisingly, marginal notes in the poet’s own hand describe these as “the best thing Yodkovsky [the friend] has ever written” (49).

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Weekly Dispatches from the Frontlines of World Literature

This just in! The latest literary scoop from Austria, Mexico, Guatemala and Canada

This week we bring you a generous helping of news from Flora Brandl, our contributor in Austria, reporting on the rich array of literary festivals and cultural events that took place in April and are coming up in May; Paul M. Worley and Kelsey Woodburn, our Editors-at-Large Mexico, take a look at one Guatemalan Maya writer’s highly original work, but also record the brutal continuation of violence against journalists in Mexico just last month; last but not least, our very own grant writer Catherine Belshaw writes on the hope for greater diversity in Canada’s literary scenes.

Contributor Flora Brandl gives us the round-up from Austria:

Despite winter being rather stubborn (only last week there was still some snow), the Austrian literary and cultural scene has witnessed a so-called Frühlingserwachen, a spring awakening, with numerous events, publications and national and international festivals taking place across the country.

At the end of April, the Literasee Wortfestival was hosted in Bad Aussee, a rural community and historical literary getaway for writers such as Arthur Schnitzler and Hugo von Hofmannsthal. This year, six German and Austrian writers, including Franzobel, Walter Grond and Clemens Meyer, were featured during the three-day festival.

However, it is not only German-language art that is currently being showcased in Austria: the Festival Europa der Muttersprachen (Europe of Mother Tongues) invited Ukrainian filmmakers, photographers, musicians and writers—amongst whom was the highly celebrated author Jurij Andruchowytsch—to the Literaturhaus Salzburg. Earlier in April, more international artists and audiences had frequented the city for the Osterfestspiele, the Easter feature of the internationally renowned Salzburg festival for classical music and drama.

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