Still happily reading through all the amazing pieces included in the brand new Winter 2018 issue, we bring you the latest literary news from around the world. Up first is Paul Worley with news about recent publications and translations. Julia Sherwood then fils us in on the latest from the Czech Republic. To close things out, Barbara Halla reports from France.
Paul Worley, Editor-at-Large, Reporting from Mexico:
From Quintana Roo, Mexico, The Maya cultural site La cueva del tapir (The Tapir’s Cave), announced the forthcoming publication of a new Maya arts and culture magazine, Sujuy Ts’ono’ot: El arte de los territorios en resistencia. The unveiling of the issue will be held February 3 at 7 PM in Bacalar’s International House of the Writer. According to the information released on Facebook, contributors to the first issue will include Maya writers from the region, in addition to writers from Guatemala (Walter Paz Joj) and Bolivia (Elías Caurey).
Ready for your Friday World Tour? We touch down in Iran just in time for the New Year celebrations—for which thousands of books are exchanged! Then off to the States, where writers of all backgrounds are reacting to the political tumult of the times. Finally in Morocco, we’ll catch the National Conference on the Arabic Language. Let’s get going!
Poupeh Missaghi, Editor-at-Large for Iran, updates on the New Year celebrations:
The Persian year of 1395 (SH for solar Hijri calendar) will come to an end and give way to the year 1396 on Monday March 21st, the day of the spring equinox, at exactly 13:58:40 Iran’s local time. The arrival of the New Year and spring is celebrated with various Nowruz (literally meaning “new day”) traditions such as haft sin, the special table spreading that consists of seven different items all starting with the Persian letter س [sin or the “s” letter], each symbolizing one thing or another. The International Nowruz Day was inscribed on the list of UN’s Intangible Cultural Heritage of Humanity in 2009.
To welcome the New Year, the Iranian literary community, like the previous year, has set up a campaign entitled Eydane ye Ketab [Nowruz gifts of book]. It began on March 5th and will run for a month, aiming to promote buying books as eydi (gifts for the Persian New Year) for friends and family instead of offering money or other gifts, or even as replacements for the calendars that companies widely give out as promotional year-end gifts. More than four thousand publishers around the country are part of this campaign and offer more than one million titles with special prices. In the first seven days of the campaign, more than 190,000 books were sold.
Some of the translation titles on the bestsellers list of the Eydane, have included: The Forty Rules of Love: A Novel of Rumi by Elif Şafak; Me Before You by Jojo Moyes; A Fraction of a Whole by Steve Totlz; After You by Jojo Moyes; Asshole No More, The Original Self-Help Guide for Recovering Assholes and Their Victims by Xavier Crement; The 52-Story Treehouse by Andy Griffiths and Terry Denton; One Plus One by Jojo Moyes; and The Little Prince by Antoine de Saint-Exupery.
This week, we dock first in Romania, where Editor-at-Large MARGENTO updates us on the political climate and how it’s influencing literary output. Then we sail southwest to Cuba, where we’ll hear from Blog Editor Madeline Jones about the foreign diplomats barred from an awards ceremony, as well as highlights from the International Book Fair in Havana. Finally, back across the Atlantic, M. René Bradshaw, Editor-at-Large for the UK, maps out the best literary events taking place in and around the capital throughout March and April.
MARGENTO, Editor-at-Large for Romania & Moldova, catches us up on the Romanian literary scene:
The recent wave of rallies that have swept Romania, where hundreds of thousands took to the streets to protest the government’s decrees decriminalizing certain corruption-related offences, has sparked reactions both on social media and in literary and creative circles. The “light revolution” received huge global media coverage when tens of thousands of smartphones converged their glows outside the government building in Bucharest, sending a blinding anti-graft message while also forming the image of a huge national flag. The true hallmark of this revolution has been internationally perceived as the deployment of digital apps and catchy, pun-filled slogans in both English and Romanian, inundating social and mass media with what hip-hop star Călin “Rimaru” Ionescu has termed the new “OUGmented reality” (OUG being the Romanian acronym for a governmental decree). As #Rezist has gone viral across digital media channels, it is apt to share from our past archives a celebration by Asymptote contributor Ruxandra Cesereanu of what she sees as a revival of the anti-Soviet and anti-communist rezistance, a Romanian partisan movement that heroically lasted from the late 1940s through the mid-1960s.
In a similar vein, American poet and translator Tara Skurtu—currently in Romania on a Fulbright grant—has revisited the Romanian gulag in a poem inspired by the recent protests and published in the Huffington Post. A couple of days later, the same publication ran an interview on similar issues with Radu Vancu, also an Asymptote contributor. Still, one of the authorities on modern and post-communist history Mircea Stănescu, who has consistently and shrewdly chronicled and analyzed the protests, maintained a cautionary stance, pointing out the generation gap strongly manifest in the current movement and warning about deeper political and educational issues that might remain unaddressed and resurface later. Yet it seems that the ongoing rallies and sense of solidarity are a breath of fresh air that has already inspired a great deal of writers. Poet, novelist, and essayist Cosmin Perța has already announced a forthcoming #Rezist literary anthology.