Posts by Kathryn Raver

Translation Tuesday: An Excerpt from Riversong by Wendy Delorme

I seek only those flammable things from which a story might be made.

Ever kept a secret way longer than you thought you would? A year? Two? What about seven? In this novel excerpt from French author Wendy Delorme, brilliantly translated by Asymptote’s own Kathryn Raver, a story of a love unspoken becomes a story about the nature of literature itself, and the parallels between writing and self-creation. Isolated in a mountain cabin, an unnamed writer reflects back on the years leading up to their relationship with their now-lover. At first hesitant to confess her feelings, she instead watches her friend’s gender transition unfold over the course of several years, only to find that as their voice and appearance change, her feelings for them deepen. When, after a an encounter on a rainy night, her feelings finally come to light, it sparks an epistolary conversation that will change both their lives. Read on!

A restless night. Sleep escapes me, but the words don’t come either. What does come is the thought of writing to you. I’m thinking again of how we met. How we really met. That night where I knew I wanted you.

Sometimes, a person comes along and we see them. Truly see them, I mean. Our perspective changes. Our line of sight suddenly sharpens, like that of an animal scrutinizing the brush to see what moves within. Our retinae focus, taking in details that up until that point had blurred together into a hazy landscape. The eye becomes curious and searches for more, latches onto a mouth, the clean line of an eyebrow, the velvety texture of a cheek, a shoulder muscle, a manner of smiling. This sort of gaze, when it lands on another, radically changes the bond two people share.

What turned my gaze on its head, that night? READ MORE…

May 2025: Upcoming Opportunities in Translation

An invitation to the Griffin Poetry Prize readings, as well as this month's latest opportunities in world literature!

EVENTS

GRIFFIN POETRY PRIZE READINGS

The Griffin Poetry Prize, established in 2000, is the world’s most generous award for a first edition poetry collection written or translated into English. This year’s shortlisted authors—selected by judges Nick Laird, Anne Michaels, and Tomasz Różycki—along with the Lifetime Recognition Award recipient Margaret Atwood and the Canadian First Book Prize winner, who will be announced on May 21, will be invited to read at the Griffin Poetry Prize Readings on June 4 at Toronto’s Koerner Hall—an annual highlight for poetry lovers.

With C$130,000 awarded to the winner, and generous prizes for all shortlisted and recognized poets, the Griffin Poetry Prize continues to elevate exceptional poetry from around the world. Join us at Koerner Hall or tune in on YouTube and witness the world’s finest poets take the stage. Tickets to the event are available here, and you can find the livestream at this link.

 

READING AND Q&A WITH KIM HYESOON AND DON MEE CHO

The British Centre for Literary Translation invites you to an evening of reading and discussion with poets Kim Hyesoon and Don Mee Choi on June 23rd, 2025.

National Book Award winner Don Mee Choi is a translator of the work Kim Hyesoon, one of South Korea’s most foremost feminist poets. The two will read from Hyesoon’s Griffin Prize-winning collection Autobiography of Death, which has been published in English by And Other Stories, and will discuss their work together with BCLT professor Cecilia Rossi. You can register for the event, which will take place in person, here.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Palestine, France, and the United States!

This week, our editors take us behind-the-scenes at book festivals, from a festival spotlighting Latin American literature in Los Angeles to Paris’s Festival du Livre. From workshops on reimagining fairytales to a look at the only Palestinian-owned publishing house in America, read on to find out more!

Kathryn Raver, Assistant Managing Editor, reporting from France

Beneath the glittering glass ceiling of the Grand Palais, Paris welcomed over 114,000 attendees for its fourth annual Festival du Livre last weekend. The festival is a hub for publishing professionals and book lovers alike, promoting both Francophone and international literature to French-speaking readers and offering insights into the literary and cultural landscape of today.

Among an extraordinarily diverse selection of programming, a few of my personal favorites included a workshop on reimagining classic fairytales and a seminar on resisting the language of fascism—an examination of far-right language and how it is actively influencing popular discourses “blurring traditional political markers and weakening collective memory.”

Thousands of authors and publishers took part in the festival, as they do every year. Among them was Moroccan-French author Leila Slimani, whose previous works have been highly praised and have even been awarded prestigious prizes like the Prix Goncourt (Chanson douce, 2016). Slimani’s newest novel, J’emporterai le feu, was released in January of this year and concludes her Le Pays des autres trilogy.

In fact, Moroccan literature was the festival’s special cultural focus this year. Thirty-two publishers of Moroccan voices were present at the festival, most of them taking part in one of the many events offered at the Moroccan Pavilion—a dedicated space designed to highlight the country’s multilingual literary tradition and its “image as a cultural crossroads between tradition and modernity.” The events included a number of creative writing workshops, author talks, and even a seminar on translation and cultural reception of the Moroccan novel.

The Festival du Livre wasn’t the only event on which French readers could slake their thirst this month. Hors Limites, a festival hosted by the Association Bibliothèques en Seine Saint-Denis, seeks to highlight contemporary literature and address reading as a dialogue between creators and consumers. This festival, though smaller, still featured dozens of workshops and author meetings in Ile-de-France.

Among the authors present was Palestinian author Karim Kattan (whose 2021 interview with Asymptote can be found here). Kattan’s most recent novel, Eden à l’aube, was recently awarded the 2024 Prix de la Cagnotte. An English translation of his first novel, Le Palais des deux collines, was recently released by Foundry Editions. READ MORE…

April 2025: Upcoming Opportunities in Translation

From translation workshops to potential grants, we bring you the latest of this month's opportunities in translation.

EDUCATION

BRISTOL TRANSLATES

It’s that time of year again – applications are now open for the 2025 Bristol Translates Summer School!

Bristol Translates participants will have the opportunity to engage in translation workshops from a variety of languages into English, as well as a few for those working out of English. This year’s session will also include a brand-new set of workshops for translators working out of Urdu and Swedish. Another new offering this year includes the option to attend the school’s professional development sessions, even if you aren’t attending the language workshops themselves. The Summer School is aimed at translators of every level, as well as those who are simply passionate about literary translation.

Comma Press will also be presenting their 2025 Emerging Translator Award. The award is open to Bristol Translates participants working on Chinese, Urdu, and Japanese. The winning translator will be considered for publication in a future Comma Press anthology.

The sessions will take place from July 7th-11th, 2025. You can find more information on how to apply to both the workshops and the professional sessions on the Bristol Translates website. The application closes May 7th.

 

BCLT RESEARCH SEMINAR: PARATEXTS AS POLITICAL PRACTICE IN THE REVOLUTIONARY ERA

Europe’s tides of revolution in the 18th and 19th century gave birth to new, radical translation practicestranslators sought to integrate ideas of equality and freedom into new contexts within the fast-paced world of revolution, and reimagined the relationship between source and target cultures in the fight for universal rights. What emerged from these new ideas was an image of translators as agents of political and social change who actively worked to change the shape of history.

At this research seminar hosted by the British Centre of Literary Translation, Rosa Mucignat, a Reader in Comparative Literature at King’s College London and co-editor of Comparative Critical Studies, will present her research on radical translators. She is the author of  Realism and Space in the Novel, 1795-1869: Imagined Geographies and co-editor of Landscapes of Realism: Rethinking Literary Realism in Comparative Perspectives. Her work on the project ‘Radical Translations: The Transfer of Revolutionary Culture Between Britain, France and Italy, 1789-1815’ led to a co-edited special issue of the journal History of European Ideas. The co-edited volume Radical Voices and Revolutionary Discourses of Translation is forthcoming from Routledge.

The seminar will take place Wednesday, April 30th at 4p.m. BST, and can be attended in-person or online. Register here.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from France, Egypt, and the Philippines!

This week, our team members take us to festivals around the world — from comics in France, to Filipino children’s literature in Italy, to Bedouin poetry in Egypt, read on to find out more!

Kathryn Raver, Assistant Managing Editor, reporting from France

A little over a year ago, I wrote a dispatch for this column about the 2024 Festival Internationale de la Bande Dessinée d’Angoulême, an annual celebration of the art of the graphic novel. Visual storytelling has always been a staple of French literature, going as far back as Renaissance-era illustrated manuscripts, but the modern art of the bande-dessinée (often referred to as the Ninth Art) is thought to have taken root in the early 19th century.

In countries like the US, graphic novels are often considered to be for children, which is a shame because they have the potential to add a fascinating element to storytelling. As someone who is incredibly passionate about the genre, I was thrilled to see the festival come back in full swing this past weekend for its 52nd year. As one of the largest comics festivals in the world, it hosted hundreds of thousands of participants and countless illustrators and authors for a weekend of workshops, exhibitions—including one on the work of last year’s Grand Prix winner, Posy Simmonds—and industry discussion. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from France and North Macedonia!

This week, our team members introduce us to a prize-winning short story collection and take us to a medieval library. From a debut that negotiates the complicated politics of nostalgia to an exhibition in the newly-restored Notre-Dame, read on to find out more!

Kathryn Raver, Assistant Managing Editor, reporting from France

To the delight of tourists, historians, and French natives alike, Notre-Dame de Paris reopened its doors to the public last month. The cathedral is obviously celebrated for its religious and symbolic significance – but it has a significant literary history that has gone rather unappreciated, too (and I’m not talking about The Hunchback of Notre Dame). Since the Middle Ages, Notre Dame has been not only a church, but a scriptorium and a library, filled to the brim with science, history, and other secular literature in addition to a wealth of religious texts.

To coincide with the cathedral’s opening, the Musée de Cluny and the Bibliothèque National de France have put together an exhibition featuring over 40 of these manuscripts – just a few of the 300 that are currently housed within the BnF itself. Having just recently had the opportunity to visit the exhibition myself, I can say that it is stunning. Not only are the manuscripts themselves beautiful (and fun to try and decipher, if you can read Old French), but they also provide a fascinating look at the functioning of medieval libraries, the transmission of knowledge, and the links between texts and cultural and religious heritage. The exhibition is open until March 16th. READ MORE…

November 2024: Upcoming Opportunities in Translation

Mentorships, grants, and more—check out this month's latest translation opportunities!

EDUCATION

QUEENS COLLEGE MFA PROGRAM IN CREATIVE WRITING AND LITERARY TRANSLATIONCUNY

The Queens College MFA Program in Creative Writing and Literary Translation invites you to a Virtual Open House on November 20. 

Located in the most culturally and linguistically diverse county in the nation, our sponsor, the Queens College MFA program, attracts students dedicated to crossing boundaries in genre, craft, and language. Classes are small, mostly in the evening, and students work closely with faculty mentors. Gain a liberal arts experience with affordable public university tuition in an urban environment with a verdant 80-acre campus.

The program offers tracks in poetry, fiction, nonfiction, and literary translation–and students are encouraged to experiment with multiple genres. See how far you can take your writing. Register for the open house here. 

 

ALTA EMERGING TRANSLATOR MENTORSHIPS

The American Literary Translators Association’s annual mentorship program is still open to applicants, but the window is closing soon!

Founded in 2015, ALTA’s mentorship program serves to connect emerging and established translators through collaboration on a translation project of the mentee’s choosing. This undertaking will culminate in a reading of the work at ALTA’s annual fall conference in 2025. In its nearly ten years of existence, the program has supported over 70 translators working from 25 different languages.

The program is available to translators who have published no more than one full-length literary translation. Applicants should submit their CV, a 1000-word project proposal, and an 8-10 page sample translation to be considered. The application window closes on November 30th. Find more information here.

SUBMISSIONS

TWO LINES PRESS – CALL FOR SUBMISSIONS

Two Lines Press’s Calico series is calling for submissions! The series’ upcoming edition will feature poetry written and translated by Afghan women. Poets living in Afghanistan and the diaspora are invited to submit 8 to 15 pages of previously untranslated poetry, translated from any language, to be considered. They especially hope to receive works “that will inspire, challenge, and expand our conception of poetry from that region of the world.”

The deadline for submissions November 18th. You can find more information here.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from France and India!

This week, our editors report on literary prizes around the world — from an intergenerational family saga to a new approach to the trope of the madwoman in literature, get ready to add some exciting titles to your to-be-read list!

Kathryn Raver, Assistant Managing Editor, reporting from France

A few weeks back, I wrote an update for Asymptote about France’s Prix Goncourt shortlist, which at the time had just been announced—and this week, the results are in! On Monday, from among a shortlist of seven other authors, the Academie Goncourt awarded the prize to Algerian writer Kamel Daoud’s Houris. Daoud’s novel follows a young Algerian woman as she navigates her country in the aftermath of the civil war of the 1990s and is Daoud’s second Goncourt success—the first being his novel Meursault, contre-enquête, which won the Prix du premier roman in 2015. I’m on a mission to read all of this year’s shortlist and only just started Houris– but from what I’ve read so far, it certainly deserves the accolades it’s received.

The Prix Femina—another of France’s coveted literary prizes—also named its winner this week. Franco-Venezuelan author Miguel Bonnefoy took home the award for his most recent novel, Le rêve du Jaguar—an intergenerational story that explores the bonds of family amid the turbulent political climate of 20th century Venezuela. The novel was also awarded the Prix du Roman de l’Academie Française last month. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from France, Greece, and the United States!

In this week’s roundup of world literary news, our team members fill us in on France’s literary awards season and exciting festivals in Greece and the United States. From the race for the Prix Goncourt to feminist literature in Athens, read on to find out more!

Kathryn Raver, Assistant Managing Editor, reporting from France

As the leaves begin to shift their colors, France’s literary scene is shifting into awards season. Last week, Jean-Pierre Montal took home the Prix des Deux Magots for his novel La Face nord, the Prix Medicis announced their 2024 shortlist, and the contenders for the prestigious Prix Femina are to be revealed in just a few weeks. That’s only to name a few!

Perhaps the most esteemed French literary prize, however, is the Prix Goncourt, and the time for its conferral is fast approaching. Awarded annually in November, the Prix Goncourt is bestowed by the Académie Goncourt upon “the best and most imaginative prose work of the year.” They also give separate awards for poetry (conferred this year to Haitian poet Louis-Philippe Dalembert), biography, and a large variety of international works, among others.   READ MORE…

September 2024: Upcoming Opportunities in Translation

From mentorships to new submission opportunities, check out this fall's latest opportunities in translation!

SUBMISSIONS

TWO LINES PRESS

Spooky season is nearly upon us, and Two Lines Press is getting into the spirit.

For their upcoming Calico, Two Lines is calling on translators to answer the question: “What is a ghost and what does it show about the place or culture it inhabits?” Ghost stories exist in every culture, and are steeped, often inseparably, in a combination of a place’s history, politics, religion, and folklore. Translators are encouraged to “shake the dust” from this genre and explore what makes a modern-day ghost story.

Short stories between 2,000 and 10,000 words will be considered. Submissions are open until November 18th. You can find additional information on how to submit here.

 

EDUCATION

ALTA EMERGING TRANSLATOR MENTORSHIPS

The American Literary Translators Association’s annual mentorship program is now open for applications!

Founded in 2015, ALTA’s mentorship program aims to establish a rapport between emerging and established translators. The mentor and mentee will work for one year together on a translation project of the mentee’s choosing, culminating in a reading of the work at ALTA’s annual fall conference. In its nearly ten years of existence, the program has supported over 70 translators working from 25 different languages.

The program is available to emerging translators—those who have published no more than one full-length literary translation. Applicants should submit their CV, a project proposal, and an 8-10 page sample translation. Applications are open from now to November 30th. Find more information here.

READ MORE…

June 2024: Upcoming Opportunities in Translation

We've collected some of this summer's latest opportunities in translation—from submission opportunities to workshops, check out our list!

SUBMISSIONS

ALCHEMY

Alchemy is currently open to submissions for their Summer 2024 issue! Centered around the theme ‘Speculative Worlds’, this issue is seeking works of translation that “rethink what our everyday lives could look like, hope towards new forms of liberation and survival, and look to new languages, codes, images, objects, patterns, and ways of being.”

Student translators, emerging translators, and professional translators who have not yet published a full-length book are encouraged to submit their works of poetry, prose, non-fiction, and visual art. The deadline for submissions is June 30, 2024. You can find additional information here.

Alchemy is a translation journal based out of the University of California, San Diego that seeks to promote up-and-coming translators and their works.

TWO LINES PRESS

The award-winning Two Lines Press is currently accepting submissions for translations of novels, story collections, and literary non-fiction by African authors. Translations from any non-English languages will be accepted, but works from African languages and/or underrepresented communities are especially encouraged.

Two Lines Press is committed to publishing original works from a vast range of creatives, especially those who have not often been given the space to share their work in the English-centric publishing industry.

The deadline for submissions is Sunday, June 30. Find more information on how to submit here. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest from Guatemala, Taiwan, China, and France!

This week, our editors take us through Central America, France, and China to explore the reaches of literature, from a transcendent event honouring the poems of Robert Bolaño, to the new World Book Capital in France, and works featuring vital new voices from the Chinese language. Read on to find out more!

Rubén López, Editor-at-Large, reporting from Central America

When I entered the room, it looked like a coven: a group of people gathered around an edition of Roberto Bolaño’s Complete Poetry. Each member of the group would take turns to step into the centre, leaf through the text for a moment, and then recite one of the Chilean author’s poems at random, like a poetic Russian roulette. As I took my seat, one of the young men was reading the final verses of “The Romantic Dogs”. I had arrived at the event without much certainty about what it would be like; the poster from Perjura Proyecto, a cultural and artistic dissemination space, only said “The Poetry Came” and had a sketch of Bolaño’s silhouette. And, of course, it also mentioned the date and time—May 23, 17:00.

When it was my turn, I decided I wanted to read “Godzilla in Mexico”, my favorite poem by Bolaño. I clumsily flipped through the text while trying to make conversation with the rest of the participants, but I couldn’t find it. I apologised to the group because I would break the Russian roulette and put the bullet in the centre; I searched for it on my phone. As I recited “Yo leía en la habitación de al lado cuando supe que íbamos a morir”, I was overcome with a deep tenderness. I saw us, in the midst of a vertiginous and infamous city—a group of no more than ten people gathered to read Bolaño’s poems to each other. I thought about the infinite forms of cultural resistance in which we exist, all self-managed, all on the margins, all filled with beauty. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Sweden and France!

This week, our editors take us to Sweden and France for updates on major literary initiatives and exciting literary festivals. From the fight against climate change to the fun of origami workshops, read on to find out more!

Eva Wissting, Editor-at-Large, reporting from Sweden

Last week, a climate initiative from the Swedish book industry—Bokbranschens klimatinitiativ—announced its new guidelines. The project started in 2021, with the goal of reducing the industry’s climate impact by 50% by 2030, and achieving net zero emissions by 2045. The initiative spans the entire supply chain from publishers to bookstores to streaming services, involving several of Sweden’s largest publishing companies and booksellers, as well as their industry associations.

Research from 2022 shows that most of the book industry’s emissions are caused by the production of physical books, along with their transportation; when it comes to streaming services, most of their emissions stem from the use of services, rather than during production. The guidelines presented last week include recommendations for renewable fuels such as green electricity for the transportation of books, but also optimized packing with minimal amount of air and recycled packaging material. The initiative also stated that it is essential for publishers to avoid overproducing physical books that never reach customers.

Apart from choosing sustainable paper for the printing of books, another important factor to consider is the weight of books: the lower the weight, the lower the carbon footprint. Even a small change of a few grams can make a difference, as it affects everything from raw materials to transportation, as well as the management of waste at the end of a book’s life cycle. READ MORE…

May 2024: Upcoming Opportunities in Translation

From poetry readings to translation workshops—check out our compilation of some of this summer's latest opportunities in world literature.

SUBMISSIONS

THE VIEW FROM GAZA

The Massachusetts Review is calling for submissions for a special issue, The View From Gaza. Palestinian writers are encouraged to send their workwhether it be poetry, prose, essays, or artfor this special issue, which will commemorate those who have been lost in the genocide and celebrate the ongoing resistance and resilience in Gaza.

As Israel’s violence against Gaza continues, the Review “hope[s] to amplify the work of Palestinian writers that contributes to the theory and critique of Empire and settler colonialism.” Submissions in English, Arabic, and other languages are all eligible.

The deadline for submissions is June 15th. Submissions should be sent to themassreview@gmail.com.

EVENTS

2024 GRIFFIN POETRY PRIZE READINGS

On June 5th, 2024, the Griffin Poetry Prize invites you to join them for an evening of poetry and translation!

Awarded annually, the Griffin Poetry Prize is the world’s largest international prize for a book of poetry written (or translated into) English. At this celebratory event, this year’s shortlisted poets will read from their works at the Royal Conservatory of Music in Toronto before this year’s winner is revealed. Readings will also be performed by the Lifetime Recognition Award recipient and the 2024 Canadian First Book Prize winner.

Tune in to the the Griffin Poetry Prize’s Youtube channel to watch a livestream of the readings on June 5th at 7pm ET.

GRANTS & FUNDING

GLOBAL AFRICA TRANSLATION FELLOWSHIP

The Africa Institute is welcoming applications for their fourth annual Global Africa Translation Fellowship!

This fellowship aims to celebrate works from the African continent, as well as from the African diaspora. Translators from across the Global South can submit their works-in-progress or potential projects to be considered for a grant of up to $5,000. Translations of previously untranslated poetry, prose, and critical theory works, as well as retranslations of older texts, are eligible. Submissions should be translated into English or Arabic, although translations into some other languages may also be considered.

The deadline for applications is June 1st, 2024. Find more information on eligibility and how to apply here.

RESIDENCIES & WORKSHOPS

BCLT ADVANCED TRANSLATION WORKSHOPS

Since 2021, the British Centre for Literary Translation has run annual advanced translation workshops to support the craft of literary translators and to bring together those with common language pairs. This year’s workshop will center on translators of Taiwanese literature.

Workshop participants will have the opportunity to work with other attendees to hone a sample translation for their chosen project. By the end of the program, participants will have a polished sample, as well as a pitch, that is ready to send off to potential publishers. Accepted applicants will need to choose a book from the Taiwan Literature Awards for Books longlists and obtain permission to translate the work.

The deadline for applications is June 2nd, 2024, while the event itself will run online during the 7th, 22nd, and 23rd of November. Read more here.

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Our mission here at Asymptote is to elevate the incredible work that translators do to to share literature from around the world. Our “Upcoming Opportunities” initiative aims to provide those translators with the opportunity to improve their craft and share the projects they’ve put their hearts into. Have an opportunity that you’d like us to share in this monthly column? Check out our rates here, then drop us a line.

We’re working hard on our upcoming 52nd issue. If you’ve enjoyed the work we do—from our social media channels and blog to our newsletters and, of course, our quarterly issues—please consider supporting us as we continue to celebrate world literature and those that bring it to life. Any and all donations to support us on our mission are greatly appreciated. Thank you!

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