Posts by Carol Khoury

Weekly Dispatches From the Front Lines of World Literature

The latest news from Central America, Palestine, and Malaysia!

This week, our writer’s bring you the latest news from Central America, Palestine, and Malaysia. Central America’s biggest book fair, FILGUA, has begun, whilst José Luis Perdomo Orellana received Guatemala’s most prestigious literary award; Palestine Writes Literature Festival has begun online, featuring over seventy writers and activists, including Angela Davis and Fady Joudah; and in Malaysia, readers have mourned the passing of prominent writer Salleh Ben Joned, whilst Georgetown Literary Festival has featured writers including Ho Sok Fong. Read on to find out more! 

José García Escobar, Editor-at-Large, reporting from Central America

After many delays and obvious setbacks, Central America’s biggest book fair, FILGUA, started yesterday. As a virtual book fair, FILGUA will feature over 140 online activities, book presentations, and conversations among prominent authors, journalists, and activists, such as Daniel Krauze (Mexico), Olga Wornat (Argentina), Rigoberta Menchú (Guatemala), and Javier Castillo (Spain). They have also announced that next year’s FILGUA, as planned for this year’s, will be celebrated alongside Central America’s biggest literary festival, Centro América Cuenta.

In November, writer and journalist José Luis Perdomo Orellana received the Miguel Ángel Asturias National Prize in Literature—Guatemala’s most prestigious literary prize. José Luis is best known for La última y nos vamos, a collection of interviews with Gunther Grass, Nadine Gordimer, José Saramago, and others. Also in November, indie giants Catafixia Editorial announced they will reissue Eugenia Gallardo’s most famous novel No te apresures a llegar a la Torre de Londres, porque la Torre de Londres no es el Big Ben.

Finally, the famed Guatemalan author Eduardo Halfon recently revealed the cover of his upcoming new book Canción, shortly after The New York Review shared an excerpt. Canción is out in January with Libros del Asteriode.

Carol Khoury, Editor-at-Large, reporting from Palestine

If you are still searching for a silver lining of the dark COVID-19 cloud, here’s one to consider: five days of virtual readings, talks, and performances celebrating Palestinian literature.

Palestine Writes Literature Festival, originally scheduled to take place in New York City in March 2020 (with the postponement announced due to the pandemic), will now take place virtually 2–6 December 2020. READ MORE…

Weekly Updates from the Front Lines of World Literature

At home or not, travel the world with the latest in literary news.

This week, our editors from Argentina, Sweden, and Palestine have plenty to report. In Argentina, readers have paid homage to writer Rodolfo Fogwill on the tenth anniversary of his death, and a new imprint has been translating classics of Argentine noir into Greek; in Sweden, the annual Göteborg Book Fair is taking place online; and in Palestine, Adania Shibli’s Minor Detail has been nominated for a US National Book Award, whilst a new exhibition at the Palestinian museum has hosted a series of authors, including Mahmoud Shukair. Read on to find out more!

Allison Braden, Editor-at-Large, reporting from Argentina

Ten years ago, Argentina’s literary world was stunned at the news of Rodolfo Fogwill’s death. The writer, whom The Guardian called “loud-mouthed, provocative, and downright rude,” loomed large in Argentine letters, by dint of both his literary accomplishments and outsize personality. (His anti-war novel Malvinas Requiem was written in one cocaine- and whiskey-fueled week, and remains the only novel of his translated into English.) Last month, the country commemorated the decade since Fogwill’s death with a slew of virtual tributes: The National Library of Argentina’s YouTube channel featured a playlist of interviews and other audiovisual artifacts of his career; his publisher, Alfaguara, hosted Fogwill Week on their social media channels; and readers and writers paid homage to a writer whose works have remade the literary landscape. The enfant terrible lives on.

In Greece, classics of Argentine noir are finding new life with Carnívora, a new imprint dedicated to translating and publishing Latin American crime fiction in Greek. “In Argentina, literary talent abounds, and we could say that the reading public in Greece has had a kind of literary love for Argentina since the Latin American boom,” Carnívora editor and translator Aspasía Kampyli told La Nación this week. “That’s why it’s no coincidence that the first two writers we published, Guillermo Orsi and Raúl Argemí, have been Argentine, and the reception from critics and Greek readers has been especially warm.” In less than a year since its launch, the imprint has also won design awards for its logo and book covers. You can’t judge a book by its cover, but Carnívora’s positive coverage bodes well for Latin American noir in Greece.

More recent works are also getting buzz in foreign markets. Asymptote’s own Sarah Moses translated Agustina Bazterrica’s novel about a cannibalistic future for the human race, Tender Is the Flesh, for Pushkin Press (UK) and the Scribner (US). The book, recently reviewed in The New York Times, is available now in the US. Though it’s not traditional noir, Bazterrica’s book seems to fit Carnívora’s description of the genre: “crimes wrought by history or tragedy.” Perhaps we’ll soon see the novel in Greek. READ MORE…

Weekly Updates from the Front Lines of World Literature

This week’s latest news from Palestine, Serbia, and the United States!

This week’s literary news comes from our writers in Palestine, Serbia, and the United States. In Palestine, the winners of the Najati Sidqi Competition have been announced; in Serbia, the annual KROKODIL festival has welcomed an array of authors, with a particular emphasis on regional female poets and prose writers; and in the United States, the University of Notre Dame’s reading series began with a reading by Paul Cunningham and Johannes Göransson, in addition to the launch of a new program focusing on “Literatures of Annihilation, Exile & Resistance.” Read on to find out more! 

Carol Khoury, Editor-at-Large, reporting from Palestine

Out of eighty-nine applications from different parts of Palestine and the diaspora, the three winners of the Najati Sidqi Competition for Short Story by Young Writers (2020) have been announced: “al-Barzakh” (The Isthmus) by Muhammad Atef Ghuneim from Nuseirat Camp in Gaza; “al-Toot al-Faased” (Rotten Berries) by Dunya Yusef Abdullah from Salfit, which is published in Arabic here; and “al-Khalaas ka Dam’a: Seeret Bukaa’ al-Sayyed Meem” (Salvation As a Tear: Crying Biography of Mr M.) by Majd Abu Amer from Gaza. According to the jury (which consisted of three renowned Palestinian writers: Safi Safi, Ziad Khadash, and Amani Junaidi), the prize “comes in recognition of the importance of the role of youth in cultural life and building a national society capable of preserving the history and memory of place and man,” as well as to honor the legacy of Najati Sidqi.

In a new venture between Palestinians on both sides of the Green Line, Tibaq Publishing in Ramallah published Qalaaqel Jameel wa Hiyaam (Jamil and Hiyam’s Turbelences) by Hani Salloum from Nazareth. The play is about a romantic relationship, taking place between the two cities of Nazareth and Haifa, which sheds light on the social transformations that have affected Palestinian Arab communities in Israel. This is the second literary work by Salloum, after his novel al-Khuruuj min Halaqat al-Raaqisseen (Exiting the Dancers’ Circle) was published in 1997.

Five Palestinian authors have been selected for the new Arabic Stories by emerging writers, published bilingually in Arabic and English by adda. adda is an online magazine of new international writing, which supports and promotes stories and literary talent from the Middle East. Arabic Stories is part of the project Short Stories by KfW Stiftung in cooperation with the Goethe-Institut and Commonwealth Writers. The five selected stories are: Mai Kaloti’s “The Madman of Almond Hill,” translated by Basma Ghalayini; Majdal Hindi’s “Fly,” translated by Katharine Halls; Eman Sharabati’s “A Story from the South” —her first published story—also translated by Halls; Huda Armosh’s “Walking on Quicksand,” translated by Nariman Youssef; and Mira Sidawi’s “The Story of Nasr,” translated by Basma Ghalayini. READ MORE…