Posts filed under 'non-fiction'

Weekly Dispatches from the Frontlines of World Literature

October 13, 2017  |  in Dispatches, News, Weekly Roundup  |  by Sarah Moses, Tomás Cohen, and Tse Hao Guang

Your news from the literary world, all in one place.

Here we are with this week’s news on exciting developments in the world of literature! Our Editor-At-Large for Singapore, Tse Hao Guang, updates us on new translation initiatives and experimental literary events. Sarah Moses, our Editor-At-Large for Argentina and Uruguay, fills us in on recent literary festivals and on an event honoring everyone’s favorite cartoon cynic. Finally, Tomás Cohen, our Editor-At-Large for Chile, tells us about some exciting new publications appearing in the region.

Tse Hao Guang, Editor-At-Large, with the latest updates from Singapore: 

In the spirit of experimentation, stalwart independent bookstore Booksactually devised a Book Prescription Day (Sep 30) in conjunction with #BuySingLit, inviting the public to meet seven authors one-on-one as they administered literary balm to all manner of ailments. Literary nonprofit Sing Lit Station put on a zany, rave-reviewed, pro-wrestling-meets-spoken-word spectacle Sing Lit Body Slam (October 6-7), selling out on opening night. Sing Lit Station also announced the 2018 Hawker Prize for Southeast Asian Poetry, awarding the best poems published by SEA-affiliated journals to a combined tune of SGD$2500 (USD$1800). Finally, Singapore played host to the 2nd Asian Women Writers’ Festival (September 29-30), with Singaporean novelists Balli Kaur Jaswal and Nuraliah Norasid speaking alongside other writers from the UK, the Philippines, Pakistan, and India.

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Asymptote Blog wants YOU to write on topical issues!

January 11, 2016  |  in News  |  by Patty Nash and Ryan Mihaly

Asymptote blog seeks new contributions on current cultural events and political issues.

“Look at the rose through world-colored glasses,” Lawrence Ferlinghetti wrote. In this spirit, Asymptote is now seeking (translated) poetry and nonfiction directly responding to global issues and worldwide cultural events for publication on our blog.

Subjects can vary widely: the ongoing Syrian refugee crisis, the Paris attacks, the work of recent prize-winning writers, anniversaries of significant cultural events, even the release of the new Star Wars film. From politics to pop culture phenomena, we are looking for new writing on the most up-to-date global events.

Like our journal, we are looking for creative, original, and highly engaging work that is translated into English, or consider how translation plays a role in these events.

The goal of this new blog series is to share responses to the most current matters from all over the world, not just its English-speaking territories, and to encourage writers of all stripes to engage with these issues and events.

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Recent highlights from the blog include:

Alberto Chimal’s essay on Star Wars (aka La guerra de las galaxias [War of the Galaxies]) in Mexico, translated by George Henson

Allegra Rosebaum’s “Spectacle Shopping,” her analysis of Black Friday through the lens of Guy Debord’s La Société du spectacle

“Say Ayotzinapa,” a special feature in which David Huerta’s poem “Ayotzinapa,” written in response to mass kidnappings and killings in a small town in Guerrero, Mexico, was translated into 20 languages

Jennifer Croft’s “When an Author You Translate Gets Death Threats,” a comprehensive essay which detailed the intense online criticism of Polish writer Olga Tokarczuk and Nobel-winner Svetlana Alexievich’s defense of Tokarczuk

Ryan Mihaly’s “Translating Indigenous Mexican Writers: An Interview with Translator David Shook,” posted on Columbus Day/Indigenous Peoples’ Day, which discussed the controversial holiday 

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Non-fiction submissions should be no more than 1500 words. Translations into English are preferred over submissions originally in English. Send your submissions, pitches or queries to blog editors Ryan Mihaly and Patty Nash at blog@asymptotejournal.com. Send us your best, most critically engaged and creative writing on the important matters of the day. Rolling deadline.

In Conversation with Annie Zaidi

November 9, 2015  |  in Interviews  |  by Poorna Swami

"...it became apparent at once that women have always used writing as a form of politics and activism."

In a conversation about a younger generation of Anglophone writers in India, Annie Zaidi’s name is bound to come up. From poetry to non-fiction to drama to a novella that is both ghost story and romance, her writing continually shifts forms, landscapes, and languages. Zaidi is the editor of Unbound: 2,000 years of Indian Women’s Writing and the author of Gulab, Love Stories # 1 to 14, and Known Turf: Bantering with Bandits and Other True Tales. She is also the co-author of The Good Indian Girl. Her work has appeared in several anthologies including Eat the Sky, Drink the Ocean, Mumbai Noir, Women Changing India, and Griffith Review 49: New Asia Now. Zaidi spoke with me about her influences, process, and literary interests in an email interview. 

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Poorna Swami: Your grandfather was a well-known Urdu writer, and you have said in the past that literature was a big part of your childhood. How has that culture of language and literature influenced your career as a writer? Although you write primarily in English, does Urdu shape your work in any way?

Annie Zaidi: Literature was a big part of my childhood, but not in the sense of literature with a capital L. My family had some literary background, and there were a lot of books around but there were no literary discussions and for many years, I did not have access to a good library. But books were seen as a good thing and we were bought books and comics from an early age. Books were my main source of entertainment and, later, my main solace. I read almost all the time and that turned me into somebody who didn’t know much except the world of words and stories. Turning to literature as a vocation was a very short step from there. READ MORE…