Posts featuring Nadiyah Abdullatif

The Saif Ghobash Banipal Prize and the Art of Bearing Witness

These six translated works . . . demonstrate the formal innovation, thematic depth, and beauty of contemporary Arabic literature.

Since its conception nearly twenty years ago, the Saif Ghobash Banipal Prize for Arabic Literary Translation has sought to bring a wider scope of attention and celebration to works translated into English from the Arabic, resulting in a plethora of incredible titles being honored over the years, from the 2008 awarding of Mahmoud Darwish’s The Butterfly’s Burden, translated by Fady Joudah, to the 2019 awarding of Khaled Khalifa’s Death is Hard Work, translated by Leri Price. In this essay, Ibrahim Fawzy takes us across the most recent shortlist and its six works, discussing their distinct contributions to the Arab world’s abundant archive.

Contemporary Arabic literature offers rich, varied responses to the shared human experiences of displacement, conflict, and the weight of history. With its compelling and diverse array, the shortlist of the Saif Ghobash Banipal Prize for Arabic Literary Translation presents a brilliant selection of such works each year, spanning genres from memoir to thriller, and reflecting the vitality and range of modern Arabic literary expression. In the 2024 prize, the six works on the shortlist—brought into English by dedicated translators—offer profound insights into the complexities of identity, memory, and resilience. While the judges ultimately awarded the prize to Katharine Halls’s translation of Ahmed Naji’s Rotten Evidence early this year, every shortlisted text invited comparative reflection on how these distinct narratives converge around the very act of bearing witness.

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What’s New with the Crew? (May 2022)

Despite a quarter marked by global upheaval, our team members continued to publish and organize literary events

Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania & Moldova, recently co-organized—jointly with Isabelle Gribomont—an international week-long event on Literature and Computation which he capped off with an intermedia computational performance titled Code Is Poetry.

Blog Editor Darren Huang reviewed Diana Abu-Jaber’s “Fencing with the King” for the Los Angeles Review of Books on April 1.

In March, Contributing Editor Ellen Elias-Bursac was asked by the ALTA board to come back as interim president, after Anne Fisher resigned as president following the invasion of Ukraine. Elias-Bursac will serve in this capacity until November 2023.

Editor-at-Large for Slovakia Julia Sherwood’s joint translation (with Peter Sherwood) of her mother’s memoirs My Seven Lives: Jana Juráňová  in Conversation with Agneša Kalinová, published by Purdue University Press last October, was launched at an event in London on  April 27.

Director of the Educational Arm Kent Kosack has a new braided essay out in The Rupture and a short story in The Baltimore Review.

Assistant Managing Editor Marina Dora Martino’s poem “Death with Three Left Feet” was published in POETRY’s April issue, Exophony, featuring poets who write in English as an additional language.

Assistant Managing Editor Michal Zechariah published a review of Maayan Eitan’s Love (tr. by the author) at 3:am magazine and a review of Elizabeth Clark’s Boy Parts at The Rumpus. READ MORE…