Posts filed under 'trans literature'

Asymptote at the Movies: My Tender Matador

Lemebel clearly also believed in the power of the image . . . but the film does have to contend with a material reality. . .

Pedro Lemebel, the iconic Chilean activist, essayist, and artist, wrote only one novel in his lifetime: My Tender Matador, a gloriously romantic narrative of repression, radicalisation, and infatuation. It tells the story of a trans woman—named only as the Queen of the Corner—and her brief love affair with a leftist guerilla named Carlos, taking place amidst the waning years of Augusto Pinochet’s brutal regime. Juxtaposed with comic passages that satirise the shallowness and greed of the dictator and his wife, the novel is a bold expression of selfhood and resilience that incisively wields Lemebel’s entrancing prose against the ugliness of tyranny.

Nearly two decades later, in 2020, Rodrigo Sepúlveda took this subversive novel to the screen, with Alfredo Castro starring as the exuberant Queen. Commenting on the material’s continual legacy and relevance, the director decisively noted Lemebel’s revered status and pivotal role: “If civil unions exist today and gay marriage is being discussed in Chile, it’s because of how Lemebel fought during the dictatorship.” One year after the film was released, Chile passed its legislation of marriage equality with an overwhelming majority.

In this edition of Asymptote at the Movies, we discuss these two works in conversation, conjunction, and deviation, with the mediums of literature and cinema making their distinct determinations on the narrative’s conceptualisations of beauty, politicisation, and imagination.

Michelle Chan Schmidt (MCS): My tender matador! From the original Tengo miedo torero, Katherine Silver gives us an English title that preserves sound over literality, with the Spanish meaning something more like: ‘I’m afraid, bullfighter.’ These beautiful [t] and [m] alliterations anticipate the lush whirl of images that unfurl in both Pedro Lemebel’s 2001 novel—’Like drawing a sheer cloth over the past, a flaming curtain fluttering out the open window of that house in the spring of 1986. . .’—and Rodrigo Sepúlveda’s 2020 film adaptation.

Like Silver’s title, the film’s opening scene translates Lemebel’s plot for beauty over ‘faithfulness’: the scene is Sepúlveda’s own creation. It starts in media res with a drag performance in a discothèque in Santiago, Chile—all sequins, jewel-toned light, and close-ups of the enraptured, laughing audience. They include our protagonists, the Queen of the Corner and the young, mysterious, militant Carlos, who meet for the first time later that night when he saves her during a police chase.

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Talk about an elegant set-up: Sepúlveda effectively foregrounds the story’s central conflicts—on both personal and political axes—within the context of queerness and resistance in Pinochet’s authoritarian Chile, in less than a minute and in a setting that Lemebel did not write, but left to the reader’s mind. The beauty of Sepúlveda’s translation for the screen, a medium that serves visibility, hearing, and action, is also its concision. What other methods have you noticed Sepúlveda use to translate Lemebel’s text? How else has My Tender Matador molded to film?

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Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Mexico, the Philippines, and

This week, our editors-at-large take us many places, from one book fair by the sea and one in the neighborhood that was once home to Frida Kahlo and Diego Rivera. Read on for news about new bookstore openings, sonic poetry readings, and upcoming chapbook publications!

Alan Mendoza Sosa, Editor-at-Large, reporting from Mexico

The International Book Fair of Coyoacán (FILCO) is taking place from June 7 to 16 in the historic Mexico City neighborhood internationally famous for having been the home of Diego Rivera and Frida Kahlo. The event features stands from more than one hundred and fifty Mexican and international publishers, as well as two hundred events ranging from concerts and dance performances to book launches and roundtables. Among this year’s panelists are cultural luminaries such as the Guatemalan Nobel Peace Prize winner Rigoberta Menchú, the descendants of Mexican historical figures like Emiliano Zapata, and the writer and Asymptote contributor Elena Poniatowska.

I visited the book fair on Saturday, June 9 for a presentation of the most recent book by Rocío Cerón, globally acclaimed experimental Mexican poet and recent Asymptote contributor. Simultáneo sucesivo is a collection that explores the sonic power of language. During her talk, Cerón emphasized how we live surrounded by sound but rarely reflect on its affective qualities. She demonstrated these qualities by reading from her book with her characteristic performance style: repeating words, modulating her volume, pitch and tone, and varying her speed. This performance style has the power to minimize language’s semantic qualities and foreground its sonic properties. She also played tracks of sound art that accompany the collection. These feature Cerón’s voice, but also include drone, ambient, and electronic sounds that induce a trance on listeners. Cerón’s performance, abstract poetry, and sound art liberate both language and sound from their utilitarian and practical everyday purposes, inviting listeners and readers to experience the texture, timbre, and materiality of language beyond its meaning.

Simultáneo sucesivo is the third installment of Cerón’s trilogy challenging the way in which we relate to language. The other two books in the series are Spectio (2019) and Divisible corpóreo (2022), which Cerón has presented in events around the world. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

Dispatches from Mexico, Kenya, and India!

This week at Asymptote, our Editors-at-Large report on book fairs, Annie Ernaux’s visit to India, and celebrations of International Mother Language Day all around the world. From the efforts of Trans activists and performance artists in Mexico to a recent multilingual anthology published by Olongo Africa, read on to learn more!

Alan Mendoza Sosa, Editor-at-Large, reporting from Mexico

The literary community in Mexico City has been vibrant and active in the first months of 2023. Between February 23–March 6, the Feria Internacional del Libro del Palacio de Minería took place in Mexico City. This forty-fourth edition of one of the biggest international book fairs in Mexico brought together writers, scholars, editors, and artists from all over the world. They gathered in the historic downtown to host readings, panels, and roundtables on literature, social sciences, and politics.

There were more than a hundred events, ranging from book presentations to movie screenings to workshops for children. In one panel, Asymptote contributor Tedi López Mills presented an edited anthology of her poetry, published by the National University of Mexico in its pamphlet series Material de lectura. The publication will bring López Mills’s poetry to a wider public. In another event, Cuban poet Odette Alonso moderated a talk with Lía García and Jessica Marjane, two Trans performance artists and organizers that have been at the forefront of the movement for Trans rights and recognition in Mexico. García and Marjane founded the National Network of Trans Youth, which has strengthened the community bonds among Trans young people in Mexico. García has acquired international recognition, having been invited to perform and read to institutions outside of Mexico, among them Harvard University and the University of Illinois’s Humanities Research Center.

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Weekly Updates from the Front Lines of World Literature

The latest literary news from Argentina, Sweden, and Iran!

This week, our writers bring you news from Argentina, Sweden, and Iran. In Argentina, book fairs have moved events online and well-known trans writer Camila Sosa Villada has spoken about the benefits of trans literature; in Sweden, newspapers have been publishing full-length novels as a daily series for Summer; and in Iran, a new book of letters by Abbas Kiarostami has faced publication rights controversy. Read on to find out more! 

Allison Braden, Co-Editor-at-Large, reporting from Argentina

This year, the 46th annual Buenos Aires Book Fair was postponed indefinitely. The spring gathering, predictably, had to adapt to limitations imposed by coronavirus, but the change of plans was nevertheless a huge loss to the booksellers and industry professionals who rely on the blockbuster event, which attracts upwards of 10,000 visitors over the course of the fair. However, Fundación El Libro, the organization that puts on the fair, opted to go a different route for its children’s book fair. That programming will be held virtually, beginning this coming Monday, July 20, and continuing through the end of the month. Organizers promise hundreds of digital activity opportunities for children and young adults, which may provide welcome relief to parents.

Even with the book fair on hold, other efforts to promote Argentine literature around the world continue. Programa Sur, one of the most robust programs of its kind in the Spanish-speaking world, was developed in 2016 to offer grants to incentivize small and medium publishers abroad to release Argentine books in translation. Since its inception, the program site boasts that “over 800 foreign publishers from 46 countries have applied for support in the translation of 1,060 works by more than 380 Argentine authors into 40 languages.” The program is accepting applications through September.

Those stuck at home in Argentina and abroad, looking to keep their finger on the pulse of literary news and views, may turn to news organization RED/ACCIÓN’s weekly newsletter, Sie7e Párrafos (“seven paragraphs”). The Tuesday newsletter features readings and commentary on literature and nonfiction books, as well as occasional updates on the publishing industry. One recent issue featured a short interview with trans literary star Camila Sosa Villada. Interviewer Javier Sinay asked what the opportunities are for trans literature and what trans literature can contribute to the world. She answers, in my translation, “What happens when writing runs counter to the established canon? A kind of rupture in the peace promised by the rules of good writing . . . Now, you have the opportunity to read something unexpected, about unknown worlds and knowledge you never imagined.” Her answer underscores why the postponed book fair is such a loss and why Programa Sur remains so important. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week, news of trans literature in Argentina, an inaugural book fair in Patagonia, and awards season in India.

Our editors report on literature’s integral role in political resistance and in supporting underrepresented voices, as feminist and trans theory workshops are organized in Buenos Aires and fuegino literature is promoted in Patagonia. In India, our reporter leads us through the awards season successes, celebrating many translated titles.

Allison Braden, Editor-at-Large, reporting from Argentina

Last month, a primary election that predicted a decisive win for the opposition in Argentina’s upcoming presidential elections sent the economy into convulsions, and the peso’s precipitous drop in value made headlines around the world. Amid the debate around the country’s future, the candidates have been conspicuously quiet on an issue important to many Argentine women: abortion, which remains illegal in most cases. But where the politicians are silent, Argentina’s women are not. Anfibia, a digital magazine of literary journalism launched by the Universidad Nacional de San Martín, is offering a workshop to challenge dominant ways of knowing and to provide women with tools to narrate experiences of violence. Also in this year’s lineup is a four-part workshop and practicum on trans theory, which seeks to answer whether it’s possible to develop a collaborative theory of the trans experience to guide, not only personal creativity, but also policy. Trans literature has won acclaim in Argentina recently. Rising literary star and trans writer Camila Sosa Villada, for example, unites literature and performance. According to a recent profile, “Camila is poetry onstage and puts her body on paper” (my translation). Her book Las malas was showcased at this year’s Feria del Libro in Buenos Aires, the largest book fair in Latin America. READ MORE…