News

The Return of the Flood: How ISIS is Destroying Iraq’s Literary Heritage

Paul M.M. Cooper assesses the damage done to Iraqi literature and heritage by ISIS’s destruction of thousands of undeciphered cuneiform tablets.

ISIS continues to shock the world with calculated acts of cultural vandalism: taking sledgehammers and electric drills to the millennia-old pieces of art held at Mosul Museum, bulldozing the archaeological sites of Nimrud and Dur-Sharrukin, and most recently releasing a video showing the destruction of artefacts at Hatra. While the predictable images of gleeful vandalism circulate on social media, archaeologists took stock of the antiquities destroyed: statues of the kings of Hatra that form “the finest of all the sculptures unearthed” in the region, several enormous winged bulls with human heads known as lamassu, and assorted irreplaceable relics of the Babylonian, Persian and Roman Empires.

ISIS’s goals are clear: to destroy anything that hints at the region’s pluralistic past, and to strike a blow full of impotent cruelty against the Iraqi government and international organisations such as the UN and UNESCO. Against this backdrop and coupled with the stunning callousness of the group’s ongoing humanitarian atrocities, it has been easy to overlook another loss, one felt particularly acutely by lovers of international literature the world over: that of the still-undeciphered cuneiform tablets caught up in ISIS’s frenzy of destruction. READ MORE…

Weekly News Roundup, 3rd April 2015: Judges Bicker, Joke’s on You!

This week's literary highlights from across the world

Happiest of Fridays! Hard to believe we are already entering the fourth month of 2015. But this stretch of spring means we’re well into literary awards season, as well as awards-speculation. Close to our heart, Three Percent‘s Best Translated Book Award is just iiiiinches away from announcing the long-awaited longlist. Want some clues? Tickle your curiosity here and here. And the judges for the United States-based National Book Award have been announced. And in the Morning News’ Tournament of Books, judge Steven Merritt has ruffled feathers with disparaging reviews of Roxane Gay’s An Untamed State and Anthony Doerr’s All the Light we Cannot See.  READ MORE…

Weekly News Roundup, 27 March 2015: The Knausgaard/Ferrante Personality Test, Leo’d Be Proud

This week's literary highlights from around the world

Whoop, whoop, blog fiends—it’s Friday! You’ve probably already partaken in your fair share of literary personality quizzes (they provide a cheap alternative to psychoanalysis when your insurance goes bad, and it’s always heartening to read you’re more of a Dumbledore than a Malfoy), but the New Yorker‘s article contrasting Italian recluse Elena Ferrante with Norwegian road-tripper Karl Ove Knausgaard is of particular interest to those of us interested in more international literary trends. (Meanwhile, if you’re excited for the English-language release of Book 4 of Knausgaard’s My Struggle, you can read an exclusive excerpt here).  READ MORE…

The Latest from Our Editors & Contributors

Updates from Asymptote’s international team: new publications, plays, and exhibitions for the curious reader!

Past contributor Aya Ogawa is proud to see her play Ludic Proxy near its world premiere at New York’s The Play Company. Each act of this multi-media play centers around a distinct story: Act 1, in the past, takes place in Chernobyl; Act 2, in the present, is about Fukushima; and Act 3 takes viewers to the future. The play explores our relationship to technology and is a “beautiful, haunting and magical piece that pulls you into uncharted territory where memory, fantasy and virtual reality swirl together.” First previews begin April 1, and the not-to-be-missed play runs until May 2 at WalkerSpace in TriBeCa, 46 Walker St, NYC.

“The surreal atmosphere of Self-Portrait in Green began to create disturbances in my own reality,” writes assistant editor Erin Gilbert in her review of Marie NDiaye’s obsessive memoir, now up on Brevity. She also has a poem in Issue 13 of Structo

Editor-at-large for Slovakia Julia Sherwood saw her and Peter Sherwood’s translation of Ilona: My Life with the Bard published by Calypso Editions. The duo deliver a “superb translation [that] renders faithfully the sense of a woman’s world around the nostalgic period of the fin de siècle,” according to Martin Votruba of the University of Pittsburgh—just one bit of the extensive praise that Jana Juráňová’s novel-in-English-translation has received.

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Weekly News Roundup, 20th March 2015: London Nominees, PEN Nominees!

This week's literary highlights from across the world

Yay, it’s Friday! Here at Asymptote we are especially giddy this weekend because of a gosh-wow shortlist nomination from the London Book Fair—alongside two other notable organizations, Asymptote journal is nominated for an International Excellence Award, for Initiative in International Translation. Keep your fingers crossed for us!—but really, it is such an honor to be recognized for the hard literary work we do. And the PEN Awards longlists have been announced—of special interest to us, of course, are the poetry in translation and fiction in translation categories (we’re happy to note that Danish writer Naja Marie Aidt, blog interviewee, has been nominated—read a selection of Baboon, featured on Translation Tuesday, here)!

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Asymptote Blog Wants YOU!

We're on the hunt for new contributors!

It’s that time of year again, dear readers—we at Asymptote blog are on the hunt for the freshest, funniest, most clever and on-the-pulse writing you’ve got, related to literature, translation, and the way words shape our world.

Like our journal, we are committed to publishing creative, original, and knife-sharp pieces in conversation with world literature, translation, and global culture—which means we love to read and publish original pieces and translations by writers, thinkers, and artists like you. So if you have something to say, read on—and get in touch!

Asymptote blog looks for voice, depth, and topicality in its postings. We welcome regular and one-time contributors, and publish essays, dispatches from literary events, interviews, book reviews, in-depth examinations of the world-at-literature and the world-at-large, as well as weekly new translations of poetry, fiction, nonfiction, and drama!

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Highlights from the blog’s recent past include:

Nina Sparling takes an up-close look at food, translation, and literature—how do we read “terroir,” Emile Zola’s Les Halles, and Colette’s kicked fish? 

Florian Duijsens’s “Pop Around the World” column examines House of the Rising Sun,” well, around the world. 

In The Tiff, a new recurring column, leading translators debate some of the field’s most pressing current issues. 

Matthew Spencer’s on-the-edge column The Orbital Library teases out the intersections of the sci-fi genre and translation.

A conversation between two legends of Russian-to-English literary translation is uncovered—picking bones over a Russian restaurant menu, of all things.

Josh Billings discusses the often-fascinating histories behind the wheeling-and-dealing ghosts of world literature—its translators!

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If you’d like to contribute, but don’t quite know where to start, here are a few simple ways you can join the list of blog contributors:

1. We’re looking for reviewers to write about new translated or translation-related books. In your e-mail, talk about a few works you would like to review and why.

2. We’re also looking for translations, published every Tuesday in an ongoing series (predictably dubbed Translation Tuesday). In your e-mail, let us know your translation ideas, as well as your connections with authors or specific works. Permission and rights are necessary prior to publishing.

3. We’re looking for general musings related to translation, poetics, writing, the industry, current events, politics, visual arts, film—whatever fits your fancy! We’re amenable to all sorts of different writing

Variety is our bread-and-butter, so if you have something new you’re itching to say, we might just be the platform for you! Please send us a proposal with some information about you, how you’d like to contribute, and a writing or translation sample at blog@asymptotejournal.com. Rolling deadline.

Weekly News Roundup, 13th March 2015: Germans hit the Prizes, Hobbit in Hawai’i

This week's literary highlights from across the world

Is it spring yet? It’s certainly Friday, and awards season at the very least: one of our favorite worldwide translation-friendly prizes, the International Foreign Fiction Prize, has announced its longlist, and we’re happy to see some familiar names on the list—of the fifteen nominees, a whopping five of them were translated from the German, including Asymptote friend and alum Susan Bernofsky! German poet Jan Wagner also snagged the top prize for Belletristik at the Leipziger Buchmesse this week, quite the feat in competition with the language’s admittedly high-powered prose! In an altogether more Anglophone bent, the National Book Critics Circle has announced its award-winners, and the list includes Claudia Rankine’s Citizen in the poetry category and LIla by Marilynne Robinson for fiction, and the United Kingdom’s Bailey’s Women’s Prize for Fiction has announced its impressive longlist.  READ MORE…

Weekly News Roundup, 5th March 2015: Traveling With Your Censor

This week's literary highlights from across the world

Happiest of Fridays, translation friends! It’s the weekend, so you should let live a little—unless you’re being censored. In the New Yorker, Peter Hessler travels for a week alongside his censor in China. Widespread translation—and proliferation—of literature may be the anti-censorship, and in that case, we’ve witnessed quite a bit of this in the past few weeks across the globe, as French children’s classic The Little Prince runs out of copyright (practically everywhere except for France). In Turkey, dozens of new versions are appearing (and—we hope—delighting!) the reading public. 

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Weekly News Roundup, 27th February 2015

This week's literary highlights from across the world

Happy Friday, friends! Cue shock and awe at the passage of time: February is almost over, and soon we’ll be plucking daffodils in springtime fields. Feel like a summer road trip? Take cues from Norwegian literary bad boy and memoirist Karl Ove Knausgaard’s road trip across the United States (one of his goals is to go without speaking to other Americans—go figure). Here’s the first part of the Saga, in exhaustive detail and translated by Ingvild Burkley.  READ MORE…

This Monster, the Volk

At the Pegida demonstrations, the soul of Dresden has been revealed: reckoning with the mentality of my native city

Monika Cassel translates Durs Grünbein’s op-ed, which appeared on the front page of Die Zeit’s weekly magazine on February 12, 2015, the day before the 70th anniversary of Dresden’s bombing. 

Every year, the city I was born in falls again. On the one hand this is a ritual (of commemoration), and on the other hand it is a reality (of history). All over the world, people know what happened to Dresden in February 1945, just before the great turning point in history when Germany was given the opportunity to better itself. The city lost nearly everything that had once made her charming and was from then on condemned to live on, severely handicapped, hideously deformed, and humiliated. Where once courtly splendor and stone-hewed bourgeois pride had delighted the eye, now desolate wastelands unfolded as I wandered through my city as a child. It is hard to imagine that this was where Casanova contracted a venereal disease and Frederick the Great, when he was still the crown prince, lost his virginity. According to legend, one of the delectable ladies-in-waiting pulled him through a concealed door and initiated him into the Saxon mysteries of love. I still remember imagining the Marquis de Sade visiting the city on the Elbe. In one thing, at least, historians are in agreement: what was supposedly once the most beautiful Italian city north of the Alps was a paradise on earth for all of the libertines of aristocratic Europe.

But it all turned out differently. Lately I have seen a monster in Dresden—it calls itself das Volk (the People) and thinks it has justice on its side. “We are the Volk,” it yells, shamelessly, and it cuts anyone off mid-sentence who dares disagree. It presumes to know who belongs and who does not. It intimidates those from foreign lands because—in the extremity of their plight—they have nowhere else to go, those who come in search of a better life. I can identify with these asylum-seekers. I was once a person who felt trapped in his country, in his native city. Who wanted to escape from a closed society—precisely the kind some wish we could return to again. Was I an economic refugee, driven by political dissent against the system that had planned my whole life for me, was it a yearning for foreign cultures, or all of these? Who can say?

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Weekly News Roundup, 20th February 2015

This week's literary highlights from around the world

Happy friday, translation friends! We frequently post all sorts of dispatches on the blog—when the Asymptote family stretches far and wide to connect with other readers all across the globe—but rarely does our team encounter literature under threat. Here’s a report on the Karachi literary festival, in which the Guardian contends that “books really are a matter of life and death.” (they aren’t elsewhere, either?!). And in Egypt, good news for freedom of the press: a high court has granted bail to two Al Jazeera journalists. And Guernica reports on another country in conflict struggling to find voice on the international stage: Syria in image. READ MORE…

Take a look at “Steaua”—Asymptote’s Romanian Partner Journal

An in-depth introduction to Asymptote's newest partner journal, "Steaua"

A few weeks ago, we at Asymptote blog highlighted the importance of vibrant, youthful literary journals—in exchange. In that post, we featured Fleur des Lettres, from Hong Kong, and the fruitful artistic encounters that partnership has yielded.

This week, we highlight another budding intertextual friendship, namely that one between Asymptote and Romanian lit-mag Steaua. Contemporary literature is scarce and relies heavily on exchange. This could hardly be truer than with international literature—where impediments like translation, marketing, and the consumer publishing culture risk obscuring gems we should all be watching out for. Here’s Romanian editor-at-large MARGENTO’s take on what looks to be the beginning of a long and fruitful cross-journal collaboration.   READ MORE…

Weekly News Roundup, 13th February 2015

This week's literary highlights from across the world

Happy Friday-the-thirteenth, everybody! Let’s hope the unlucky date doesn’t squash whatever romantic plans you may have for Valentine’s Day tomorrow….

First Scandinavian crime novels took the translation world by storm. Now it’s Brazil‘s turn. At the Globe and Mail, Chris Frey argues that Brazilian author Daniel Galera’s latest novel, Blood-Drenched Beard (translated by Alison Entrekin), is poised to launch a veritable torrent of popular Brazilian literature in English translation. And so that you may be on the pulse for years to come: announcing the Literary Hub, future center for all (English-language) things book-and-web-based. READ MORE…

The Latest from Our Editors & Contributors

Updates about Asymptote’s international team!

For all you graphic novel (in translation!) fans: contributing editor Adrian Nathan West translated A Human Act, about the Second Mafia War, by Manfredi Giffone, Fabrizio Longo, and Alessandro Parodi for Words Without Borders. And in Brouillon, he discusses the challenges of translating alliteration in Pere Gimferrer’s Fortuny; in this case, his search through the Oxford English Dictionary leads him to “Vauntmure,” “a beautiful, obsolete word” and a type of fortification wall.

Transaction Press has just published past contributor John Taylor’s collection of essays A Little Tour through European Poetry. It follows John Taylor’s earlier volume Into the Heart of European Poetry and discusses a great number of translations, including poetry from the Czech Republic, Denmark, Lithuania, Albania, Romania, Turkey, and Portugal. It even presents an important poet born in the Chuvash Republic—not to be missed!

In November, Joshua Craze, nonfiction editor, published an excerpt from his forthcoming novel, Redacted Mind, with New York’s New Museum as part of its center for translation. The center previously hosted another book project of his, How To Do Things Without Words. In his introduction to Craze’s work, Omar Berrada, co-director of Dar Al-Ma’mûn, said, “In most cases, looking for whatever text lies behind the redactions is bound to fail. Instead, Craze proposes to examine what the redaction performs. Rather than uncovering the secret beneath the mask, understanding depends on looking closely at the surface itself. It is an art of description, of listening to surfaces.”

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