Poetry Editor Aditi Machado published a new chapbook, Route: Marienbad, with Further Other Book Works, and has three poems in the new issue of The Capilano.
Three of Drama Editor Caridad Svich’s playtexts have been published alongside critical essays as JARMAN (all this maddening beauty) and other plays, by Intellect Books. Her new play, De Troya, directed by David Lozano, will also be performed on May 15 and 16 on the Amphibian Stage in Fort Worth, Texas.
Contributing Editor Howard Goldblatt published his first collection of original short stories, A Night in a Chinese Hospital.
Nonfiction Editor Joshua Craze has a new essay out in Chimurenga’s Pan-African magazine, Chronic, about the United Nations (UN) mission in South Sudan, wilful ignorance, and the vagaries of UN flight timetables. READ MORE…
For all you graphic novel (in translation!) fans: contributing editor Adrian Nathan West translated A Human Act, about the Second Mafia War, by Manfredi Giffone, Fabrizio Longo, and Alessandro Parodi for Words Without Borders. And in Brouillon, he discusses the challenges of translating alliteration in Pere Gimferrer’s Fortuny; in this case, his search through the Oxford English Dictionary leads him to “Vauntmure,” “a beautiful, obsolete word” and a type of fortification wall.
Transaction Press has just published past contributor John Taylor’s collection of essays A Little Tour through European Poetry. It follows John Taylor’s earlier volume Into the Heart of European Poetry and discusses a great number of translations, including poetry from the Czech Republic, Denmark, Lithuania, Albania, Romania, Turkey, and Portugal. It even presents an important poet born in the Chuvash Republic—not to be missed!
In November, Joshua Craze, nonfiction editor, published an excerpt from his forthcoming novel, Redacted Mind, with New York’s New Museum as part of its center for translation. The center previously hosted another book project of his, How To Do Things Without Words. In his introduction to Craze’s work, Omar Berrada, co-director of Dar Al-Ma’mûn, said, “In most cases, looking for whatever text lies behind the redactions is bound to fail. Instead, Craze proposes to examine what the redaction performs. Rather than uncovering the secret beneath the mask, understanding depends on looking closely at the surface itself. It is an art of description, of listening to surfaces.”
Contributing editor Ellen Elias-Bursać saw her translation of the short story “Marilyn Monroe, My Mother,” by Neda Miranda Blažević-Kreitzman, appear in the Buenos Aires Review. In further exciting translation news: Elias-Bursać’s Translating Evidence and Interpreting Testimony at a War Crimes Tribunal is forthcoming from Palgrave Macmillan this February. In it, she discusses translation and interpretation at the International Criminal Court for the Former Yugoslavia at The Hague.
Drama editor Caridad Svich has big happenings in October, including readings and productions across the United States (and in London too!). Check out a full schedule of them all here.
Joshua Craze, nonfiction editor, has just finished a residency at the Dar Al Ma’Mûn in Morocco, where he was a UNESCO-Aschberg Artist Laureate in Creative Writing, working on his novel Redacted Mind. Excerpts from another book project, How To Do Things Without Words, are currently on display at the New Museum in New York, as part of its Temporary Center for Translation. He just finished a Ph.D. in socio-cultural anthropology at the University of California, Berkeley, and has taken a position on the Society of Fellows at the University of Chicago.