Poet, revolutionary, scientist, politician: Amílcar Cabral took many roles throughout his extraordinary life, including leading the nationalist movements of Guinea-Bissau and Cape Verde. Admired for his staunch ideals and his uncompromising vision of pan-Africanism, many of his ideas continue to be found in anti-oppression rhetorics and movements all over the world. In this essay, Bethlehem Attfield takes a look at his legacy—one that has spread far beyond the African continent—fifty years after his nation’s independence.
This year, Cape Verde is celebrating a special milestone: the fiftieth anniversary of the nation’s independence. Yet, the celebrations actually began the year before, in honour of what would have been the hundredth birthday of the country’s founding hero, Amílcar Cabral (1924–73). Cabral was a political leader who founded the African Party for the Independence of Guinea and Cape Verde (PAIGC), and led an armed struggle to free both nations from Portuguese colonial rule. While he is best remembered as a prominent anticolonial figure across Africa, Cabral also left a powerful legacy through his writing, poetry, and cultural ideas, many of which are collected in the volume Resistance and Decolonization, translated by Dan Wood.
Particularly intriguing are his theories concerning culture; he regarded the promotion of national spirit among the rural peasantry, whose lives remained unaffected by imperialism, as vital to national liberation. However, in terms of language use, he differed from most anticolonial leaders who condemn the destructive impact of colonial language on the cultural fabric and psyche of the colonised people. Instead, Cabral argued that the colonial suppression of cultural life in Africa was ineffective, writing:
Except for cases of genocide or the violent reduction of native populations to cultural and social insignificance, the epoch of colonization was not sufficient, at least in Africa, to bring about any significant destruction or degradation of the essential elements of the culture and traditions of the colonized peoples.
Translation Tuesday: “The Lost Spell” by Yismake Worku
Now I am only a sorrier version of the dog that traversed through the forest with the grace of a cheetah.
For this week’s Translation Tuesday, visionary novelist Yismake Worku adopts fantasy and satire as probing social commentary in this excerpt from The Lost Spell. While researching a book of spells, a wealthy man transforms himself into a dog. We follow the (now) canine protagonist as he journeys to Addis Ababa, and through his eyes we witness the sublime beauty of the Ethiopian landscape. The story of one man’s literal dehumanization allegorizes the abasement our narrator witnesses around him as he simultaneously lauds and laments his country. Through the narrator’s unique position as both subjective participant and objective bystander, Worku presents a fly-on-the-wall (or a dog-on-the-road) view of contemporary Ethiopia that is at once a critique and a bittersweet love letter.
It has been a horrible few days. I feel like some life has been drained from my short dog existence. If I hadn’t managed to drag myself into the middle of a corn farm, I would have been picked apart by merciless scavenging birds.
The cause of my pitiful circumstances was an auto-rickshaw accident. If the God of dogs and all creation hadn’t spared me, I would have departed my dog life by now. The rickshaw didn’t hit me full on; it knocked me on my left rear, bending me like a rubber and causing me to plunge into a drain. An unseasonal rain had been pouring down all evening. So, the flood could have carried an elephant, let alone a battered dog. It hauled me along the garbage of Shashemene. Banging me around with every object it carried along, the flood finally threw me into a small river. The river in turn dragged me through shrubs, sometimes battering me against rocks, and deposited me near a cornfield. READ MORE…
Contributor:- Bethlehem Attfield
; Language: - Amharic
; Place: - Ethiopia
; Writer: - Yismake Worku
; Tags: - allegory
, - amharic
, - ethiopia
, - satire
, - social commentary