Doomi Golo is the first book to be translated into English from Wolof, an indigenous language widely spoken in Senegal. In its interesting linguistic journey, the Francophone author Boubacar Boris Diop has also personally translated the novel from Wolof to French.
The protagonist Nguirane Faye’s six notebooks written for his grandson compose the heft of the novel. One of the many iconic passages in the book tackles a central question facing the decolonizing world:
I am perfectly aware, Badou, that turning one’s back on the outside world is tantamount to the kiss of death. It’s bound to be a good thing if a nation lets the winds that are blowing from all corners of the globe expand its chest, but not unless we do what we can to preserve the crucible destined to receive its breath when they are blowing. Life, after all, is not born out of the void.
Every aspect of Diop’s masterpiece, from its content to choice of language to its translation, addresses this struggle to preserve marginalized identities in a globalized context. It is unsurprising that this pioneering novel was a finalist for the Best Translated Book Award 2017, founded by Three Percent.
Interestingly, Diop decided to translate Doomi Golo from Wolof after being “inundated with requests,” according to Vera Wülfing-Leckie, one of the two translators of the English version. Adding intrigue to the situation, Wülfing-Leckie notes in her captivating introduction that some scholars argue that the French version, entitled Les petits de la guenon, “was a new novel that merely bore close similarities to the original.“ As for the English translation, Wülfing-Leckie mainly worked with the French version. However, El Hadji Moustapha Diop, Boubacar Boris Diop’s son and the second person in the translating duo, consulted the Wolof version as well.