Language: Slovene

Baptism of Fire: An Interview with David Limon

We’re not just translating for an English-speaking audience, but potentially influencing how the work is understood worldwide.

In our most recent selection for Book Club, we were delighted to feature Evald Flisar’s winding, intertextual My Kingdom is Dying, which takes the long, venerable, and shifting work of storytelling as both its structure and its occupation. As its protagonist recalls a lifetime spent under the fascinations and complexities of fiction, one is taken through a crowded literary landscape where stories and realities collaborate to create the multiplying halls of memory, and philosophical preoccupations of the writer’s craft are constantly interrogating the capacities and functions of invention. In this interview, Michael Tate speaks to David Limon, the translator of this fascinating text, touching on the realities of Slovene-English translation, the particularities of Filsar, and his own illustrious literary journey.

The Asymptote Book Club aspires to bring the best in translated fiction every month to readers around the world. You can sign up to receive next month’s selection on our website for as little as USD20 per book; once you’re a member, join our Facebook group for exclusive book club discussions and receive invitations to our members-only Zoom interviews with the author or the translator of each title.   

Michael Tate (MT): I thought we’d start off today by asking for an overview of your life as a translator, starting from the beginning.

David Limon (DL): Well, at school, I did French, like almost every person in the (English) school system. Then at university, I studied English literature and philosophy, but then later, I did a master’s in linguistics, and got into teaching for a while. The first job I had was in Nigeria, which obviously has nothing to do with Slovene, but the second job I had was in Yugoslavia—which still existed—and obviously, Slovenia was one of the Yugoslav republics.

One of the main languages in Yugoslavia was then known as Serbo-Croatian, but there were also other languages, such as Macedonian and Slovene and Albanian. I ended up in the Republic of Slovenia, I met a young lady, and I loved and married her; this is really why I learned Slovene, because of my wife, and partly because her parents didn’t speak English. Her father did speak German, and he used to speak to me in German, thinking: well, English and German are fairly close, he’ll understand. I didn’t, so I thought that I’ll have to learn Slovene. READ MORE…

Announcing Our March Book Club Selection: On My Kingdom Is Dying by Evald Flisar

This is a book that presents art reflecting reality (or reality reflecting art) at its most potent and bizarre.

Having made his mark on nearly every literary genre from playwriting to children’s books, Slovenian author Evald Flisar has plenty to say about language and its multiplicity. So it is that a life lived in (and through) letters is at the centre of the wondrous and wandering My Kingdom Is Dying, the author’s latest novel to be translated into English, and our Book Club selection for the month of March. Following an aged writer in his recollections, Flisar constructs the barrier between memory and fiction as exceptionally porous in a mind prone to hyperbole, intertextuality, and philosophical ideals of narrative, making way for an astute investigation into the confabulation at the centre of our worldly regard. Here is the self as a living archive, as un-fact-checked autobiographies and indexes—as if each writer, each storyteller is a living incarnation of literature itself.

The Asymptote Book Club aspires to bring the best in translated fiction every month to readers around the world. You can sign up to receive next month’s selection on our website for as little as USD20 per book; once you’re a member, join our Facebook group for exclusive book club discussions and receive invitations to our members-only Zoom interviews with the author or the translator of each title.   

My Kingdom is Dying by Evald Flisar, translated from the Slovene by David Limon, Istros Books, 2025 

At the beginning of Evald Flisar’s latest novel, My Kingdom is Dying, a hypochondriac writer has just broken both his wrists in a bizarre fall, catalysing a decay of home and body that progresses with worrying speed. While convalescing, he lists all the maladies experienced throughout his long and distinguished career—thus far, he says he has

fallen ill three times with malaria (on one of these occasions with falciparum, which almost killed me), as well as typhoid fever, Legionnaire’s disease, pneumonia and Dengue fever . . . But then other things appeared: increased stomach acid (stress, said the doctor) . . . problems with my spine and vertebrae, I often had to spend a month immobile in bed . . . and then unexplained pains . . . my body was disintegrating. . .

He acquires a carer to aid him in the healing process, and with this, the reader is gradually drawn into a world wherein the two become increasingly physically and emotionally entwined. A literary tale about storytelling wouldn’t be complete without someone taking the role of Scheherazade, and with the arrival of the incredulous but devoted carer, the writer is given a perfect audience. As he narrates his own life, he is met by an enraptured, encouraging ear that is always wanting more.

The relentlessness of his self-obsession, iterated with stimulating humour, is continually exacted through his stories, and through their twists and turns, one eventually comes to understand and appreciate the literary goals of the real-life author: to compose a gentle satire about the process of writing literary fiction, and to shine a light into the odd situations authors occasionally find themselves in. READ MORE…

What’s New in Translation: February 2025

February's latest in translation.

In this month’s round-up of recent translations, we present eleven titles from Japan, Iraq, Colombia, Indonesia, Austria, Ukraine, Italy, Spain, Sweden, and Slovenia. From neorealist postwar fiction to the graphic novel, stories capturing the tides of time and the turbulent eras of violence, narratives of migration and mystery, innovations of the short fiction form and unconventional looks into classic tales . . . these titles are invitations into hidden places and profound sights, stark realities and dreamy visions.

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A Perfect Day to be Alone by Nanae Aoyama, translated from the Japanese by Jesse Kirkwood, Other Press, 2025

Review by Rosalia Ignatova

Nanae Aoyama’s short novel, A Perfect Day to Be Alone, is the English-language debut of its lauded young author, offering a delicate exploration of existential drift through the eyes of Chizu, a restless twenty-year-old, and Ginko, her elderly relative who takes her in for a year. While the narrative is sparse on action, it is rich in atmospheric detail, focusing on the quiet moments that shape their unlikely cohabitation.

READ MORE…