Posts filed under 'Saqi Books'

Two Poems by Mahmoud Darwish

If peace is a pause between two wars, then the dead have a right to vote: we will choose the general.

Of all that Mahmoud Darwish has left to us in his legacy of prismatic language, transcendent humanism, and elucidation of Palestinian consciousness, the greatest gift might be his belief that literature can confront any question—even those that seem most unanswerable—and consequently, his profound demonstration of living, gracefully and with dignity, inside ambiguity. Translated beautifully by Catherine Cobham, A River Dies of Thirst is the final book of poems published in Darwish’s lifetime, and it provides us with another opportunity to share reality with a writer who has always astonishingly made poetry the site of actuality—the poem as a place where thinking is forged. They precisely mark enormous emotional ranges with a single, pointed image; they make short lines of long wars; and they push us, as always, towards the seeking of meaning. In the final lines of his memoir, Memory for Forgetfulness, the poet repeats: “No one understands anyone. / And no one understands anyone. / No one understands.” Perhaps so. But as these poems congregate irresolution with desire, the ethereal with the material, and conviction with inquiry—we get the feeling that we might begin.

A common enemy

It is time for the war to have a siesta. The fighters go to their girlfriends, tired and afraid their words will be misinterpreted: ‘We won because we did not die, and our enemies won because they did not die.’ For defeat is a forlorn expression. But the individual fighter is not a soldier in the presence of the one he loves: ‘If your eyes hadn’t been aimed at my heart the bullet would have penetrated it!’ Or: ‘If I hadn’t been so eager to avoid being killed, I wouldn’t have killed anyone!’ Or: ‘I was afraid for you if I died, so I survived to put your mind at rest.’ Or: ‘Heroism is a word we only use at the graveside.’ Or: ‘In battle I did not think of victory but of being safe, and of the freckles on your back.’ Or: ‘How little difference there is between safety and peace and the room where you sleep.’ Or: ‘When I was thirsty I asked my enemy for water and he didn’t hear me, so I spoke your name and my thirst was quenched.’ Fighters on both sides say similar things in the presence of the ones they love. But the casualties on both sides don’t realise until it’s too late that they have a common enemy: death. So what does that mean? READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest literary news from Poland, the UK, and Palestine!

This week, our intrepid team members report from around the globe as Poland honors one of the country’s greatest poets, UK independent publishers reckon with new tax regulations, and a Palestinian podcast kicks off with a special video presentation, which also serves as an introduction to some of the brightest lights in Arabic poetry. Dive in!

Julia Sherwood, Editor-at-Large, reporting from Poland

Long snubbed by Polish literary critics as popular literature, the satirical novel The Career of Nicodemus Dyzma (1932), about the accidental rise of an opportunistic swindler, by the political journalist Tadeusz Dołęga-Mostowicz (1898–1939) remained inaccessible to English-language readers until 2020, when Northwestern University Press brought it out in a translation by Ewa Małachowska-Pasek and Megan Thomas. Their commitment and excellent rendering of the book’s universality made the translator duo worthy recipients of the 2021 Found in Translation Award. Explaining the book’s importance and enduring relevance, Ursula Phillips notes in her #Riveting Review that its “resonance extends well beyond the Poland of 1932: in our age of misinformation, post-truth, fake news, the discrediting of expert knowledge and widespread conspiracy theories, it is not hard to recognise other Dyzmas.”

Modern Poetry in Translation has teamed up with the Polish Book Institute to mark the two hundredth birthday of Cyprian Kamil Norwid (1821–1883). Now recognized as one of Poland’s greatest poets, the visionary romantic spent most of his life in exile and died virtually unpublished, deaf and destitute, in Paris. Hoping to “ignite the gentle curiosity of the imagination of the viewer towards the legacy that this man left in writing and in art that was simply never validated in his lifetime,” animation supremos Brothers Quay have created Vade Mecum, a short visual tribute taking its title from Norwid’s poetry collection. On 21 June MPT released a special digital issue featuring Adam Czerniawski’s translation of Norwid’s last play, Pure Love at Sea-Side Bathing. Set by the French seaside, the play “anticipates Maurice Maetelinck’s Pelléas et Mélisande and Henry James’s late novels,” says Czerniawski, introducing this work by a “master of the implied, the half-said, the unsaid.” And the journal’s summer 2021 issue will present new commissions from poets Wayne Holloway Smith and Malika Booker, writing in response to Norwid. Back in Poland, as the Cyprian Norwid Prize celebrates its own twentieth birthday, Józef Hen, author of over thirty books, many film scripts and plays, as well as four TV series, has been named winner of the “Award for Lifetime Achievement”. Prizes in the remaining categories—literature, music, visual art and drama—will be announced in September.

READ MORE…