Translation Tuesday: The Third Man

Bosnian short fiction from acclaimed writer Dario Džamonja, author of Letters from the Madhouse

From afar, judging by our gesticulations and the vehemence with which we’re defending our opinions, you’d think we were discussing the economy, the upcoming elections, pension funds, mortgages, the Hague Tribunal or some other inevitable aspect of our daily lives. Hell no! We’re trying to pose the dumbest question (and succeeding)! Meho is the reigning champion. He just keeps ’em coming: “What do you call a male turtle? What do you call a male squirrel? A male giraffe? A male seal? A male shark?” Someone counters, “A male shark is called ‘Jaws!’” Meho doesn’t let this phase him and on he goes, “If you have a goldfish in your aquarium, how can you tell if it’s male or female?”

“Well?” “You give it a bit of fish food: if he eats it, it’s male. If she eats it, it’s a female!” From zoology, we move on to physics: “How come you get circles on the water when you toss in a square brick?” The hot summer afternoon, dripping with alcohol, goes by in ostensible happiness and an easygoing atmosphere until it’s time to pay up—a bleak hour when dark clouds converge over everyone’s faces. Each of us has an overdue bill, a debt, an unpaid bar tab, a pair of shoes with worn-out soles, a car or a washing machine on the fritz… In the drunken stupor the conversation veers off to literature, as in a dream when images follow one another by some alien logic, and someone tells a story about Ivo Andrić. During his time as a consul in Rome, he met the Turkish consul, an exceptionally well-educated, wealthy, handsome man with a beautiful family who would regularly get wasted on cognac. Andrić asked him about it, and the man replied: “You know, Sir, as soon as I have a drink, I turn into another man—a ‘second man,’ if you will.” “So?” “Well, this second man then says, ‘I’d like a drink as well,’ and so it goes.” Meho interrupts the story, “If that’s the case, I’m the third man.” “How come? “I start off with a double!”

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Our New Podcast Is Here!

Travel with us from indigenous Venezuela to Ancient Greece to modern Amsterdam in our first episode...

Mythology – Part One

At Asymptote we always try to experiment with different kinds of multimedia, and celebrate the full spectrum of language from the written to the visual to the spoken… So one day we thought: let’s make a podcast!

And here it is, our all-new audio adventure in which we explore some of the most fascinating ideas and issues in international literature. In each episode we’ll be making use of our global scope and travelling far and wide to bring you an eclectic sampler of interviews, readings and mini-documentaries from all over the literary world.

This quarter, we’re delving further into the Mythology theme of our October issue. These myths may be ancient, but they are far from dead. They’re the stories that define who we are today, our fantasies and our fears, our memories and our misconceptions. READ MORE…

Weekly News Roundup, 5th December 2014: Lorca Re-found

This week's literary highlights from across the world

Anyone with a literary pulse noted (and mourned) the passing of former United States poet laureate Mark Strand (here’s a primer to some of Strand’s work, which “moved from common to sublime,” as well as an interview with the Paris Review). And the United Kingdom lost its queen of crime fiction, P. D. James. Finally, another poet passed, but was rediscovered: some of beloved Spanish poet Federico Garcia Lorca’s remains may have been uncovered, perhaps (but only perhaps) offering some answers to those still mystified by his tragic death-by-firing-squad.  READ MORE…

Colette’s Kicked Fish versus Pizza via Bushwick

A new column by Nina Sparling on food and translation

It was January in New York and exceptionally cold. I took refuge in the kitchen and picked the complicated recipes, the ones that would prove that I could, that I had the patience and humility to follow the details of the book. I pulled the Roberta’s Cookbook off the shelf. Roberta’s opened in Bushwick, Brooklyn, in the winter of 2008. The restaurant is a couple hundred feet from the Morgan Avenue stop off the L train, one of the vital organs of the neighborhood. Industrial buildings turned post-grad housing with complicated zoning laws line the streets. From outside the restaurant it looks like a bunker. The cookbook was new to the collection, a gift I had given my mother. It lay horizontal atop my parents’ mass of weathered, yellowing, greasy cookbooks.

The cookbook has high-design photographs of food and blurry low-res pictures of PBR-fueled parties side by side. The narrative between recipes is crass and anti-corporate. The restaurant and its clients have found emancipation from domesticity, freedom from the boredom of home. The food shows an attention to detail and creativity. There are nods to simplicity with a dose of the unexpected: a plate of blistered padrón peppers with savory lemon curd and fennel pollen. The plate comes to the table still smoking. The peppers appear to vibrate in the noise: loud people and loud music. Pizza arrives, seared in the eight-hundred-degree wood-fired oven by the front door. The food resonates in the space: it’s delicious, it’s quick, and it’s informal.

In those pages, eating dinner is a performance.

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Live from the NYPL: Tel Aviv and Tehran Noir

Honoring noir writing—and living—in two notoriously conflicted cities

It was a full house at the New York Public Library on Wednesday night, and I learned just how similar Iranians and Israelis are.

Rick Moody moderated a panel event for Live at NYPL, launching two new books from Akashic’s Noir Series: Tel Aviv Noir and Tehran Noir. Akashic Books’ Noir series includes over sixty anthologies of noir stories set in cities around the world. The panel guests included Tel Aviv Noir editors Assaf Gavron and Etgar Keret, Tehran Noir editor Salar Abdoh and Tehran Noir contributor Gina Nahai. Sitting in the audience, listening intently, I felt complicit.

I had translated eleven out of the fourteen stories in Tel Aviv Noir (two others were written originally in English, a third was translated from Spanish). I felt that where the book succeeded or failed, I shared some of the responsibility. I also felt simultaneously in and out of place: I’ve lived in Tel Aviv most of my life, but have never been to Tehran, though when I see pictures of its mountains I get that belly ache of longing.

These two facts are connected: as an Israeli Jew, much of that world is closed to me. READ MORE…

Translation Tuesday: Myths of the Nivaklé

Three unsettling myths of an indigenous tribe of Paraguay, translated by Elisa Taber

The Nivaklé are an indigenous tribe of the Gran Chaco, a sparsely populated region of Paraguay referred to as “the green hell.” These stories pertain to ethnographic statements by indigenous informants, compiled by the anthropologist Miguel Chase Sardi. Masking cultural identity is a recurring theme in this polyglot society’s mythology. Enacting submission to preserve agency seems contradictory. However, the narrative devices employed render a convincing mode of defying assimilation. By translating the informant’s statements I attempt to extract the narrative potential of these myths, in addition to making the work intelligible in English.

The Unfurrowing of Birds

We treat them like lepers because their mother became a savage. Collecting parrot eggs with her husband incited the change. Something shifted as he hacked a hole in the trunk and extracted the parrot’s nest within.

“Catch them,” he called down as he dropped a frail egg. His wife caught it. Instead of placing it in the basket, the woman broke the shell and consumed the chick. She swallowed the following one whole.

The nest was nearly empty. Her husband peered down and discovered that so was the nest. READ MORE…

From the Orbital Library: Isle-to-Isle

Interviewing project collaborators Berny Tan and Sher Chew on the intersections of design, literature, and data visualization

Isle-to-Isle is a collaborative data visualization project by Sher Chew and Berny Tan. Each week, the two read 10 pages from Jules Verne’s classic “scientific romance,” The Mysterious Island, and seperately make a graph representing the book’s content. Their work is published on the project’s website, alongside the corresponding passage by Verne.

In the novel, a group of Americans, led by the railroad engineer Cyrus Harding, hijack a balloon to escape imprisonment by the South during the American Civil War. The balloon drifts to an uncharted island in the South Pacific, where the men create their own microcosm of 19th century civilization. A century and a half after its publication, The Mysterious Island continues to influence literature and popular culture, with numerous adaptations and spin-offs in print, movies, and television, including the computer game Myst.

Isle-to-Isle evolved out of a shared interest in design and a desire to explore different ways reading and interpreting text. In that sense, the project’s inception resembled Verne’s fictive voyage into unknown territory. Neither Sher Chew nor Berny Tan had read the book before. The novel was chosen at random, based on its length and conventional narrative structure. Other parallels emerged. The two designers moved from Singapore to that other insular powerhouse of commerce, Manhattan. Isles to isles—the homophonic word pair also reflected the search for suitable material. The Mysterious Island was discovered, so to speak, by browsing New York’s famous Strand bookstore, the name itself being another name for level, sandy shore.

As of this writing, Isle-to-Isle is halfway finished. I corresponded with Sher Chew and Berny Tan to find out more about the project and get their take on recent developments in the technology of reading, writing, and designing. 

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Weekly News Roundup, 28th November 2014: Happy Thanksgiving, Shakespeare in France

This week's literary highlights from across the world

Happy (belated) Thanksgiving to our American readers—and to all non-Americans, happy Friday! Anglophones certainly have something to be thankful for: one of William Shakespeare’s treasured First Folios has been uncovered, practically untouched, in a small chapel in France, where it is reported to have lain for over two hundred years. And any literature lover or archivist from the University of Texas might be feeling extra-thankful this week, as the complete archive of Colombian novelist Gabriel García Márquez has been donated to the Harry Ransom Center in Austin. And at the Wall Street Journal, Jennifer Maloney opines that the proliferation of paperback books helped win World War II for the Americans. 

This week in book buzz: British/Indian author Arundhati Roy is following up her 1997-Booker Prizewinning God of Small Things, at long last, after a period dedicated to political activism. Here’s a profile. You can look forward to more than that, what with an upcoming translation of German counterculture icon Jörg Fauser’s novel, Raw Material. Irish phenomenon and inspiration to all pining novelists Eimear McBride has snagged another award for A Girl is a Half-Formed Thing, which has already won the Goldsmiths and the Bailey’s Prizes, among others. The biggest international book prize, the IMPAC Dublin award, has announced its glorious longlist, and you might recognize a few titles (the list includes a title translated by Alex Zucker, blog contributor!). If you’re a skeptic to the prospect of awards in general, you might enjoy this look back at the National Book Awards, proving that even the most venerated intellectual institutions are subject to whim and fashion. 

French existentialists, philosophers, and novelists Albert Camus and Jean-Paul Sartre didn’t end on the best of terms, but a forgotten letter from better times has reemerged. Same goes for American beats Jack Kerouac and Neal Cassady: a letter from Cassady to Kerouac inspiring Jack’s iconic On the Road is set to be auctioned off. 

Every get a 2-AM book craving? (We know you do). In Taiwan, the 24-hour bookstore is a welcome respite for weary clubbers and bookworms alike.

What We’re Reading in November

Emma Jacobs on Syrian writer Osama Alomar’s uncanny short fiction, and Erin Gilbert on solitude in three seminal works including “Tristana”

Emma Jacobs (assistant editor): I’ve been reading really haphazardly this month, dipping in and out of essays, short stories, and poetry. I tend to think of this as a bad habit, a symptom of my cyber-skewed hyper-active millennial-generation attention span, yadayadayada, but actually there’s something so rich about this chaotic way of reading and the unexpected connections that it sparks between very different books. Looking over some of my favourite reads from November, I notice that each one meditates in some way on the lightness of the ephemeral moment.

This is particularly prominent in Photographs Not Taken, a collection of essays by photographers reflecting on the most memorable images they never captured. These scenes went unphotographed for a variety of reasons, but most often it was because an elusive and overpowering feeling made the photographer hesitate just a second too long. What’s left is a collage of imaginary negatives, moments that are tangible only in their absence. But rather than reading like a catalogue of regrets, the book chips away at the mythology that surrounds the act of “taking” a photo in the first place. As each photographer considers the images that passed them by, they tackle questions of where the documentarian impulse comes from and how the existence of a photo changes our memory of the event itself. The quality of the writing is a little up and down, but there are many pockets of prose that crystallise the moment of perception in surprising ways.

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Translation Tuesday: Four Poems by Enrique Sacerio-Garí

“We turn our faces / And feel the states / of this doubling: / Two Earths / Two Worlds / Night and day”

Multiple Places
…greater poverty than yours shall you see.
“Exemplo X,” El conde Lucanor

Neruda taught us
To see two worlds
On Earth
And to enter the atom
With a telescope
To open the door
Of the elements
And to reveal paths
Of green fire.

The faded maps
Suffer the external debt
Of the changes imposed
By the globalizers
Of the steel shovel…
And there is no heaven
Of peace and joy
Or mothers without the scourge
Of war but rather the bitter
fortitude of Evaristo Estenoz,
the external debt we all owe to color
the segregation that obscures
the stars buried in our breast.

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From the 2014 “Words Without Borders” Gala

On education initiatives, honoring Carol Brown Janeway, and who owns the English language at this remarkable annual event

On October 28, a crowd of more than 200 came out for Words Without Borders’ annual gala to celebrate the publication’s 11-year history of publishing and promoting international literature.

With a crowd from across the New York literary world, the evening was hosted by Saïd Sayrafiezadeh. True to Words Without Borders form, the evening featured bilingual readings in English and from Belarusian, Chinese, and Sinhala by Valzhyna Mort, Yiyun Li, and Ru Freeman.

Emphasizing the importance of translation to cultivate conversation across time and place, Li read two poems from Liu Xia, the wife of imprisoned Nobel laureate Liu Xiaobo, herself under house arrest. Freeman drew a parallel between translation and the Sistine Chapel, suggesting translation is like Michelangelo’s depiction of the hands of God and Saint Michael, not quite touching yet still beautiful. READ MORE…

Weekly News Roundup, 21st November 2014: National Translation Awards, Mapped-Out Languages

This week's literary highlights from across the world

The interwebs’ hullabaloo around the recently-awarded (American) National Book Awards occupied much of the literary chitchat this week, but those of us in translation-conscious circles simply mourn that the Awards no longer carve a space for translation prizes. Also this past week: the American Literary Translation Association conference celebrated its largest award, the National Translation Award, given to Matlei Yankeivich and Asymptote-contributor Eugene Ostashevsky’s translation of Russian-language An Invitation for me to Think by Alexander Vvedensky. And the Korea Times announced its modern Korean literature in translation awards this week, too.

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In Review: “The Tower” by Uwe Tellkamp

An impressive and occasionally surreal collage of scenes and character studies from a country that is not mourned but most certainly vanished.

The Tower, by Uwe Tellkamp, may appear to be a monolithic, singularly heroic literary act by a surgeon and survivor of the indignities of the German Democratic Republic. This man, who lived to tell the tale, so to speak, penned an epic about a bourgeois family which has retreated into a kind of inner emigration in the crumbling but stately villas of the posh Weißer Hirsch neighborhood in Dresden. But The Tower is much more complex than that, and intellectually rich. The story, with echoes of Thomas Mann’s Buddenbrooks, focuses on three men of various ages and various levels of complicity with the putrefying system of 1980s GDR, and it is now (finally!) available in print in English translation.

Who are these three men? Christian is a pimply and ambitious young student who dreams of following his father, Richard, into the field of medicine; he ultimately signs up for three years of military service in the hopes of securing a spot as a medical student. His efforts to mimic Party loyalty are largely successful until his collapse as a soldier. His father Richard’s 50th birthday party opens the novel and initially Richard appears equally eloquent and morally blameless. However, numerous affairs and a secret second family make him a pawn in the hands of the Stasi. Finally, Meno, Christian’s maternal uncle—something of a mentor to the teenage boy, and a former botanist—works as an editor at one of the GDR’s few high-quality imprints that frequently ran short on paper, rounding out the trio of protagonists.

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Octavio Paz New York Centennial: Perpetually Creating Rhythm

A dispatch honoring one of Mexico's most celebrated poets

From October 1st to the 8th, the Mexican Cultural Institute of New York paid tribute to the centennial of Octavio Paz’s birth with a series of discussions, readings, concerts, and film screenings. A prolific poet, essayist, intellectual, translator, editor, publisher, and diplomat, Paz published his first poetry collection, Luna Silvestre (Wild Moon, 1933) at 19 years old, penning over 26 volumes of poetry until his death in 1998. Paz was also an accomplished essayist: his 1950 treatise on Mexican identity, El laberinto de la soledad (The Labyrinth of Solitude) is considered a seminal work of literature. The recipient of the Cervantes award in 1981, the American Neustadt Prize in 1982, and the Nobel Prize in Literature in 1990, Paz founded three literary magazines, Taller, Plural, and Vuelta; Vuelta is still published as Letras Libres.

Now that we’ve gotten that dry but necessary introduction out of the way, let me truly begin.

The centennial celebration was a sumptuous banquet I wanted to gorge myself on until I developed gout, like those rich men of old. I eagerly chased Paz throughout New York City, from the second-floor gallery of the Mexican Consulate in Midtown to the ornate ballroom of the Americas Society in the Upper East Side, and finally to where the river meets the city, the “navel of the poetic universe,” as Paz’s translator Eliot Weinberger playfully referred to the Poets House in TriBeCa.

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