In the science fiction of movies and television, the future looks more or less uniform. Digital technology is (somehow) even more omnipresent than it is today. A continuous mosaic of audio and video spills across every available surface. A glass skyline stretches toward the horizon with sleek automobiles gliding past the frame. If human culture has existed, say, for more than a few decades, the evidence of that is not visible.
This kind of scenario is a reflection of contemporary reality, of course. Science fiction has traditionally dressed up the future in contemporary styles. And this presentism seems justified today. In our swiftly urbanizing world, the built environment often appears as if it had emerged overnight, without precedent. The megalopolises of Asia and Latin America, with their endless high-rise apartment blocks and elevated thoroughfares, seem to presage something universal for humankind, at least while we can keep industrial civilization going.
But there is another kind of future city, one defined by the accretion of time, where reality is defined by the weight of history rather than its absence. The late Austrian polymath Gert Jonke made a career evoking such places. His complex, often bizarre novels explore how the past continually impinges on the present, particularly in Awakening to the Great Sleep War, first published in 1982 and brought to English last year by Dalkey Archive Press.