Adrian Nathan West (Contributing Editor): German writer Hans Henny Jahnn is one of the least classifiable writers of the twentieth century, and the relative paucity of his work in English translation is perplexing. Among his compatriots, his admirers included Bertolt Brecht, Thomas Mann, Peter Weiss, and Wolfgang Koeppen—the last of whom compared Jahnn’s prose style to Martin Luther’s Bible; Jahnn is one of the poets cited in Roberto Bolaño’s “Unknown University;” and more recently, he was the subject of a long blog post by Dennis Cooper. The philosophical currents underlying his work have much in common with Georges Bataille: the focus on the limit-experience, often attained through an agony that grazes against beatitude, the emphasis on the organic substrate of conscious life, and an unsettling combination of orgiastic excess and monastic quietude characterize both men’s work, though Jahnn’s precise and involuted language is far more innovative than Bataille’s. READ MORE…
What members of Asymptote's team have been reading—juicy, super-sweaty summer edition!
The Chilean writer reflects on the film adaptation of his novel
Alejandro Zambra is a Chilean writer at the forefront of literature today. The appearance in 2006 of Bonsái, his first novel, was an event—“A bloodletting,” as Marcela Valdes called it. In 2007 he was one of the Hay Festival’s “39 under 39” list of the best young Latin American writers, and in 2010 he was featured in Granta’s Best of Young Spanish Language Novelists issue. He has written two more novels: La vida privada de los arboles (tr. The Private Lives of Trees, Open Letter), and Formas de volver a casa (tr. Ways of Going Home, FSG); his new collection of short stories, Mis documentos, will be out from Anagrama in early 2014.