Oh Canada: Donald Winkler’s New Translation of Samuel Archibald’s Arvida

November 30, 2015 | in Reviews | by Gnaomi Siemens

"It is not clear where one story begins and the other ends, or where the animal begins and the man begins."

A story that can be retold and rewritten, but can all the while retain its own thingness—a story that can evolve in the imagination—is a finger in the face of the insipid outpouring of gifs and memes we daily consume, like Technicolor marshmallows shot out of the all powerful maw of the Facebook-Disney machine.

We of the lower forty-eight are fortunate, then, that something like Samuel Archibald’s Arvida, has been recently translated from the French by Donald Winkler. We need stories. And these stories from a land we’ve all been living alongside our whole American lives will do nicely. These are American stories. But another America, a hidden America, maybe even more American than the America we think we know.

Canada. In Archibald’s Arvida, there is an echo of some of the wavering visions we have of our northern neighbor (evergreen, flannel), but they are woven into the fabric of a working-class town, both factual and fabulous, immediately calling up comparisons to Canadian filmmaker Guy Maddin’s evocations of Winnipeg. Both Maddin and Archibald tell their tales utilizing a personal history of a family and a discreet location, while at the same time breathing into them a dream logic and fairy tale or fable-like tropes.

Asymptote Blog Wants YOU!

March 16, 2015 | in News | by Eva Richter and Patty Nash

We're on the hunt for new contributors!

It’s that time of year again, dear readers—we at Asymptote blog are on the hunt for the freshest, funniest, most clever and on-the-pulse writing you’ve got, related to literature, translation, and the way words shape our world.

Like our journal, we are committed to publishing creative, original, and knife-sharp pieces in conversation with world literature, translation, and global culture—which means we love to read and publish original pieces and translations by writers, thinkers, and artists like you. So if you have something to say, read on—and get in touch!

Asymptote blog looks for voice, depth, and topicality in its postings. We welcome regular and one-time contributors, and publish essays, dispatches from literary events, interviews, book reviews, in-depth examinations of the world-at-literature and the world-at-large, as well as weekly new translations of poetry, fiction, nonfiction, and drama!

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Highlights from the blog’s recent past include:

Nina Sparling takes an up-close look at food, translation, and literature—how do we read “terroir,” Emile Zola’s Les Halles, and Colette’s kicked fish?

Florian Duijsens’s “Pop Around the World” column examines “House of the Rising Sun,” well, around the world.

In The Tiff, a new recurring column, leading translators debate some of the field’s most pressing current issues.

Matthew Spencer’s on-the-edge column The Orbital Library teases out the intersections of the sci-fi genre and translation.

A conversation between two legends of Russian-to-English literary translation is uncovered—picking bones over a Russian restaurant menu, of all things.

Josh Billings discusses the often-fascinating histories behind the wheeling-and-dealing ghosts of world literature—its translators!

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If you’d like to contribute, but don’t quite know where to start, here are a few simple ways you can join the list of blog contributors:

1. We’re looking for reviewers to write about new translated or translation-related books. In your e-mail, talk about a few works you would like to review and why.

2. We’re also looking for translations, published every Tuesday in an ongoing series (predictably dubbed Translation Tuesday). In your e-mail, let us know your translation ideas, as well as your connections with authors or specific works. Permission and rights are necessary prior to publishing.

3. We’re looking for general musings related to translation, poetics, writing, the industry, current events, politics, visual arts, film—whatever fits your fancy! We’re amenable to all sorts of different writing

Variety is our bread-and-butter, so if you have something new you’re itching to say, we might just be the platform for you! Please send us a proposal with some information about you, how you’d like to contribute, and a writing or translation sample at blog@asymptotejournal.com. Rolling deadline.

Contributors:

Eva Richter
Patty Nash

Tags:

Translation Tuesday: Myths of the Nivaklé

December 2, 2014 | in Translations | by Elisa Taber

Three unsettling myths of an indigenous tribe of Paraguay, translated by Elisa Taber

The Nivaklé are an indigenous tribe of the Gran Chaco, a sparsely populated region of Paraguay referred to as “the green hell.” These stories pertain to ethnographic statements by indigenous informants, compiled by the anthropologist Miguel Chase Sardi. Masking cultural identity is a recurring theme in this polyglot society’s mythology. Enacting submission to preserve agency seems contradictory. However, the narrative devices employed render a convincing mode of defying assimilation. By translating the informant’s statements I attempt to extract the narrative potential of these myths, in addition to making the work intelligible in English.

The Unfurrowing of Birds

We treat them like lepers because their mother became a savage. Collecting parrot eggs with her husband incited the change. Something shifted as he hacked a hole in the trunk and extracted the parrot’s nest within.

“Catch them,” he called down as he dropped a frail egg. His wife caught it. Instead of placing it in the basket, the woman broke the shell and consumed the chick. She swallowed the following one whole.

The nest was nearly empty. Her husband peered down and discovered that so was the nest. READ MORE…

Contributor:

Elisa Taber

Language:

nivaklé

Place:

Paraguay

Tags:

Interview with Luis Negrón

July 3, 2014 | in Interviews | by Eva Richter

"I wanted a book that showed how people find happiness, even if society at large thinks that in their life there is no space for it."

Reading Luis Negrón’s award-winning debut short story collection, Mundo Cruel, one is struck by the author’s daring, his at-times startling insights, and his blistering sense of humor. It is a remarkable collection, and the first translated work to win a Lambda Literary Award for gay general fiction. In his interview with Asymptote blog, Negrón talks about melodrama and monsters in fiction, homophobia in present-day Puerto Rico, and his experience with acclaimed translator Suzanne Jill Levine.

Eva Richter: Your epigraph is a quote from Manuel Puig’s “A Melodramatic Destiny.” “So then, a melodrama is a drama made by someone who doesn’t know the difference, Miss?” / “Not exactly, but in a certain way it is a second-rate product.” How does the notion of melodrama as a second-rate or even naive drama play into your short stories?

Luis Negrón: There are two ways to answer this question. One, the most obvious one, is by explaining melodrama itself: it is a drama where destiny cannot be escaped. I played with and tried to transform this notion of melodrama in my texts, but not only with the structure of them, but with their aura, the environment of the melodrama, its false and perhaps fake way of suffering. It is also important to put the stories in context. In Latin America, melodrama is king. Our music is melodramatic; our politics are melodramatic, our sports, our way or conceiving love, romantic love, all kinds of love, are pure melodrama. It is our way of dealing with most situations. This is more the case in the working class population, where access to different forms of dealing with feelings are not at hand or are simply unknown. For this reason, melodrama is abundant in the book: it shows how my characters construct whole gammas of feelings, and how they make decisions or just follow the paths dictated by their destiny.