Emma Ramadan has earned acclaim for her translations from the French of such diverse works as Morrocan Fouad Laroui’s The Curious Case of Dassoukine’s Trousers, Oulipian Anne Garréta’s Sphinx, and more. Her second Anne Garréta translation, Not One Day, recently won the 2018 Albertine Prize. Her forthcoming novel, Virginie Despentes’s Pretty Things, is due for publication by the Feminist Press on August 15th. Together with her partner, Tom Roberge, Ramadan opened the bookshop-bar Riffraff in December, where she promotes her favorite texts and discovers what a sustainable life for a young female translator might look like. Here, Ramadan speaks with Asymptote’s Editor-at-Large for Portugal, Lindsay Semel, about French slang, gender in life and art, and what makes her love a text enough to translate it.
Lindsay Semel (LS): I’d like to start by talking about Riffraff. What inspired you to open the place?
Emma Ramadan (ER): Well, I always had this idea in my head that I wanted to do a bookstore-bar. There’s a couple of bookstore bars spread around the country and it just seemed like a really vibrant gathering spot and something that was working both financially and for customers. It felt like this distant, far-off project until I met my co-owner and partner Tom, who was also involved in the translation world. Providence came up almost immediately. There is a welcoming literary community because of the universities, but there is also a really great local business community. The west side of Providence, which is where we are, is basically all independent businesses. There aren’t any chains, there aren’t any giant stores, it’s kind of just this really lovely haven of local people fulfilling their passions and trying to make it work and it seemed like we would fit right in here.