Posts featuring Alfonso Reyes

Weekly Dispatches From the Frontlines of World Literature

August 1, 2025  |  in Dispatches, News  |  by Charlie Ng, Linnea Gradin, and René Esaú Sánchez

The latest literary news from Hong Kong, Sweden, and Mexico!

This week, our Editors-at-Large bring us updates on book fairs, industry trends, and tk. From the impact of censorship on book fairs in Hong Kong, to the domination of Scandi-noir in Sweden, to a celebration of a beloved publishing house in Mexico, read on to find out more!

Charlie Ng, Editor-at-Large, reporting from Hong Kong

The 35th Hong Kong Book Fair took place from July 16 to July 22, at the Hong Kong Convention and Exhibition Centre in Wan Chai. This year’s theme, “Food Culture.Future Living,” aimed to explore culinary traditions and histories, connecting food cultures and lifestyles. As part of the event, the “Theme of the Year Seminar Series” featured a variety of sessions with authors and speakers dedicated to discussing food cultures from various perspectives. Topics included the historical significance of culinary traditions, the link between nutrition and health, and future trends in food consumption. Despite its rich programming, the fair experienced a notable decline in visitor numbers, with attendance dropping approximately 10% from the previous year. Organizers from the Hong Kong Trade Development Council reported that around 890,000 visitors participated, down from 990,000 in 2024. This decline followed the disruption caused by Typhoon Wipha, which forced the fair to suspend activities for an entire day. Some exhibitors expressed dissatisfaction with the situation as there was a significant drop in sales attributed to the typhoon’s impact on the peak business day.

Meanwhile, Hong Kong literary group the House of Hong Kong Literature announced the cancellation of its own book fair, originally scheduled for July 18-27. The non-profit organization expressed regret for the abrupt decision, which stemmed from unspecified reasons that were beyond the organizer’s control. Co-founder Tang Siu-wa mentioned that the cancellation affected their fundraising efforts, especially as profits were intended to support their relocation. In recent years, independent publishers and bookstores in Hong Kong have increasingly organized alternative book fairs to counter perceived censorship by the Hong Kong Trade Development Council. The HKTDC had explicitly rejected applications to join Hong Kong Book Fair from publishers that published books on pro-democracy movements or asked exhibitors to remove sensitive titles from their shelves. Moreover, the “Reading Everywhere” independent book fair co-hosted at Hunter Bookstore, located in Sham Shui Po, faced scrutiny from the pro-Beijing newspaper Wen Wei Po, which alleged that the event fostered “soft resistance” against the government. The bookstore’s director, Leticia Wong, defended the fair, stating that the selection of books focused on local authors and was not intended to conceal any titles. Some other businesses in the same district were also accused of “soft resistance,” including a pen shop that sold ballpoint pens featuring local-concept designs, which won an award in 2019, and a café with graffiti of a frog on the wall, interpreted as Pepe the Frog, a cartoon character that gained symbolic meaning as a pro-democracy icon during the 2019 protests. READ MORE…

Translating the Non-Existent

November 22, 2023  |  in Essays  |  by René Esaú Sánchez

[W]hat if you wanted to translate a poem that can no longer be found in its original language?

Poems and stories have murky histories—the older, the more obscure. In the following essay, we follow a translation team from the College of Mexico as they work to unearth an ancient love poem by way of its later translations, delving into the question of what constitutes of an original.

It is accepted that our ancient texts do not come to us intact; from the poetry of Sappho to the second part of Aristotle’s Poetics, we can only know these works thanks to quotations or references by many other authors. As such, a question plaguing translators of history remains: what if you wanted to translate a poem that can no longer be found in its original language?

This is precisely the problem facing certain translators from the College of Mexico, who had decided to embark on the colossal journey of translating the first love poems of over fifty languages. Francisco Segovia, the leading editor of Primer Amor, the book that reunites these texts, stated that they actually “wanted to translate the first poems ever written, but it seemed like and unfathomable task, so we focused just on the love poems”. From there, Segovia, along with Adrián Muñoz and Juan Carlos Calvillo, gathered over forty translators, academics, and poets to ensure the texts were not only well translated, but also accompanied by a brief critical comment of the translation work and the poem itself. Included are poems written originally in Sanskrit, Latin, Náhuatl, Awadhi, Medieval French, Tamil, and more, include excerpts from the Bhagavad Gita, the Epic of Gilgamesh, and even Homer.

However, one text in particular was set apart from the others, and required a distinct approach. The “Song of the Serpent” is a poem originally written in Tupinambá, a native language from present-day Brazil. The community has been deeply described in André Thevet’s The New Found World, or Antarctike and in Jean de Léry’s History of a Voyage to the Land of Brazil, but the most prominent figure who has written about the Tupinambá was actually Michel de Montaigne; in his essay “Of Cannibals”, he delves into the otherness of the community in an attempt to understand the nations that “are still governed by natural laws and very little corrupted by our own”. As Carlo Ginzburg has pointed out, Montaigne’s unique perspective led him to see Brazilian natives not as animals or savage people, but as “belonging to a distinct and different civilization, although the word civilization did not exist as yet”. Not only that, but Montaigne refused to regard their poetry as barbarian, and defied the paradigms of natural anthropology that deemed American natives as inferior, stating: “I do not believe, from what I have been told about this people, that there is anything barbarous or savage about them, except that we call barbarous anything that is contrary to our own habits.” READ MORE…