Posts filed under 'Revolutionary'

Blocages and Barricades: Les Miserables and French Dissatisfaction

Revolution by revolution, France inches forward in search of its ideal of a just society, and every revolution thinks it will be the last.

France’s revolutionary past and future come together in Claire Jacobson’s reflections on the gilets jaunes movement and its connections to Victor Hugo’s famous revolutionaries in Les Miserables. Read on for Kylian Mbappé, Édouard Louis, and Emmanuel Macron. Vive la Révolution!

Marius and Enjolras didn’t wear yellow vests to the barricade on rue de la Chanvrerie, at least not as Victor Hugo tells it. But after watching a group of gilets jaunes attack three police officers on the Champs-Élysées on BFMTV the weekend before Christmas, the comparison suddenly didn’t seem so far-fetched.

I was in Paris with friends to see the PSG-Nantes game that evening, enjoying Turkish kebab in Boulogne-Billancourt and then cheerfully singing “joyeux anniversaire” to World Cup hero Kylian Mbappé with a stadium full of his adoring fans, and we didn’t hear the news from the Champs-Élysées until the next morning. It seemed inconceivable that such a thing could be happening scarcely five kilometers away while we chanted “ici c’est Paris!” and picked apart Paris Saint-Germain’s defensive strategy from the nosebleeds. Inconceivable, and yet it made a strange kind of sense; what the gilets jaunes lost in numbers each week, they seemed to make up in desperation and increasing anger worthy of the most vehement nineteenth-century revolutionaries.

I was thirteen when I first heard Les Misérables all the way through, listening to my parents’ Original Broadway Cast Album cassette tape in the car over and over as we moved from Seattle to Iowa City. We saw the touring cast perform in Madison a few years later, and went to see the movie as a family when it came out on Christmas. So when I picked up the book at the end of November, I read with the gilets jaunes watching over my shoulder and the musical whispering in my ear.

Knowing the musical backwards and forwards has actually helped me while reading, keeping the greater narrative arc in view despite frequent digressions analyzing corrupt church leadership, all of the potential reasons Napoleon lost at Waterloo, or the value of monasticism to society. The unabridged French edition is 1,254 pages, which I read alongside the Fahnestock and MacAfee translation, an update of Charles Wilbour’s 1862 original. READ MORE…

On The Revolutionary is a Hermaphrodite by Yemeni Novelist Mohammed “Al-Gharby” Amran Followed by an Interview with the Author

There is only one voice and it is the voice of violence.

The Yemeni literary scene is replete with examples of fiction that accompany the tragic events Yemen is going through, principally the war, on the one hand, and on the other the desire for social and political change. This phenomenon is clear in many Yemeni fictional works, including novels by Wejdi Al-Ahdal and Nadia Al-Kawkabani, as well as the short stories of Huda Al-Attas, Arwa ‘Abd Uthman, Saleh Ba Amer, and others. Mohammed Al-Gharby Amran in particular is among those who have touched the heart of real life in Yemen, and whose voice has reached the wider Arabic nation.

Mohammed Al-Gharby Amran’s most recent novel, The Revolutionary is a Hermaphrodite, was published by Dar As-Saqi in 2014. Prior to that, he had written two significant works, The Red Quran, published by Dar Riyadh Arreyis in 2010, and Yael or Yael’s Darkness.The former produced strong reactions, especially in Yemen, where the book was banned because of its bold ideas, and the latter received the Tayyeb Saleh Award in 2012. He has also written short story collections, including Bed Sheets[1] (1997), published in Damascus by The Union of Arab Authors, and Black Minaret, published in 2004 by The Union of Yemeni Authors and Writers.

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