Posts filed under 'African languages'

Translation Tuesday: The Garden of Tomatoes by Esther Karin Mngodo

Tuntufye had already made clear that he didn’t believe in such nonsense. Blood drinkers didn’t exist.

This Translation Tuesday, we deliver gripping fiction from Tanzania, a short story of domestic deception that spawns an unspeakable being, a sinister spirit. Who is to say who is at fault? Hear from translator Jay Boss Rubin on bringing Esther Karin Mngodo’s The Garden of Tomatoes into the English:

“In this story, I was fascinated with how it contains genre elements but is not really genre fiction. There’s a genre element, for sure, but we stayed away from terms such as “vampire” and “zombie” because of all the associations those carry. There’s also an element of free indirect discourse, one that I was aware of in the Swahili, but that came out more in the translation, toward the end of the revision process. Esther was also especially helpful in drawing my attention to moments in the story where the main character’s own words, or her words and actions, might contradict each other. These moments of ambivalence, or rich ambiguity, really, are central to my understanding of the characters in “Atuganile,” the forces that push and pull on them.“

Tuntufye Mwasakyeni raised his cup of milky tea to his mouth and sipped. The house was quiet, different than most Saturdays. Two days had passed since his wife, Atuganile, had left to go see her mother’s ailing brother over in Chunya District—around two hours away by automobile.

Tuntufye placed the index finger of his left hand on the table in front of him so it mimicked the second hand of the clock on the wall. Departing for her trip, Atuganile had promised that she’d be back by Saturday at nine. It was now eight minutes to 9am. He wasn’t worried that something bad had happened to her—not in the least. He was well aware that if there were some shrewd, intelligent women there in Isyesye, Atuganile was one of them. She was a known quantity, especially in Uyole, where she vended fruits and vegetables. But it wasn’t like her to be late.

When it reached nine on the dot, Tuntufye stood up and went outside through the door in the living room. He leaned against one of the white, exterior pillars, keeping his eyes peeled for Atuganile. When he saw her, he grinned. She was striding forward like a champion athlete, her kanga coming undone and starting to fall down as she ran. Colonnades of trees to Atuganile’s left and to her right framed the scene of her arrival. Their branches swayed in the wind like giant claws—as if to swipe at her and sneer, today, Atu, you’re going to get it.

Once she’d drawn close, Atuganile set down the load she’d been carrying on her head and began explaining the reasons for her delay. “Forgive me, my husband. Forgive me, Baba,” she gasped. “The bus broke down. I had to hop aboard a different one. You know how difficult transportation can be here in Mbeya. Forgive me, Baba, for being late.”

Her husband said nothing. He jutted his lip forward, returned to the kitchen, sat down at the table and poured himself another cup of tea. Then he took his Bible and began reading. Atuganile sat with him and started sorting kisamvu, separating the good greens from the bad. In the middle of sorting, she picked up a sheet of Isyesye Oye!, the newspaper that had been used to wrap the cassava leaves. Alert: Blood Drinker on the Loose in Isyeye, the headline warned. Atuganile read on:

An individual in Isyesye is being sought by police for abducting children younger than twelve. According to the information available, five children have now disappeared as a result of coming into contact with the suspect, who is said to be a drinker of blood. Parents are advised to keep close watch over their children, and see that they don’t roam about after dark.

The newspaper described the child of one woman, known as Mama Samweli, who’d been missing for five days. When Mama Samweli went for a consultation with a local healer, the mganga advised her not to bother searching—her child had already had the life sucked out of them. When news of the blood drinker reached the Regional Police Chief, he stated that the government does not officially recognize witchcraft, so he was unable to comment on the rumor any further. But he assured the citizenry that efforts were ongoing to locate Samweli, along with the other four children who had gone missing over the past five months.

READ MORE…

The Representation of African Languages: A Conversation with Munyao Kilolo

We must write in the language we are most comfortable with, without being constantly questioned.

Led by founder and Editor-in-Chief Munyao Kilolo, Ituĩka Literary Platform is an online and print platform pioneering original works in African languages; producing translations from, into, and between African languages; and cultivating a network of instructors to promote education in African languages. Named from the Gikuyu word meaning rapture, revolution, transformation, and transition, Ituĩka Literary Platform aims to transform African societies by centreing and bringing greater visibility to African languages in their literary canons. In this interview, Asymptote Editor-at-Large for Kenya, Wambua Muindi, sits down with Editor-in-Chief Munyao Kilolo to discuss his career and the path that brought him to his current position at Ituĩka. This conversation seeks to review the platform’s current engagements as well as what lies ahead, hence the conversation will be two-fold: concerning the present and the future.

Wambua Muindi (WM): How has the transition been, coming from Jalada Africa Collective, where you were Managing Editor, to the founding of Ituĩka?

Munyao Kilolo (MK): Jalada was founded by a collective of writers whose vision was very clear: to publish African writers widely and effectively. However, that vision was not specific to African languages. Even so, while I worked as their Managing Editor, I conceptualized the language and translation project for them, and this is what birthed the translation project that went on to make literary history. The inaugural edition led to the single most translated short story in the history of African writing. The story, which is called The Upright Revolution: Or Why Humans Walk Upright by Ngũgĩ wa Thiong’o, was translated into one hundred languages from around the world.

For several years after that, I thought a lot about this story and how African languages are represented in African literature, and it became apparent that we needed a platform that was solely devoted to African languages and translation if we were to enhance the work—work that would include publications, translations, and supporting projects enabling the production of literary material in African languages. So, I envisioned holding workshops, having databases, spotlighting people who are working in different African languages, and engaging in the formulation of theory in African languages—especially translation between one African language and another.

I spoke a lot with my friend Professor Mukoma wa Ngugi at Cornell University about these things, and eventually, the Ituĩka Literary Platform started to take shape. READ MORE…