Urayoán Noel has translated Garifuna poet Wingston González. I have too. His translation was for Ugly Duckling Presse (UDP). Mine was for Asymptote and Simon Fraser University. He grew up in a Spanish-language environment, yet speaking English. I did too, sort of. He’s a poet. I tried to be one. He’s puertorriqueño. I’m guatemalteco. He’s got a Ph.D. Yo no. We both like hip-hop. The three of us—Wingston included. I knew Urayoán because of Los días porosos, a book of poetry he put out with the Guatemalan press Catafixia. I remember liking the cover, and being blown away by his use of Spanglish—this was a time when I had only seen this kind of linguistic duality in the lyrics of musical acts such as Cypress Hill and Rage Against the Machine.
I knew Urayoán because of his poetry. He knew of me because I sent him an email saying that I had read his translation of Wingston’s poems, entitled No Budu Please, for UDP and that I wanted to interview him.
I thought it’d be interesting to match up two translators who had worked with the same poet. See if our process and approach were alike. Admittedly, I wanted to know if, in any way, Wingston’s electricity had affected us similarly.
I wanted a duel. Perhaps a rap battle. READ MORE…