Posts filed under 'visibility'

Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Colombia, Mexico, Argentina, and Indonesia.

June is upon us and we are settling in for some summer reading. Join us as we catch up with our international correspondents about the literary happenings around the world. This week brings us the latest on indigenous literature from Colombia and Mexico, book fairs in Argentina, and new artistic endeavors in Indonesia!

Paul Worley and Kelsey Woodburn, Editors at Large, reporting from Colombia and Mexico:

From April 25 to 29 in Bogotá, Colombia, indigenous writers and scholars and critics of indigenous literatures from throughout the Américas came together in the 5th Continental Intercultural Encounter of Amerindian Literatures (EILA). The theme for this iteration of the bi-annual conference was “Indigenous Writing, Extractivism, and Bird Songs.” The centering of these concerns reflects a turn in the field of Indigenous literatures towards recognizing indigenous ways of writing that take place beyond Latin script, as well as ongoing ecological concerns that are at the heart of a good deal of indigenous literatures and Indigenous activism. In addition to literary readings and panels held at the Pontificia Universidad Javeriana, writers and critics presented to the general public at Bogotá’s International Book Festival (FILBO), and indigenous poets gave a reading in the town of Guatavita, home to a lake sacred to the Muisca people. Among the writers in attendance were (K’iche’) Humberto Ak’abal, (Yucatec) Jorge Cocom Pech, (Wayuu) Vito Apüshana, (Wayuu) Estercilla Simanca, (Wayuu) Vicenta Siosi, and (Yanakuna) Fredy Chicangana.

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Weekly Dispatches from the Frontlines of World Literature

Your news from the literary world, all in one place.

Here we are again with literary updates from around the world. This week we bring you news on cultural responses to the earthquakes in Mexico and the latest on indigenous writers via Editors-At-Large for Mexico Paul Worley and Kelsey Woodburn. UK-based Executive Assistant Cassie Lawrence brings us up to speed on the latest from the UK, including recent prizes and publications. Finally, contributor Julia Chien and Editor-At-Large for Taiwan Vivian Szu-Chin Chih discuss the latest poetry and film initiatives in Taiwan.

Paul Worley and Kelsey Woodburn, Editors-At-Large, Mexico:

This week on Thursday, October 12, the 17th Annual Book Fair opened in México City’s Zócalo (main square downtown), and will run through October 22. As reported by Mexico’s Cultural Secretary, under the hashtag #CulturaSolidaria, the event will explore the role that the arts and culture play in rebuilding a city devastated by the September 19 earthquake that took over two hundred lives and left parts of the city in ruins.

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On the Dearth of South Asian Translations in the U.S. (Part III)

We can't just blame the publishers when there's a glaring lack of institutional support.

 

Read all posts in Mahmud Rahman’s investigation here.

It would be exciting if an academic publisher steps forward with a contemporary South Asian literature list. Until that day comes, what might be more realistic are initiatives from small publishers. In recent years, besides old stalwarts like NYRB, New Directions, and Dalkey Archive, we’ve seen the emergence of translation-focused publishers like Archipelago, Open Letter, and now, Deep Vellum.

I had a few exchanges with Will Evans, founder of Deep Vellum. As a new kid on the block based in Dallas, Texas, Evans is effervescent about Deep Vellum’s mission. Starting out with a list of five impressive titles translated from French, Russian, Spanish, and Icelandic, their initial plan is to publish ten books a year. In a recent interview with this blog, Evans confidently declared, “Deep Vellum is going to publish translations of literature from every language.”

My conversation with him about South Asian translations revealed that visibility is a problem. Larger publishers may have resources to scout out interesting titles (though one doesn’t see this go beyond certain languages and regions). But smaller publishers rely on information channels that are already in place. READ MORE…