Posts by Jeffrey Green

Translator’s Profile: Jeffrey Green

Our editor-in-chief talks with Jeffrey Green, the translator of Nir Baram's Good People

First of all, congratulations on the very fine translation, which I can recommend to Asymptote‘s readers without the slightest reservation. I was quite impressed by the deftness of your rendering; I found the book ‘unputdownable,’ riveted as I was by your skillful reconstruction in English of Nir Baram’s adman, and the meteoric ascent of his career in 1930s Germany. In fact, other than the odd German word or two every page, the writing didn’t seem to bear any trace of translation, for me at least, as I found it working perfectly well in English, both in terms of the story’s sitcom-like pacing and the sharp, precise English. I’m curious to know how much was lost in translation?

I’m grateful for your compliments, and I’m also very grateful to the editors at Text Publishing in Australia, who went over the manuscript with meticulous care and fine literary judgment. I always had the feeling that they were working with me (and Nir), not against me, with the aim of producing the most readable book possible. I’m glad you think that we succeeded.

With regard to this translation, I benefited from Nir’s input. Translators into English are fortunate, in that the authors they translate usually known the language, so they can correct misunderstandings, notice sentences that one has skipped, etc. Of course, this has a downside as well, because some writers (even Nir on occasion) think they know English better than their translator. Also, the writer always has the feeling that something has been lost, his voice, in the transition into another language. It must be somewhat distressing to hear one’s voice differently from the way one imagined it. On the other hand, sometimes writers discover things about their work when they see it in translation. But they have to accept loss of control inherent in the process of translation.

READ MORE…

Translation Tuesday: An Excerpt of “Good People” by Nir Baram

Frau Stein had been stabbed in every part of her body. She lay face down, her head cradled in her folded arm.

Good People is a globe spanning, wide-canvass novel that probes the depths of one of history’s darkest hours; its heroes are those members of the educated middle classes who sit behind office desks. With riveting narrative force, based on thorough historical research, this extraordinary novel spans World-War II Europe across time and space, boldly sketching an unflinching portrait of men and women and their times. In the extract presented below, our protagonist, Thomas Heiselberg, a Berlin adman, discovers a Jewish woman violently murdered in his home.

***

That night he returned home into a white cloud of feathers. He heard glass splinters grinding under his shoes. The windowpanes, china bowls, lamps, mirrors—almost nothing was intact after the visit by Hermann and his friends. Even the door hinges had been jimmied off. Wooden cabinets and dressers were smashed with hammers, the gas and electricity lines ripped out. At least a dozen jars of fruit preserves had been hurled against the bathroom wall, and flour mixed with soap powder and blood was strewn all over the sink and lavatory.

Frau Stein had been stabbed in every part of her body. She lay face down, her head cradled in her folded arm. He leaned down and turned her over. When he saw her face, coated with a layer of blood-soaked flour, he realised that after stabbing her they had smothered her in the sink with a mixture of flour and soap powder. She looked like a sad clown in the circus. They hadn’t even let her die with that stern expression of hers, well versed in suffering, that had always aroused people’s respect. He gathered some feathers and covered her face with them.

READ MORE…