comizio millenovecentocinquanta3

Villa's text is a study in fragmentation. The reader is thrown in medias res, in the middle of a conversation that was started elsewhere, in a different language. As this Comizio unfolds, its threads are further broken through a series of syntactical turns and blank spaces. The poem may be read in a number of different ways and its interpretation relies heavily on how the reader chooses to put all its pieces back together (Humpty Dumpty?). The history of this piece is equally fragmented. Villa's bibliography simply lists it as Comizio 1953, Roma, 1959. However, the original manuscript is not found in his archives. In 1989, it was reproduced in an Italian anthology of his works and since that volume was edited under the poet's supervision, the version contained therein was long thought to be the only one in existence. I originally translated from that anthology but recently discovered that another, longer version of it had been published in a rather ephemeral Italian literary journal in 1961. Here I submit the poem in its entirety (as far as I can tell): I added two pages that were missing from the beginning and one from the middle. Such a confusing bibliographical circumstance is not unusual in Villa. In fact, he often posed as one of his beloved sibyls, tearing his work to shreds and casting it to the winds. And as with the responses of those sibyls, the task of piecing Villa's texts back together, and then translating them, is equally challenging but also rewarding.

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¹Pattona is a type of polenta made with chestnut flour instead of cornmeal.
²Barbos is Milanese for "chin."
³Itaglie, pronounced It-al-yay, is Villa's intentional misspelling of the plural form of Italia. Throughout the piece, Villa often employs the plural "Itaglie" as well as the singular "Itaglia."
⁴In the original, Villa replaces the first "i" in the adjective "sibilline" with a "y"; we a adapted the English spelling to this irregularity.
⁵The word for "buzzard" is feminine in Italian (poiana). Villa, instead, gives it a masculine ending (poiano).
⁶Tra le frasche, literally "between the branches," is an idiomatic expression with many meanings: to avoid doing something, to jump from one subject to another in conversation, or to find a private place to make out with your girlfriend/ boyfriend.
⁷Saforamenti is Milanese dialect for sacramenti (sacraments).
⁸Today the principle meaning of Zoccole (sewer rat) is "whore" (in Roman dialect). In Italian, mice and rats are often associated with sex. See "Sorca" (from the Latin for "little mouse"), as well as "topa" (mouse), which refer to the female organ.
⁹As with "sybilline," Villa replaces the first "i" in "dinastico" with a "y." The reverse was done in English to mirror the original.
¹⁰Here Villa parses the Italian noun "giaculatoria" (a short prayer) to highlight its different components: già (already), cul (ass), and the ending -oria.
¹¹"Baggian" in Milanese dialect means someone who is stupid, dumb, or slow-witted. Baggiane is in the feminine plural. A fregoni is someone who "frega" that is "rubs" or "fucks." The passage may refer to a ritual carried out in the famous Galleria Vittorio Emanuele II in Milan: for good luck, people grind their heels into the testicles of the bull depicted on its mosaic floor.
¹²Nergal was a deity worshipped throughout Mesopotamia, a figure Villa most likely encountered often as a translator of ancient Semitic languages.
¹³The adjective eucharistica should be spelled without the "h" (eucaristica), but Villa's carries out a hyper-characterization of the word by following a Greek spelling. The "ch" resembles the Greek "x" and thus the poet brings out the "xristo" in "eucharistico."
¹⁴In the original Villa removes the second "o" in "odorosa," calling attention to morpheme "rosa" (rose) within it.
¹⁵A combination of the nouns "speleological" (having to do with the exploration of caves) and "phoné."
¹⁶This is a pseudo-transliteration into the Roman alphabet of the Greek word for "idea." ἰδέα comes from εἴδω (eido or I see).
¹⁷Sociofugal is a word coined in English by Humphrey Osmond, a British physchiatrist. It describes a seating arrangement that promotes seclusion by facing the seats outwards. However, the Italian sociofugo is, in all likelihood, Villa's original creation and probably meant somebody who flees from social situations.
¹⁸In the original, the adjective "inanellato" (enringed) appears as inan ellato to emphasize the "inane" contained therein.
¹⁹Lattime is the crusta lactea, milk crust, or honeycomb disease: a yellowish skin rash affecting the scalp of newborns.
²⁰It is not clear what Villa had in mind with these initials, although it may be a reference to tuberculosis.
²¹Manduria is a town located in the Puglia region of southwestern Italy known for its strong red wines.
²²Permansivo is a combination of the verb "permanere" (to linger on, remain, or continue) or the adjective "permanente" (permanaent) and the adjective "espansivo" (expansive).
²³The fabbriceria is an office in the Roman Catholic Church that oversees the construction and maintenance of ecclesiastical property.
²⁴The little rhyme in the original mulìn mulèta / ghe se slunga la tèta literally means mill sharpener / the tit grows longer in Villa's native Milanese dialect.
²⁵Here Villa is playing with the Latin nomenclature of botany: the noun glykyrhiza refers to the plant whose roots are used to make licorice while the adjective linnaei refers to the scientist Carl Linnaeus, who invented that very nomenclature. Regolizia, instead, is a vernacular spelling of the Italian word for "licorice."
²⁶Rather than "agonia" (agony), the Italian reads ingonia (ingony).
²⁷The original porcudighel is a euphemism for the blaspheme "porco dio" (pig god).
²⁸Calends is the first day of the month in the ancient Roman calendar, but when speaking of Greek Calends one postulates an impossible date, since the Greek calendar did not have Calends.
²⁹Here Villa is playing on the liturgical expression "domine deo," which is typically rendered in spoken Italian as "domineddio." Villa brings in the "abdomen" to create "abdomenenddio."
³⁰Ecumene was used by the Greeks and Romans to denote the boundaries of what was then known to be the inhabited world. Today, it refers to the projection of a united word under the Christian Church.
³¹Tedeum is the Latin hymn "Te Deum" (Thee, oh God, we praise).
³²The adjectival form of neume: the basic element of Western musical notation prior to the invention of five-line staff notation.
³³I Novissimi, or The Four Last Things, refer to the final events of the apocalypse: death, judgment, heaven, and hell.
³⁴Apollo's bird was the crow. When one of his lovers, Coronis, had an affair with Ischys, a crow informed the God of her betrayal. At first he did not believe the bird and turned its feathers from white to black as punishment for spreading lies. Upon discovering the truth, however, Apollo made the crow sacred, entrusting it with the task of announcing important deaths.
³⁵Here Villa creates two grammatical hermaphrodites by providing the Italian adjective for "masculine" in its feminine singular form (maschia) and the adjective for "feminine" in its masculine singular form (femmino).
³⁶The adjectival form of Paraclete: the Holy Spirit in the form of an advocate or counselor.
³⁷Here Villa substitutes "idol" for the prefix "ideol-" in ideological.