Posts filed under 'escape'

Translation Tuesday: “Earth Mounds” by Ahmed Amran

He wanted nothing else, just to live in respect and dignity.

This Translation Tuesday, we present a quiet and devastating tale of abuse, escape and dreaming, told with care and gentle detail by Ahmed Amran. Yemeni-born but a naturalized citizen of Hungary, Amran writes in Hungarian and here draws inspiration from its vast and “dazzling” plains—the story of Earth Mounds hinges on his protagonist’s first glimpse of a steppeland that stretches to the horizon. Its very endlessness holds the promise of a future; he need only grab it.

We were still kids, all of us short. While of our age group, he was smaller in bearing. He barely spoke. He would rather observe our games than join in. He was fearful, almost terrified, of ending up in the sort of squabble that would spill over into a fight. Yet once in a fight, he slowly turned into a wounded lion. Then he would strike hard, unstoppably, sobbing as he fought, and when he sensed his victory, he would pull his most grievous punches. Then he would break into a run. Later we found out his refuge. On the edge of the village, on the other side of the fearsome graveyard, several low earth mounds lay. He would run there, climb up them, and roll down.

I remember when we noticed his growth spurt. Under his pitch-dark hair, the brown of his forehead had darkened. We hardly ever saw him on the village’s narrow streets. Instead, he would turn up in the deep, steep valleys engirdling the village. Later we heard about how his stepmother used to torment him. She would accuse him of stealing; almost every day she would find some excuse to kick him out of his father’s house. His father, to stay on his young wife’s good side, berated and beat his son. The boy had no strength left to cry. Out of sheer exhaustion he would often fall asleep during a beating. But sometimes he found refuge in the house of a hobbling old woman, where he could rest his worn body.

From the proximity of our old house we saw and heard them every evening. As if he enjoyed it, his father would raise his voice while throwing stones after his fleeing son. His young wife, like a hawk swooping down, would snatch up any of her little children who were playing nearby. A sly smile, visible only to those familiar with her wicked nature, etched itself in the corners of her mouth.

READ MORE…

Announcing Our May Book Club Selection: To the Warm Horizon by Choi Jin-young

Choi Jin-young focuses instead on the possibilities for love and caring connections in a time of societal breakdown and civilizational disarray.

As pandemic literature carves out a space of its own in contemporary letters, such writings unveil what is seemingly opaque or inscrutable about the presumed normalcy of “the before times.” In our Book Club selection for May, To the Warm Horizon, Choi Jin-young sketches a fragmentary, kaleidoscopic tale of survival and longing in the aftermath of a global catastrophe triggered by illness. The focus, however, is not on contagion itself. Instead, it falls on the variety of ways in which human interactions unfold within a more general dynamic of contrasting forces: fear and hope, reason and unreason, cruelty and love. 

The Asymptote Book Club aspires to bring the best in translated fiction every month to readers around the world. You can sign up to receive next month’s selection on our website for as little as USD15 per book; once you’re a member, join our Facebook group for exclusive Book Club discussions and receive invitations to our members-only Zoom Q&As with the author and/or the translator of each title!

To the Warm Horizon by Choi Jin-young, translated from the Korean by Soje, Honford Star, 2021

Among the many side effects of the pandemic, we have witnessed a global reawakening of the taste for narratives of contagion, (post-)apocalyptic scenarios, and disaster fiction. If in March 2020, readers rushed to revisit the classics (Boccaccio’s Decameron, Defoe’s A Journal of the Plague Year, or Camus’s The Plague), the public quickly moved to explore newer works as the pandemic stretched on, such as Margaret Atwood’s Oryx and Crake (2003) and Emily St. John Mandel’s Station Eleven (2014). The early months of 2021 came with an entirely new crop of contemporary writing, whose publication in English translation was likely encouraged—if not sped up—by the timeliness of their subject matter. Choi Jin-young’s To the Warm Horizon, published originally in Korean in 2017 and in Soje’s translation in 2021, is an example of the newly acquired popularity of these viral themes.

An unnamed virus serves only as a distant background for the five first-person narrators whose voices echo one another in this book, wherein the disastrous toll of hundreds of thousands of victims a day has decimated the population of the globe in a matter of days, setting in motion massive flows of refugees headed for an ever-distant promise of warmth and safety lurking on the horizon. Not much is disclosed about the disease itself, except that it provokes a rapid death; Choi Jin-young focuses instead on the possibilities for love and caring connections in a time of societal breakdown and civilizational disarray.

Countering the entropy of a world in dissolution, the narrative stitches together twenty kaleidoscopic chapters, in which five nomadic voices each offer their own experience of the events. The fragments are titled after their narrators and read like curated journal entries, varying in length and intensity. Amongst the speakers, Dori and Jina are given the most depth and contour; they speak for themselves as queer women, and their burgeoning romantic relationship is at the core of the novel. Ryu is the spokesperson for her family’s story, while Joy and Gunji are episodic storytellers whose accounts center on their own desires. READ MORE…

What’s New in Translation: April 2021

New work from Japan, Denmark, and Germany!

Our chosen texts from around the world this month denote a certain defamiliarization with one’s environment, whether due to an intrinsic sense of alienation, or an enforced strangeness by a world unexpectedly altered. In literature, disparity is a powerful, effective motif for both the urgency of social commentary, and the exploration of the personal psyche, and the works presented here are exemplifications par excellence in both respects. From a collection of short science fiction tales from a Japanese counterculture icon, to a dual text of two poetry volumes by acclaimed Danish poet Pia Tafdrup, and a harrowing tale of exile and forced peripatetics in the immediate fallout of Kristallnacht. Read on to find out more!

terminal boredom

Terminal Boredom: Stories by Izumi Suzuki, translated from the Japanese by Polly Barton, Sam Bett, David Boyd, Daniel Joseph, Aiko Masubuchi, and Helen O’Horan, Verso, 2021

Review by Rachel Stanyon, Copyeditor

Terminal complicity. Terminal addiction. Terminal jealousy. Terminal resignation. Terminal self-deception. Terminal love. Any of these could have been the title of Terminal Boredom, this engrossing first collection of short stories by Izumi Suzuki to appear in English translation. Given how prescient and succinct these tales are, it is surprising that they have taken this long to become available in English. With their worlds full of disillusionment and disaffection, youth unemployment and apathy, they will certainly strike a chord for modern readers interested in the emotional and societal effects of late capitalism, along with fans of sci-fi and speculative fiction.

In Japan, Suzuki is better known; there is even a novel (Endless Waltz by Mayumi Inaba, 1992) and a film (Koji Wakamatsu’s 1995 adaptation Endless Waltz) about the relationship between her and her jazz-musician husband, Kaoru Abe (Suzuki’s daughter sued over invasion of privacy at the book’s release, so read and watch as your conscience dictates). Suzuki, born in 1949, had a varied career, working as a key-punch operator, bar hostess, model, and actress, finding success as a writer before committing suicide in 1986, eight years after her then newly ex-husband had died of a drug overdose. These biographical details suggest that she understood intimately the sometimes hapless jobs, dependencies, and loneliness of the characters she depicts.

The scenarios constructed in the collections’ seven stories are varied enough to maintain interest, while the themes of apathy and detachment bind them together. “Women and Women” (tr. Daniel Joseph) describes a world plagued by resource scarcity in which men have been carved out of society and sent to a cunningly translated “Gender Exclusion Terminal Occupancy Zone” (GETO for short). This society is controlled through a sort of Orwellian erasure of history, and maintained by the complicity of the vast majority of its female inhabitants. Although the same-sex relationships are cast sympathetically, and, indeed, androgyny seems to be idolized throughout the collection, the story seems ultimately to condemn this ghettoized, vapid world. There does, however, remain a degree of ambivalence. The narrator soon comes across an escaped boy and “learn[s] the unexpected, dreadful truth about human life” before discovering that her mother was disappeared because she had fallen in love with a man and conceived naturally; in the end, though, our protagonist opts back into ‘normal’ life:

When I returned to my room, I noticed that my anguish was almost entirely gone. Women and women. Just as it should be. (. . .)

And yet . . . I put the pen down again before I was done. Now that I know about that thing, how can I ever be happy? To doubt this world is a crime. Everyone but everyone believes implicitly in this world, in this reality. I and I alone (well, probably not) know the great secret of this existence, and I’ll have to live out the rest of my life keeping it at all costs.

Right now, I have no intention of sacrificing my life for some underground resistance movement. But who knows, it might come to that someday.

The reader cannot, however, help but feel that it never will. READ MORE…

Translation Tuesday: “I Want to Live Another Life” by Pak Jeong-de

A life that newly begins fluttering whenever a wind blows; / A life that is unrelated to gravity

There is an urge to cut ties and run in this week’s Translation Tuesday, though it is not with a sense of fear but, more wonderfully, a charged and stirring wanderlust. Pak Jeong-de’s poem sweeps us up in motion and emotion that are as grand as they are reckless, as if to say: if you’re not going to go all the way away, you might as well not go at all. (Another note: Pak Jeong-de reads with a great sense of theatre; check out a performance of his, in Korean, here.)

I Want to Live Another Life

by Pak Jeong-de

I kick a ball, dreadlocks flapping.
It was perhaps the peak of Bob Marley’s life.
There’s a face that suddenly appears in my mind.
What my life would be like
If I spent my life with that person,
I imagine from time to time.
It’s amazing that I still live on earth.
Many people I knew have already moved to another planet.
There’s been no news from them since. READ MORE…