Posts filed under 'BBC Radio 4'

What’s New with the Crew? A Monthly Update

A behind-the-scenes scoop on what our team members have been up to!

Communications Manager Alexander Dickow translated Guillaume Apollinaire’s celebrated “Song of the Unrequited Lover” for the Spring 2017 issue of Metamorphoses.

Assistant Blog Editor Aurvi Sharma was awarded the 2017 New York Foundation for the Arts fellowship in Nonfiction Literature.

Drama Editor Caridad Svich’s play Iphigenia Crash Land Falls On the Neon Shell That Was Once Her Heart was performed on 30 July at Bread and Roses Theatre in South London and by London-based company Clumsy Bodies from 4 to 12 August at theSpace on Niddry Street in conjunction with the Edinburgh Festival Fringe. Her essay, “Riding Uphill on a Red Bike,” based on her play Red Bike, is featured as the closing reflection on the making of the Stages of Resistance series.

Editor-at-Large for Romania and Moldova MARGENTO a.k.a. Chris Tanasescu will be presenting with his team a paper titled “Access(ed) Poetry. The Graph Poem Project and the Place of Poetry in Digital Humanities” at the 2017 Digital Humanities Conference in Montreal. Chris also recently presented a paper on automated metaphor detection in poetry at the Association for Computational Linguistic Conference in Vancouver.

Criticism Editor Ellen Jones was awarded one of the 2017 ALTA Travel Fellowships to attend this year’s conference in Minneapolis.  She, like Social Media Manager Thea Hawlin, has written an essay for the upcoming anthology “The Digital Critic: Literary Culture Online,” published by OR Books.  

Contributing Editor Howard Goldblatt has published an essay in Korean Literature Now discussing the issue of translating fiction and creating fiction as two distinct literary genres.  

Editor-at-Large for Indonesia Norman Erikson Pasaribu is showcased as an emerging Indonesian writer in Kill Your Darlings, a cultural magazine based in Melbourne, in partnership with the upcoming Ubud Writers & Readers Festival (UWRF) in Bali.  

Social Media Manager Thea Hawlin wrote about the rise of female literary magazines for LitHub and reviewed a response to George Eliot’s ‘Silly Women Novelists’ for the Times Literary Supplement. She also published essays on Italian director Antonioni’s first color film and the designer Salvatore Ferragamo in AnOther magazine. It’s also her birthday today so please joining us in wishing her a very happy birthday!

Editors-at-Large for Singapore Theophilus Kwek and Tse Hao Guang have launched UnFree Verse, an anthology of formal verse from Singapore, co-edited with poet Joshua Ip. Theophilus was also featured last week in an episode of the new BBC4 series ‘Mother Tongue’, which focuses on poetry in translation.

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Read more dispatches from around the world:

An Interview with Eleanor McDowall of Radio Atlas

Finding a way to understand the language without destroying the poetry of its delivery seems key to me.

Radio Atlas is an exciting new project gathering together subtitled audio from around the world – introducing listeners to a whole slew of inventive, genre-bending documentaries, drama and sound art made in languages that they may not necessarily speak.

Eleanor McDowall is an established radio documentary maker and producer with Falling Tree Productions, an independent production company based in London. She has helped to pioneer “animated radio” productions at home in the United Kingdom, and produces BBC Radio 4’s much-lauded series,‘Short Cuts’, with the British comedian, Josie Long.

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David Maclean: Can you give me a brief history of Radio Atlas, i.e. how it came together and its origins?

Eleanor McDowall: Radio Atlas emerged out of a desire I had for a platform that didn’t exist—an easy, accessible way of engaging with interesting audio in languages I didn’t speak. I’d had a lot of experience listening to documentaries with big wads of paper on my knee, flicking through a translation as the audio played out, and desperately hoping that I hadn’t lost my place. A few years ago I saw an early event by the wonderful In The Dark where they played a Norwegian audio documentary in a cinema with subtitles and I was struck by how natural the experience was. This was the first time that I got away from feeling I was ‘reading’ a documentary and felt like I was really ‘hearing’ it. Radio Atlas is an attempt to make the most sympathetic subtitling experience I can for the audio—so hopefully you stop thinking about the text and start listening.

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