Monthly Archives: July 2016

Thank you, Britain

I fear that the diabolical pas de deux of racism and xenophobia that we are now witnessing will escalate.

The day after the EU referendum I woke up early to check the results. It was 5am and already clear that the Leave camp would win. I hadn’t expected that. Despite the growing popularity of right-wing populist parties such as UKIP, to the outsiders (and a large portion of liberal Britons too), this divisive brand of Euroscepticism seemed like the voices from the fringes. It is true that UKIP employed dramatic scaremongering as its major political strategy, using migrants as the folk devil on whom to blame Britain’s economic and social problems, both present and future. But to me their tactics stood in sharp contrast to what I have always admired about the British, that is to say kindness, tolerance and openness. Not surprisingly, the Leave win left the country in turmoil. Those on the Remain side are bewildered by the prospect of being torn away from an identity they have eagerly embraced as their own and, increasingly, many of the Leave voters express a similar sentiment. But the Brexit referendum also mobilized an indignant minority that had been previously silent, and galvanized blatant xenophobia, racism and bigotry. It is the latter that saddens me most.

I myself was an EU migrant who settled in the UK following the first eastern enlargement in 2004, although I had first arrived in Britain in the summer of 2003, eight months prior to Poland’s accession to the EU. I was an undergraduate student on a gap year in Liverpool, away from home for the first time. Despite its long tradition of multiculturalism, the city saw very few migrants from Eastern Europe and people knew very little about Poland. Often, on hearing my nationality, they would recite in one breath: Lech Wałęsa, John Paul II, vodka, and engage with me in long conversations about the Pontiff’s poor health. I felt welcomed, and I immediately fell in love with the city and its people. I loved how they talked and joked, how women wore strapless dresses on cold nights out and how families went on the ferry across the Mersey on Sunday afternoons. I myself spent countless hours in the FACT cinema on Wood Street and I can still remember films I saw that year: Young Adam, Sylvia, Calendar Girls and, my absolute favourite, Love Actually. I went to see art exhibitions in the Walker Art Gallery, learning about British painting, from Pre-Raphaelites, through the Stuckists to the Singh Twins. On the 1st of May 2004 I celebrated Poland’s accession to the EU with a group of English friends. The mood was jubilant and hopeful. We drank sparkling wine and, as naïve as it may sound, it felt like Europe was united again.

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Weekly News Roundup, 8 July 2016: So Many Questions

This week's literary highlights from across the world

Greetings and happy Friday, readers! This past week, Foyles’ blog ran a piece on the top five books that address the difficulties of translation. Do you agree or disagree with the choices, fair readers? While I’m asking you questions, let’s talk about the infamous Proust Questionnaire. The New Yorker ran a piece about the history behind the notorious literary interview. Its journey through time is striking and not what you would think.

In awards, South African writer Lidudumalingani won the 2016 Caine Prize for African Writing. It’s definitely an exciting time for African literature!

In deaths, the we lost the great poet Yves Bonnefoy. He was a huge part of French literature and will be sorely missed. You can read a translation of some of his poetry on the Asymptote website. We also lost Nobel Peace Prize Winner Elie Wiesel. The world is certainly in mourning for these two great souls.  READ MORE…

Translator’s Profile: Peter McCambridge

My first favourite writer was Roddy Doyle. I’d also enjoy sitting down for a pint of Guinness with Roddy.

Originally from Ireland, award-winning translator Peter McCambridge holds a BA in modern languages from Cambridge University, England, and has lived in Quebec City since 2003. He runs Québec Reads and now QC Fiction, which recently published Eric Dupont‘s Life in the Court of Matane, excerpted in Asymptote’s Translation Tuesday showcase on the blog and at The Guardian here.

Who is your favorite fictional character of all time?

At the risk of starting off a little lowbrow, I’d have to say Bernard Samson, the glass-half-full spy of Len Deighton’s “airport thriller” series. Nobody else comes remotely close, off the top of my head. I first read more or less everything Len Deighton had ever written when I was 11 to 14 and I’ve recently gone back to them in the new audio version. They go down perfectly after a hard day’s work. A hearty German meal in Berlin with Bernie and Werner and I’d be a very happy man, I think.

Who was your first favorite writer and how old were you when you discovered them?

In high school, the only thing I read and really loved was Edith Wharton’s The Age of Innocence. Thomas Hardy and a lot of other writers who were forced upon me left me cold. It’s funny: I’ve spent a lot of my life reading books that I’ve had to read. At university, I studied French and German literature, which didn’t leave much time for reading for fun. Looking back, a very small percentage of those books were ones that I really enjoyed and would happily read again. When I was younger, around 10 or 11, I remember reading The Secret Seven and a Hardy Boys adventure every night. To answer your question, I think my first favourite writer was Roddy Doyle. I’d also enjoy sitting down for a pint of Guinness with Roddy.

What is your favorite word in any language? Which word do you find most difficult to translate?

I’ve always liked tamisé in French, just for the way it sounds. I always think it sounds soft, like the lighting it describes.

What 5 books would you want with you if you were stranded on a desert island?

To the Lighthouse and The Age of Innocence were both amazing and really left a mark on me. I’d also bring Ulysses and finish working my way through it with the help of Frank Delaney’s wonderful Re:Joyce podcasts. The next two books on my hopelessly long to-read list would make up the five.

Which under-translated author do you think deserves wider recognition worldwide?

The obvious, truthful answer is Eric Dupont. He’s been compared in Québec to our very own Gabriel García Márquez and John Irving. I’m working hard to raise his profile through QC Fiction and Québec Reads.

Do you have a translation philosophy that guides your work?

I worked for a few years translating advertising copy, legal contracts, recipes, and healthcare leaflets before thinking about translating a novel. More importantly, I was revised the whole time and I learned a lot. My employer’s philosophy rubbed off on me and that was to write what the author would have put had they been writing in English. It’s harder than it sounds. “The original sentence tells the translator what the sentence should say but not how exactly to say it,” Lazer Lederhendler told me recently, and I think that sums it up well.

Which of the translations that you’ve worked on was the most challenging? Why?

I felt a lot of pressure translating Lori Saint-Martin’s The Closed Door. But Lori is one of Canada’s best and best-known translators into French so she was a big help along the way.

How did you learn your foreign language and how did you begin working as a literary translator?

I learned French and German in high school in Ireland, then studied French and German literature at Cambridge. But I like to say that I began speaking French when I moved to Québec City in 2003. Moving to Québec meant I forgot all my German. Only for me to meet and marry a German girl here. Which meant I suddenly had to relearn everything. And then try to understand Schwäbisch. Now we speak German at home and French to our friends and children.

If you could have been born in a culture other than your own which would you choose to be a member of? Why?

That’s an easy one: Québec. I moved here so that my children would have that chance.

If you hadn’t been a translator what profession would you like to have tried?

At the minute, I’m kind of switching professions as I try to devote more time to being a fiction editor. But otherwise I think I’d be writing for a magazine somewhere (since soccer goalie is probably not a very realistic answer).

Finally, in your bio, you mentioned that Life in the Court of Matane is the book that made you want to be a literary translator. Could you explain briefly why?

It’s hard to explain. I read Bestiaire, as it’s known in the original French, when it first came out and just fell in love with it. I still love it today—even after spending a year translating it! Now it’s like living with someone: you can’t quite explain what attracted you in the first place, you just know your life is better with them in it.

 

Ask a Translator with Daniel Hahn

Translation is really something other than a striving for vague perfection.

Our resident translation expert, writer, and jack-of-all-trades, Daniel Hahn, is back to respond to reader questions on the fine art of translation. Today’s question comes from Lin Chia Wei, a reader in Taiwan. Anddon’t miss our first-ever “Ask a Translator” live event with Daniel Hahn in London on Wednesday, July 20 (RSVP at or invite your friends to the Facebook event page here).

Is there anything that is completely untranslatable, in your opinion?

Everything is untranslatable, that’s what I think.

Or alternatively, I think that nothing is.

And honestly, I’m perfectly comfortable with either of those ideas; both make sense to me. I’m not altogether comfortable, however, with the idea behind the question itself.

There are certain components to a text that are likely to present particular challenges to a translator (I talked about these in last month’s column), things that feel like absolute impossibilities. And conversely there are moments when you’re translating and a clever solution presents itself, or when a new voice you’re creating comes into focus, and the sheer rightness seems miraculous, the fact of it being so very possible feels exhilarating. But these experiences, and the question, would seem to suggest a simple binarytranslatable / not translatablewhich is misleading. Translation is all failure, because it’s never “perfect”; and it is all also, simultaneously, a triumph, because however imperfectly something living has been created out of the most unlikely circumstances.

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Translation Tuesday: An excerpt of “A Meal in Winter” by Hubert Mingarelli

"I was hungry, so terribly hungry. We had eaten yesterday evening, but yesterday seemed as long ago as last month."

One morning, in the dead of winter, three German soldiers are dispatched into the frozen Polish countryside. They have been charged by their commanders to track down and bring back for execution ‘one of them’—a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere.

*

The Pole did not reply. Bauer grunted louder: ‘What do you want?’

The Pole signalled—as if he were sorry, but not very sorry—that he didn’t understand.We believed him. But that didn’t alter the fact that he was facing up to us, in spite of his somewhat apologetic demeanour. He was leaning with one hip against the stove, calm and impassive, just as if he were at home.

Sitting on the bench, we looked up at him, and began to smile at the desire he had—we understood this now—to show us he was not afraid of us. Because we didn’t care if he was afraid of us or not. READ MORE…

What’s New With the Asymptote Team

From reading tours to new publications, here's what Asymptote staff have been up to recently!

Contributing Editor Adrian West launched his new book, The Aesthetics of Degradation, for the occasion of which former Asymptote Section Editor Matt Jakubowski conducted this interview in Berfrois.

Contributing Editor Ellen Elias-Bursać has been interviewed about her authors in Authors and Translators.

Assistant Managing Editor Justin Maki published a review of Jon-Michael Frank’s book of poem-comics, How’s Everything Going? Not Good. (Ohio Edit and Cuneiform Press) at The Small Press Book Review.

Editor-in-Chief Lee Yew Leong’s translation of ‘Next’, a poem by Taiwanese psychiatrist-poet Jing Xianghai, was featured on the Guardian Books Network as part of Asymptote‘s ongoing Translation Tuesday collaboration with The Guardian.

Editor-at-Large for Romania & Moldova MARGENTO (Chris Tanasescu) participated in the CROWD Omnibus Reading Tour, a tour involving 100 writers from 37 countries, starting at the Arctic Circle and ending at the Mediterranean Sea. On his way back, MARGENTO stopped by Bookfest (Bucharest’s International Book Fair) where he contributed to the launch of frACTalia, a Romanian-international consortium of literary journals, publishing companies, and online intermedial archives.

Social Media Manager Sohini Basak has poems published in two anthologies: three poems in 40 Under 40: an anthology of Post-Globalisation Poetry (Mumbai, Poetrywala) edited by Nabina Das and Semeen Ali; and a poem inspired by Han Kang’s The Vegetarian in Urban Myth and Legends (Birmingham, Emma Press) edited by Rachel Piercey and Emma Wright.

Chief Executive Assistant Theophilus Kwek’s new collection of poetry, Giving Ground, was launched in Oxford, and reviewed in the Oxonian ReviewHe is one of four winners of this year’s inaugural New Poets’ Prize, and has an interview and a new poem about ’Brexit’ in The Missing Slate.

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Read More from the Asymptote Team:

Weekly News Roundup, 1 July 2016: Among Other Things

This week's literary highlights from across the world

Happy first-of-July Friday, Asymptote! This week, annoyingly talented polyglot Vladimir Nabokov’s letters reveal—what, exactly? Marital discord and a whole lot of influence from his wife, Véra (among other things).

And the novel may be changing, but that’s a good thing. A dystopian novel written during the  protests in the Ukraine—on Facebook, no less—will be translated into English (and published as a book). Good thing it’ll be published—and translated—by actual human beings, as computer-driven writers and translators aren’t quite up to the task just yet. And Palestinian and Israeli poets protest the house arrest of Palestinian poet Dareen Tatour, who is punished for an “inflammatory” poem. READ MORE…