Posts filed under 'Tamil'

What’s New in Translation: September 2019

Looking for what to read next? Our staff share their latest discoveries in new translations.

It is another month bringing us various gifts in the form of translated literatures, and our editors have selected the finest. Read below to find reviews of a short story collection detailing the various and complex natures of India, a haunting and poignant Swedish novel, unsettling tales from Israel, and a poignantly feminist work from Palestine.

ambai

A Kitchen in the Corner of the House by Ambai (C.S. Lakshmi), translated from the Tamil by Lakshmi Holmström, Archipelago Books, 2019

Review by Ben Dreith, Assistant Editor

C.S. Lakshmi, who writes in English and Tamil under the pseudonym Ambai, is a scion of post-revolutionary Indian feminism and women’s studies researcher who was raised and educated in Mumbai, Bangalore, and New Delhi. Of her work, the most recent to appear in English is A Kitchen in the Corner of the House, a mellifluous and courageous work translated by Lakshmi Holström, a dedicated scholar who passed away in 2016. She will be missed, and her efforts, evident in the enduring legacy and themes of A Kitchen in the Corner of the House, may inform the concerns of Indian feminism in the English-speaking world for generations.

The book is a collection of stories, told from multiple voices and perspectives, which centers on the travails and aspirations of women across a broad socio-economic and linguistic spectrum. The voices in A Kitchen in the Corner of the House reflect the varied cultural expectations and norms that simultaneously thrive and jostle for distinction within the Indian nation, which can be too easily regarded as a seamless whole by outside observers. What unites the characters in the stories, though, is a keen sense of subjective solidarity amongst women who are draped in desperation—and hope.

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In Conversation: Kalyan Raman

I have always been troubled by the hegemonic position of English.

N Kalyan Raman, a bilingual translator, is best known for his English translations of the works of eminent Tamil modernist writer Ashokamitran. Suchitra Ramachandran, a young translator who won the Asymptote Close Approximations translation fiction prize in 2017 for her translation of the Tamil short story “Periyamma’s Words” by B. Jeyamohan, works in the same languages. 

The two translators met in Chennai, the capital city of Tamil Nadu and home of the Tamil language, to discuss the practice and politics of translation, posing questions as wide ranging as: What is the role of translation in an astoundingly multi-lingual country? Does English as a language, a post-colonial residue, oppress or enable? What is the literary legacy of translation and how can it shape the understanding of a diverse society? What follows is an edited excerpt of their conversation.

For other emerging translators, enter the fourth edition of our translation contest and stand to win up to $3,000 in prizes. This year’s competition is judged by Edward Gauvin and Eugene Ostashevsky. Details here.

Suchitra Ramachandran (SR): Translation—a weighty literary activity, a difficult craft—seems to have no prestige associated with it in India. And that’s a reason, I think, why a lot of people don’t pursue it seriously.

N Kalyan Raman (KN): The translator is marginalized as a matter of course and for no good reason. A senior editor in Delhi told me that there is simply no space available in the media to talk about translators. What we must do first is accept the translator as part of the literary community, as producers of literary texts. Editors and other institutional intermediaries are given far more space in the translation discourse than translators themselves.

Also, I don’t think of translation as one separate trick. It’s as much a part of the literary culture as anything else. And translators do other things (in the literary ecosystem) as well, which hardly receive any notice—reflecting, engaging, reviewing, it is all a part of the culture. And understanding it, developing a reflective awareness of the trajectory of the literary culture of your community. Languages imply community above all else. What good is language if there is no community around it? In India, the English language seems to facilitate, in any field, only interest groups. It’s not amenable to a truly open space.

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Translation Tuesday: “Periyamma’s Words” by B. Jeyamohan

I felt that manners were nothing more than knowing to say the appropriate English words at the right times.

Continuing our spotlight on Close Approximations contest winners, we present today the top entry in the fiction category, notable for being the first Asian translation to receive the top award in the history of our contest, now into its third edition. (Find the official results and citations by judges David Bellos and Sawako Nakayasu here.) From 215 fiction and 128 poetry submissions, these six best emerging translators were awarded 3,000 USD in prize money, in addition to publication in our Summer 2017 editionJudge David Bellos says: “There were several contenders for second place, but I have absolutely no doubt that the prize itself must go to the charming, wonderful, unusual story of “Periyamma’s Words” by the Tamil writer B.Jeyamohan in Suchitra Ramachandran’s translation. It is a witty and heart-warming tale illustrating the paradoxical position of translation itself, as a way of crossing boundaries and as a way of understanding what boundaries cannot be crossed.”

Come, go, stop, food, clothes, son, daughter, road, house, sky, earth, night, day—these words came rather easily to her. If I said those words in Tamil, Periyamma would reply with the corresponding English words. It was only when Periyamma jumped to say ‘cat’ before I could say poo– that I realized I was quizzing her in order. So I changed the order. But then Periyamma started saying the English words just by looking at my eyes. So I pointed at different animals and asked what they were. Periyamma said naaipoonaikozhi in Tamil and then translated them—‘dog,’ ‘cat,’ ‘hen.’ It was only after Periyamma had mastered a hundred basic words—she would say them even before I could ask—that I moved on to concepts. That was when all hell broke loose.

Periyamma was not my periy-amma, big-mother, a name usually reserved for one’s maternal aunt. But everybody in our town called her that. Her house, they called the Big House. Situated in the town centre, that bungalow was built by Periyamma’s grandfather Thiruvadiya Pillai a hundred and fifty years ago. The word about town is that when it was built, the glass for the house sailed in from Belgium, the teak came from Burma, the marble from Italy, and the iron from England. The people who came to grind limestone for its walls stayed on permanently in our town, and as a result our town acquired a Lime Street. Our carpenters also moved in during that period. Periyamma’s wedding took place in that bungalow. That was the first time a mottaar came to our town. The newlyweds were paraded about town in that Ford motor car. Periyamma was not to step foot into that car ever again.

It has been forty years since Periyamma’s husband passed away. Her only son Arumugam Pillai had been a lawyer in Madurai, and he died there. His four sons were variously placed in Chennai and Delhi and Calcutta. None of them are alive now. A daughter of the oldest grandson is a doctor in America. She is the only person who has some semblance of a relationship to Periyamma. Periyamma went on living in that town, an ancient relic in the eyes of its fourth-generation inhabitants. In the olden days their family had six thousand acres of land to their name. Over the years, it had shrunk in various ways to a hundred acres. Those hundred acres had been neatly partitioned and sold over thirty years ago. In the end, all that was left over for Periyamma was that house, two acres of land around it, a good sum in the bank, and her jewelry. But that was more than enough for her to live in state.

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Weekly Dispatches from the Frontlines of World Literature

Your update from Taiwan, India, and Finland!

This week, put on your walking shoes so we can follow Vivian Szu-Chin Chih, Editor-at-Large for Taiwan, through Taipei, from an international book exhibition to a history museum. Then we’ll zip over to India to meet Assistant Managing Editor Janani Ganesan for discussions about literary translation and, wait for it—bull fighting. And finally in Finland, Assistant Blog Editor Hanna Heiskanen has some Finnish Publishing Industry gossip for us. Cheers! 

Editor-at-Large Vivian Szu-Chin Chih reports from Taiwan:

As the Chinese Lunar New Year ushered in the Year of the Rooster, as well as the Ding-You Year (丁酉年) in the Chinese Sexagenary cycle, readers in Taiwan have been anticipating the annual Taipei International Book Exhibition, which is kicking off on February 8 and will last till February 13. The international event for book-lovers will take place at the Taipei World Trade Center, only a few steps away from the landmark 101 building. Among this year’s featured sessions are a forum specifically dedicated to children’s books in Taiwan and a discussion concerning how local bookstores can be redefined and reshaped, featuring several Taiwanese and Japanese speakers and the founding chair of the Melbourne Writers Festival, Mark Rubbo. The eminent Chinese novelist and poet based in the U.S., Ha Jin, will also deliver two speeches, one on the art of humor writing in fiction, the other to announce his two latest books, “The Boat Rocker” (《折騰到底》) and a poetry collection, “Home on the Road” (《路上的家園》). The female poet and publisher from Paris, Anne-Laure Bondoux, will travel to the island to attend the book exhibition as well, giving several talks including a discussion with the Taiwanese novelist Nathalie Chang.

The 90-year-old Taiwanese poet Luo Men passed away this January in Taipei. His poems are rich in imagery, with an emphasis on the spiritual search of the human mind. The TSMC Literature Award will see its fourteenth iteration this year, presented by the Taiwan Semiconductor Manufacturing Company to encourage emerging young Sinophone writers in Taiwan and overseas. For 2017, all writers under the age of 40 composing in Chinese, traditional or simplified, are welcome to submit a piece of a novel. The deadline will be at the end of August. Since its establishment, the award has provided young Sinophone writers with a platform to debut their literary works. For example, the 2013 first-prize winner from Nanjing, Fei Ying’s novel, was published in Taiwan by INK this past week. One of the previous winners, Liou Dan-Chiou’s latest book on a couple surviving in the wild, is forthcoming, as well.

This year marks the seventieth anniversary of the 1947 228 Incident followed by one of the longest martial law periods in the world, imposed upon the island by the Kuomingtang government. To help the society further comprehend this historical trauma and to commemorate the victims of the incident, the National Museum of Taiwan History in Tainan is holding an exhibition and a series of talks on the event. The exhibition will last until late May.

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Publisher Profile: Tulika Books

An inside look at translating and publishing children's literature… in nine languages!

Interview with Radhika Menon, founder & managing editor of Tulika Books, India.

Sohini Basak: How did Tulika start out?

Radhika Menon: When we set up Tulika Publishers in 1996, we wanted to create Indian books that were as good as the best books anywhere. No, not “just as good as.” We want to give the children supremely good books and we wanted these books to be right in the Indian context. Our own generation had been fed books from the West, and had been taught to keep away from the more didactic, mass-produced Indian books. Good books, we assumed, came from elsewhere, usually from England!

We needed to reflect a contemporary Indian sensibility. But the contemporary Indian reality was vast, varied, and multilingual. It was clear to us that we would have to publish in as many of the Indian languages as possible.

Today we publish picture books in nine languages simultaneously—English, Hindi, Tamil, Malayalam, Kannada, Telugu, Marathi, Gujarati and Bengali. We also do bilingual books—English paired with each of the other eight languages. Some of the books for older children are in English alone and they too reflect a contemporary “Indianness” in their perspective, and in their very feel and look. READ MORE…

Asymptote’s Third Anniversary in Boston: a Recap

“The past is a foreign country. There is no native position from which a poem can be understood.”

In honor of our third anniversary, Asymptote’s Boston crew hosted “Translation in the Academy,” a conversation about the intersection of the growth of “translation studies” programs in universities and the praxis of professional translators. The panel was convened by our own contributing editor Ellen Elias-Bursac (along with plenty of help from Nina Beguš, Daniel Goulden, and Alex Sham!).

On the academic, translation-in-theory side of the ring: Karen Thornber, professor and current chair of Harvard University’s Department of Comparative Literature, and Edwin Gentzler, Director of the Translation Center at University of Massachusetts-Amherst. Representing translation in practice: Lloyd Schwartz, poet, active translator of Portuguese, and English professor at the University of Massachusetts-Boston, and Vivek Narayanan, poet and translator of Tamil. The panel was held at the Outpost 186 artspace in Cambridge, and true to Asymptote form, it was a room full of translators: of Japanese, of German, of Hebrew, and of Spanish, to name only a few of the languages represented in the diverse audience.

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