Posts filed under 'Stockholm'

Section Editors’ Highlights: Summer 2017

From an essay investigating a literary hoax to new art responding to Trump's xenophobia, our editors share their favorites from the new issue!

Asymptote’s glorious Summer issue is chockablock with gems. Some of our section editors share their highlights:

“To assert that Tove Jansson’s invention of the Moomin world may be partially rooted in ancient lore is, for this writer, to fear performing an act of sacrilege,” confesses Stephanie Sauer in her essay on renowned Finnish author-artist, Tove Jansson. This confession is the crux of Sauer’s questionings. Journey with Sauer from the moment the Moomins were conceived, to its unlikely, subversive evolution. Hold tighter still as she dives into Jansson’s personal life, her questions of war, artistry, womanhood, and sexuality, and the fearless, unconventional course she cut through history.

—Ah-reum Han, Writers on Writers Editor

This issue features excerpts from two plays that deal with aspects of “disappearance” and surveillance. In Blanca Doménech’s The Sickness of Stone, translated from the Spanish by William Gregory, we take a look at a cold, dark world where random pieces of text read from discarded books become a kind of key to unlocking society’s ills or sickness. Gregory’s eloquent, tart translation finds the humor, bite and despair in this fascinating play.

In Hanit Guli’s Orshinatranslated from the Hebrew by Yaron Regev, a father must decide how he will disappear from his family’s life and what he will or will not tell them. An odd, compassionate family drama, Regev’s translation of Guli’s one-act is evocative and clear.

—Caridad Svich, Drama Editor

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Literary Sweden: A Dispatch

Jasmine Heydari reports back from the Södermalms Poetry Festival and Gothenburg Book Fair

September and October are the months for literary events in Sweden, and this year I started my literary adventures with the Södermalms Poetry Festival, which partly took place on an old steamboat cruising through Stockholm’s archipelago, the Skärgården.

Festival director Boel Schenlaer is a well-known poet herself; she often attends national and international festivals, and the Södermalms Poetry Festival is her baby. Running for the 12th year in a row, the festival is three days long. Poets from countries including Israel, Egypt, USA, Syria, and Norway (thirteen nationalities in total) were all invited. As we boated through a dark blue surface shimmering with sunlight, Boel started the poetry cruise, offering everyone a buffet for lunch.

As we ate, Boel told me that her motivation with the festival was to build a bridge between Swedish and international poets.

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