The weekend is upon us—here’s a detailed look at the week that was by our editors-at-large. In the United States, Madeline Jones reports directly from the trenches of the Book Expo in New York City. A gathering of publishers, booksellers, agents, librarians, and authors, the event is the largest of its kind in North America. We also have Sarah Moses filling us in with tidings from Colombia and Argentina, and updates on the Bogotá39, a group of thirty-nine Latin American writers considered to be the finest of their generation. Finally, Julia Sherwood brings us some hot off the press literary news from the Czech Republic. Settle in and get reading.
Madeline Jones, Editor-at-Large, reports from the United States:
Last week in New York City, Book Expo (formerly Book Expo America) set up shop at the famously-disliked Javits Center on western edge of Midtown Manhattan. Publishers, literary agencies, scouts, booksellers, and readers gathered for discussions about the future of publishing, meetings about foreign rights deals, publicity and media “speed-dating” sessions, and more. Authors and editors spoke about their latest books for audiences of industry insiders, and lines trailed from various publisher booths for galley signings.
Though the floor was noticeably quieter than previous years, and certainly nothing compared to the busy hub of foreign rights negotiations that the London and Frankfurt book fairs are, Asymptote readers will be pleased to hear that multiple panel discussions and presentations were dedicated to foreign publishers, the viability of selling translations in the U.S., and indie books (which more often tend to be translations than major trade publishers’ books). READ MORE…
The first thing one notices at the venue of the 2nd annual Indo-American Arts Council Literary Festival is the number of Indians in various gradations of “Indian Attire”—from the skimpy Bollywood sari, to the elegant Kanjivaram, to the ubiquitous sherwani with a baseball cap. Such South Asian exuberance against the drab backdrop of Hunter College’s linoleum floors, dubious escalators, and gray dry-wall is enough to pique anyone’s interest, let alone a bunch of homesick Indian bibliophiles waiting to take selfies with their favorite writers.
An ambitious attempt on the part of the Indo-American Arts Council, led by director Aroon Shivdasani, the Festival gathers together prominent Subcontinental voices as diverse as Salman Rushdie, Suketu Mehta, Meena Alexander, Padma Lakshmi and Mira Nair, as well as emerging writers like Sharbari Ahmed, Raghu Karnad, Manreet Sodhi Someshwar, Mira Jacob, and Tanwi Nandini Islam.
Only two years old, the Festival is in its nascent stages, and perhaps that is why the panel discussions at times felt disjointed, as did its choice of panelists. The topics often veered sharply from the literary into an ersatz representation of South Asian identity—India’s rich, politicized literary landscape got less than its proper share of attention in what is supposed to be a festival of literature. The opening panel comprised of Salman Rushdie and Suketu Mehta in conversation with Amitava Kumar, although brimful of witty lines and pictorial anecdotes, often detoured from a discussion on writing by these accomplished authors into scattered riffs on their pasts, their political affiliations, and their sense of belonging to the “Old Boys’ Club” of Bombay writers. These digressions not only alienated younger audience members but also missed the opportunity to center the discussion on the writers’ craft. To make matters worse, there were not enough checks and balances to prevent an audience member from indulging in frivolous and self-promoting questions, only to waste precious panel time. Also, conspicuous by their absence at the Festival were diaspora writers such as Vandana Khanna, Srikant Reddy, and Nalini Jones, just to name a few, who would have added greater value to the panels, but who were, for reasons unknown, not included.