Posts filed under 'literary translation'

Apply to Be Princeton’s Latest Translator-in-Residence!

Deadline: 30 November, 2017

Applications are invited for up to one semester in spring of 2018 for a position as Translator in Residence at the Princeton Institute for International and Regional Studies (PIIRS). Candidates should be established translators into English with a project currently in progress that would benefit from the support offered by Princeton. Applications will be reviewed starting on December 1, 2017, notification will likely occur by December 15, 2017.

The successful candidate will contribute to the teaching of theory and practice of translation. Responsibilities will include participation in the courses offered by the Program in Translation and Intercultural Communication and the Program in Creative Writing and mentoring undergraduate student translators.

Candidates should be established translators into English with a project currently in progress that would benefit from the support offered by Princeton.  The person appointed will reside in or near Princeton for the duration of their appointment and will have office space on campus.

 Be advised that you will be contacted only if there is further interest in your application. The candidate dashboard will not display status updates for this requisition.

What are you waiting for? Apply today!

logo4

Princeton University is an Equal Opportunity/Affirmative Action Employer and all qualified applicants will receive consideration for employment without regard to age, race, color, religion, sex, sexual orientation, gender identity or expression, national origin, disability status, protected veteran status, or any other characteristic protected by law. EEO IS THE LAW.

This is a sponsored post. 

What’s New In Translation: October 2017

Looking for your next novel? Here are three of the most exciting new releases from around the world.

Every month, batches of books arrive fresh on the shelves of bookstores around the world. Our team has handpicked three exciting new reads to help you make up your minds on what to sink your teeth into, including novels from Italy, Brazil and Norway. 

Dust-MC

Dust by Adrian Bravi, translated from the Italian by Patience Haggin, Dalkey Archive Press.

Reviewed by Lara Norgaard, Editor-at-Large, Brazil.

“‘How long will I have to flail about, drowning in the world of the microscopic?’”

This is one of the many questions that the narrator, Anselmo, of Adrian Bravi’s novel Dust anxiously asks himself while coping with his total phobia of dust. The depth of his internal interrogation hinges on the word “microscopic”: Anselmo faces not the literal question of clean living, but instead the concept of infinite accumulation and infinite loss—of seconds and minutes, of words and ideas, of skin and hair and other shavings of the physical self.

To read Patience Haggin’s forthcoming English translation of Dust (Dalkey Archive Press, October 2017) is to slowly sink into an ocean of everyday minutiae. The book centers on Anselmo, a librarian living with his wife Elena in the fictional city of Catinari, Italy, and his daily routine of cataloguing books, obsessively dusting surfaces, and frequently writing letters that invariably never reach their destination.

What gives this novel its power is not the literal subject matter of the book, which often threatens to overtake the prose in its tedium, but instead the artful language that invites us to meditate conceptually on the simple life represented. Anselmo, at one point, compares his monotonous work cataloguing books to that of a “simple mortician sorting bodies for burial according to their profession”; at another moment, his wife Elena says that reading newly published books is akin to, “‘studying smoke your whole life when you’ve never seen fire.’” These metaphors broaden a seemingly narrow scope, bringing us closer to fully imagining humanity’s constant and immense decay.

READ MORE…

In Review: “The Impossible Fairy Tale” by Han Yujoo

Emma Holland reviews a disturbing, brilliant, "oddly riveting" novel from South Korea.

Han Yujoo’s debut novel is chilling and surreal, raising questions about deep-seated human violence, and the nature of art-making. A review by Asymptote Executive Assistant Emma Holland.

The Impossible Fairytale pulls readers into its disorienting and brutal world, spinning a dark narrative of the nameless Child and her classmates. Later the perspective shifts into a meta-narrative—questioning and twisting ideas concerning language and the restraints of the novel as a literary form. Korean author Han Yujoo’s debut novel, translated by Janet Hong, The Impossible Fairytale is a wildly gripping page-turner, and ultimately a powerful yet unsettling read.

Through the narrative, Han explores the notion that violence is an ingrained part of society. Speaking at the Free Word Centre in London on July 10 at an author discussion hosted by the UK publisher, Titled Axis Press, Han talked of how “from a young age we are exposed to violence, it becomes normalized, a part of our everyday life…eating away at our minds.”

READ MORE…

Translation Tuesday: “What No Longer Exists” by Krishna Monteiro

“Where is everyone?” They’re not here, I reply. They no longer exist, I proclaim.

Today’s Translation Tuesday feature is from Brazil. Adam Morris’s skillful translation brings out the haunting quality of the piece, a stunning meditation on life and the afterlife. 

“In the desert of Itabira
the shadow of my father
took me by the hand.”
—Carlos Drummond de Andrade

The first time I saw you since you died, you were in the living room, in front of my bookcase. The same immaculate beige overcoat as always, the firm press of your shoes crushing the surface of the carpet. You were reordering my books, removing volumes, violating pages, polluting my silence, my secrets. You were pulling from the shelves authors who had taken shelter there long ago, characters and dreams long since forgotten. Without realizing the distance between the two worlds that separated us, without considering that perhaps the cognac and cigarettes or the nightly fumes in which I indulged might be responsible for your return, I went down the stairs into the living room of the big house on Rua da Várzea where you and I and she (do you remember her?) had lived for so long. I ran down the stairs possessed, threw myself in front of you and addressed you with a courage that had never pulsed in me during the entire time you remained among the living.  READ MORE…

Weekly News Round Up, 9 September 2016: The Meanings of Words

This week's literary highlights from across the world

A very merry greeting to you, Asymptote readers. Today is Leo Tolstoy’s 188th birthday, so we’ll kick this Weekly News Round Up with the Read Russia translation prize shortlist. If you happen to be in Moscow on September 10th, why not go see the award ceremony?

Russia’s rich literary history is well-known, but did you know that the most translated short story in African history is from Kenya? It’s a fable about how humans learned to walk upright and it was written by Ngũgĩ wa Thiong’o.

Going to better-known literary histories, statisticians predict Japanese writer Haruki Murikami is most likely to win the Nobel Prize in Literature this year. They predict it’s more likely than Philip Roth, Ngugi Wa Thiong’o, and Joyce Carol Oats.  It’s great to see so many faces in world literature on the list. READ MORE…

Weekly News Round Up, 2 September 2016: Empty Pockets, Full Shelves

This week's literary highlights from across the world

Hello there, Asymptote readers! The weekend is upon us with its festivities and time to read all the things we meant to read during the week. Our Weekly News Round Up is a great way to catch up on what you missed: a starting point, if you will.

August was Women in Translation Month. It was a time to honor those who face different forms of sexism and hardship around the world simply for their sex. These women, despite these hardships, still go and do what speaks to them. In this case, it’s translation. Read this list of women translators from India, for example.

Ah India, a place where so many languages are spoken. And who gets to decide what is truly from or for a specific language? LitHub writer Gabrielle Bellot discusses this matter in her essay about who decides what is English and what is not. In it, she discusses Singlish, a Singaporean colloquial English, and compares it to her own Dominican roots.  READ MORE…

Weekly News Round Up, 26 August 2016: Firsts and Bests

This week's literary highlights from across the world

Friday is trickling in through the time zones of the world this morning, Asymptote readers. And trickling along with it is today’s Weekly News Round Up. We start this week with some self-reflection on self-translation in this essay by Ilan Stavans. Stavans is a polyglot who speaks English, Spanish, Yiddish, and Hebrew. In 2001, he published his memoir On Borrowed Words, which was supposed to cover the subject of self-translation. Since then, Stavans has more to say about it.

Self-reflection can lead people down paths of self-discovery, and critical thinking can do the same. However there are sources that spark critical thinking that leads to nothing, or perhaps, too much of something. This may be the case of the cryptic Voynich Manuscript, about to be released by a Spanish publisher. Apparently no living person can understand it. READ MORE…

Weekly News Round Up, 5 August 2016: -isms, Galore!

This week's literary highlights from across the world

What a week for world literature, am I right Asymptote readers? I have a lot of good news, but also sad news, for you this week. Legendary Bengali activist and writer Mahasweta Devi, who had an unmatchable empathy and understanding for the oppressed classes, passed away last week. Her publisher Naveen Kishore and translator Gayatri Spivak remember her. Art is a gift, and Devi gave us so many gifts.

While Devi cannot be replaced, there are so many up and coming writers all over the world that are starting to make their names in world literature. Literary prizes are now being announced. Longlists and shortlists galore, and winners too! The winners of this year’s Jewish Culture prize for literature are Haim Sabato and Sarah Friedland. Friedland is a poet and Sabato channels the Sephardic traditions of Torah.

READ MORE…

Weekly News Round Up, 22 July 2016: Literature for Social Change

This week’s literary highlights from across the world

What a week it has been in literature! Have you spent the best part of last week submerged in our new July 2016 issue?  If you haven’t, now might be a time to take a break, take a breath, and plunge into The Dive.

Also, July 28 is being celebrated as a Day of Creativity for Ashraf Fayadh, the Palestinian poet imprisoned in Saudi Arabia for writing that allegedly spreads atheism. Artists from around the world are using blogs, videos, social media, and other creative measures to support Fayadh.

READ MORE…

Translation Tuesday: An excerpt of “A Meal in Winter” by Hubert Mingarelli

"I was hungry, so terribly hungry. We had eaten yesterday evening, but yesterday seemed as long ago as last month."

One morning, in the dead of winter, three German soldiers are dispatched into the frozen Polish countryside. They have been charged by their commanders to track down and bring back for execution ‘one of them’—a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere.

*

The Pole did not reply. Bauer grunted louder: ‘What do you want?’

The Pole signalled—as if he were sorry, but not very sorry—that he didn’t understand.We believed him. But that didn’t alter the fact that he was facing up to us, in spite of his somewhat apologetic demeanour. He was leaning with one hip against the stove, calm and impassive, just as if he were at home.

Sitting on the bench, we looked up at him, and began to smile at the desire he had—we understood this now—to show us he was not afraid of us. Because we didn’t care if he was afraid of us or not. READ MORE…

Translation Tuesday: An excerpt of “Pierced by the Sun” by Laura Esquivel

"The white sheets she was ironing became a small movie screen on which images from that afternoon began to play out in front of her eyes."

From the award-winning author of Like Water for Chocolate comes a new tale of murder and redemption. For today’s Translation Tuesday showcase, we present the opening chapter of Laura Esquivel’s new novel, Pierced by the Sun, slated for release in bookstores on July 1.

***

She could spend long hours dedicated to this work and show no signs of fatigue. Ironing brought her peace. It was her favorite form of therapy and she turned to it daily, even after a long day of work. Lupita’s passion for ironing had been handed down to her by her mother, Doña Trini, who had washed and ironed other people’s clothes for a living her whole life. Lupita would invariably repeat the ritual learned from her sacrosanct mother, which began with the spraying of the garments. Modern-day steam irons do not require an article of clothing to be moist, but for Lupita there was no other way to iron. She considered it sacrilegious to skip this step.

That night when she got home, she immediately headed to the ironing board and began to spray the gar­ments. Her hands trembled like a hungover alcoholic’s, which made the spraying that much easier. It was impera­tive that she concentrate on something other than the murder of Licenciado Arturo Larreaga—the delegado of her district, Iztapalapa—which she had witnessed just a few hours earlier.

As soon as the clothes were properly sprayed she went into the bathroom and turned on the shower, giving the water time to warm up. She filled a bucket with a copious amount of detergent and placed it in the shower. Before she stepped in she opened a plastic bag and immediately recoiled from the stench of the urine-soaked pants that were inside. She submerged the pants in the bucket and started to wash herself. She scrubbed away the cloying smell of urine that had emanated from her body, but the shame that was embedded deep in her soul remained. READ MORE…

Translation Tuesday: “Well, then?” by Lutz Seiler

"He looked at the bird through the windshield and the bird looked at him in the car. He didn’t move."

When K. went home early in the morning and turned his car into the short, ice-coated driveway, he saw the bird. It was a blackbird. It was standing on one of the posts without moving. Its bird feet were sticking in a thin layer of snow, which made it look as if it didn’t have any feet and was just lying there, in the snow, motionless, like a disoriented tennis ball that has been knocked a long way out of bounds. READ MORE…

Translation Tuesday: An excerpt of “Life in the Court of Matane” by Eric Dupont

"The funny thing about memory is that it always ends up chasing its own tail. The most important thing is to keep it moving."

Nadia Comaneci’s gold-medal performance at the Olympic Games in Montreal is the starting point for a whole new generation. Eric Dupont watches the performance on TV, mesmerized. The son of a police officer (Henry VIII) and a professional cook—as he likes to remind us—he grows up in the depths of the Quebec countryside with a new address for almost every birthday and little but memories of his mother to hang on to. His parents have divorced, and the novel’s narrator relates his childhood, comparing it to a family gymnastics performance worthy of Nadia herself.

Life in the court of Matane is unforgiving, and we explore different facets of it (dreams of sovereignty, schoolyard bullying, imagined missions to Russia, poems by Baudelaire), each based around an encounter with a different animal, until the narrator befriends a great horned owl, summons up the courage to let go of the upper bar forever, and makes his glorious escape.

***

From the first lot we lived on, if you went down a big grassy hill and crossed the road you’d find us by the river. In the summer, the sand could become burning hot in the sun, despite the glacial currents that flowed down from Labrador. Reels of dried-up seaweed revealed how high the tides rose and stretched out in arcs from east to west. We found green sea urchin skeletons, blue shells, and pink tampon applicators. Sometimes we would step on a piece of glass polished by the salt. It would slide so smoothly between our fingers that we could barely imagine its sharp past. When we held it up to the sun it would look like part of a stained-glass window washed up on the beach at Matane. Coke and Pepsi bottles produced translucent shards of polished white. The green bits of glass came from 7UP bottles. Beer bottles splintered into small, dark amber pieces. On this strip of beach, the waves deposited at our feet the shattered stained-glass windows of a church sunk off the Matane coastline. My sister and I picked up the pieces without ever beginning the impossible task of putting them back together. We knew that they had once been part of a whole, but that an earthquake had probably separated them. The sea salt had made them smooth so that their edges no longer fit together. They had taken on a shape all their own. They could be traced back to a family only by their colour. A distant kinship. They had ended up where the Gulf of St. Lawrence melts into the northern blue sky, leaving ships arriving from the Atlantic in July dangling from an invisible thread. The horizon gives way to a blue void that draws the soul northward. The trip is pleasant enough. When you really let yourself go, you soar high above the gulf, the taiga, and the permafrost, until you reach the tundra, where on a sunny January day you can drift off into the light of the north. READ MORE…

In Conversation with Alfred MacAdam

"They are like magic formulas, and it’s not a good idea to tamper with magic."

Recently, Interview Features Editor Ryan Mihaly spoke via e-mail with Alfred MacAdam, translator of the likes of Fernando Pessoa and Surrealist filmmaker and novelist Alejandro Jodorowsky. For an excerpt from Jodorowsky’s Albina and the Dog-Men, check out this recent installment of Translation Tuesday. This interview is also available in the Asymptote Fortnightly Airmail. Subscribe here.

***

RM: What was it like translating Alejandro Jodorowsky’s Where the Bird Sings Best and Albina and the Dog-Men? Did Jodorowsky’s prose get under your skin? You are an experienced translator and are perhaps more immune to the novel’s effects, but I found Albina‘s dark mythology to be intoxicating. What was it like to translate that?

AM: First, let me say that when Ilan Stavans asked me if I might be interested in translating Jodorowsky, I was dumbfounded. To me he was the crazy filmmaker of the 1970s whose El topo or Fando and Lis knocked me and my friends silly. I had no idea he had metamorphosed into a novelist.

So when Ilan sent me Where the Bird Sings Best I was simply not prepared for what it was. First of all, the Jewish essence of the book, its tracing the circuitous route of Jews who end up in Spanish America, whose religion suffers innumerable modifications along the way, was, I thought, a subject whose time in Spanish American literature had long since come. By which I mean that in the U.S. we take our Jewish writers for granted, that the Bellows, the Malamuds, the Roths (both of them) are simply part of our culture. But where was the “great Jewish novel of the Spanish American world”?  READ MORE…