Posts filed under 'jaipur literature festival'

Weekly Dispatches from the Frontlines of World Literature

Today we delve into the literary goings-on in USA, UK and Singapore

New week, new happenings in the world of literature. President Trump continues to make headlines (read our Spring Issue for an exploration of literature in the Trump era). Madeline Jone, Editor-at-Large for USA reports how it has affected the publishing industry. Across the Atlantic, Cassie Lawrence, Executive Assistant at Asymptote, relays heartening news about women in publishing and the buzz of literary festivals in London this weekend. Chief Executive Assistant Theophilus Kwek reports how Singapore’s novelists are fighting back, and more.  

Editor-at-Large Madeline Jones gives us the round-up from USA:

US media narratives have been deluged with news of presidential catastrophes. No surprise, then, that this is reflecting in the publishing world, from book publishers struggling to understand how to talk about Trump to children, to books about the electoral process. With timing that seems ominous, in the light of the very popular TV adaptation of Margaret Atwood’s 1985 novel The Handmaid’s Tale, the book has edged its way between a Danielle Steel and a James Patterson on the New York Times Best Sellers list. Another notable that has been on the list is Shattered: Inside Hillary Clinton’s Doomed Campaign.

Speaking of which, the annual Book Expo America, popularly known as the BEA, is scheduled from May 31 to June 2, and Hillary Clinton is one of its top draws this year. A gathering of publishers, booksellers, agents, librarians, and authors in New York City, the Book Expo is the biggest event of its kind in North America.

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Monthly Update from the Asymptote Team

The first month of 2017 has been a big one for the folks here at Asymptote!

Poetry Editor Aditi Machado read with fellow poet Kea Wilson at Washington University in St Louis on 26 January. Her recent translation of Farid Tali’s Prosopopoeia was reviewed in Europe Now by Asymptote‘s Editor-at-Large for Iran, Poupeh Missaghi.

Spanish Social Media Manager Arthur Dixon launched Latin American Literature Today, a new bilingual journal affiliated to World Literature Today. He serves as Managing Editor and principal translator.

Contributing Editor (Chinese) Francis Li Zhuoxiong’s recent memoir looking back on his 20 illustrious years as a Chinese lyricist was announced as a top ten finalist for the nonfiction category by the organizers of the Taipei International Book Exhibition.

Assistant Managing Editor Lori Feathers is opening Interabang Books in Dallas, Texas. The independent bookstore is expected to open in May. In addition to being a co-owner, Lori will be the store’s book buyer. For more information about the store visit interabangbooks.com.

India Editor-at-Large Poorna Swami spoke at a panel on South Asian books in translation at Jaipur Bookmark, part of the Jaipur Literature Festival. On another panel, she and Assistant Managing Editor Janani Ganesan presented on Asymptote‘s Indian Languages Special Feature. The Indian online news publication The Wire ran a selection of poems from this Feature in a week-long series titled The Republic of Verse.

Social Media Manager Sohini Basak has received the inaugural Beverly Series manuscript prize. Her debut poetry collection We Live in the Newness of Small Differences will be published by Eyewear Publishing in early 2018. She has also received a Toto Funds the Arts award for her poetry.

Chief Executive Assistant Theophilus Kwek‘s latest chapbook, The First Five Storms, which won the 2016 New Poets’ Prize, was released this month by smith | doorstop press. His also launched ‘Words of Welcome’, a new fortnightly series dedicated to spotlighting the literary voices of refugees in Oxford and writers who work directly with them.

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Read More Dispatches from the Asymptote Team:

Weekly Dispatches from the Frontlines of World Literature

Your update from Taiwan, India, and Finland!

This week, put on your walking shoes so we can follow Vivian Szu-Chin Chih, Editor-at-Large for Taiwan, through Taipei, from an international book exhibition to a history museum. Then we’ll zip over to India to meet Assistant Managing Editor Janani Ganesan for discussions about literary translation and, wait for it—bull fighting. And finally in Finland, Assistant Blog Editor Hanna Heiskanen has some Finnish Publishing Industry gossip for us. Cheers! 

Editor-at-Large Vivian Szu-Chin Chih reports from Taiwan:

As the Chinese Lunar New Year ushered in the Year of the Rooster, as well as the Ding-You Year (丁酉年) in the Chinese Sexagenary cycle, readers in Taiwan have been anticipating the annual Taipei International Book Exhibition, which is kicking off on February 8 and will last till February 13. The international event for book-lovers will take place at the Taipei World Trade Center, only a few steps away from the landmark 101 building. Among this year’s featured sessions are a forum specifically dedicated to children’s books in Taiwan and a discussion concerning how local bookstores can be redefined and reshaped, featuring several Taiwanese and Japanese speakers and the founding chair of the Melbourne Writers Festival, Mark Rubbo. The eminent Chinese novelist and poet based in the U.S., Ha Jin, will also deliver two speeches, one on the art of humor writing in fiction, the other to announce his two latest books, “The Boat Rocker” (《折騰到底》) and a poetry collection, “Home on the Road” (《路上的家園》). The female poet and publisher from Paris, Anne-Laure Bondoux, will travel to the island to attend the book exhibition as well, giving several talks including a discussion with the Taiwanese novelist Nathalie Chang.

The 90-year-old Taiwanese poet Luo Men passed away this January in Taipei. His poems are rich in imagery, with an emphasis on the spiritual search of the human mind. The TSMC Literature Award will see its fourteenth iteration this year, presented by the Taiwan Semiconductor Manufacturing Company to encourage emerging young Sinophone writers in Taiwan and overseas. For 2017, all writers under the age of 40 composing in Chinese, traditional or simplified, are welcome to submit a piece of a novel. The deadline will be at the end of August. Since its establishment, the award has provided young Sinophone writers with a platform to debut their literary works. For example, the 2013 first-prize winner from Nanjing, Fei Ying’s novel, was published in Taiwan by INK this past week. One of the previous winners, Liou Dan-Chiou’s latest book on a couple surviving in the wild, is forthcoming, as well.

This year marks the seventieth anniversary of the 1947 228 Incident followed by one of the longest martial law periods in the world, imposed upon the island by the Kuomingtang government. To help the society further comprehend this historical trauma and to commemorate the victims of the incident, the National Museum of Taiwan History in Tainan is holding an exhibition and a series of talks on the event. The exhibition will last until late May.

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Dispatch from Diggi Palace: The Politics of International Publishing

But as the Dalit writers discuss their literature and politics, turbaned working class men serve rotis.

“Voice of Rajasthan,” exclaims Zee News, a right-wing national news channel and the official sponsor of the Jaipur Literature Festival (JLF), over and over again from big, bright roadside billboards. As I ride from the Jaipur airport to Diggi Palace, I am reminded of the commercial scale of this event. Formerly a royal palace, the venue now services a different kind of royalty as a heritage hotel and the site of the tenth JLF in the capital city of Rajasthan. Paradoxically, it is this corporate sponsor, which recently made headlines for telecasting fake news, that enables the participation of a panel of Rajasthani Dalit writers, among other lesser known writers such as Kashmiri poet Naseem Shafaie, Rajasthani writer and critic Geeta Samaur, and Odia translator Jatindra K Nayak. It also renders JLF the world’s largest free event of its kind, according to the official website. But as the Dalit writers discuss their literature and politics, turbaned working class men (Rajasthan is notorious for its discrimination against women) unaware of such a panel, serve rotis, providing the silk-clad speakers and delegates with an “authentic” and exotic Rajasthani-Indian experience. These servers aren’t invited to attend the panel on “Cultural Appropriation” either. I eat rotis off their tongs all five days. In a hurry to catch a beloved writer or a publisher “contact” at the lunch table and pushed by the impatient hungry guests, I don’t stop to ask what the turbaned roti-makers think of all this. I collude as well, to appropriate their stories and voices.

Jaipur BookMark (JBM) is a B2B event that focuses solely on translation. In this glitzy literature festival, translation finds a spot for the third-year running and Asymptote Editor-at-Large for India, Poorna Swami, and I, are at JBM to represent the journal. The B2B format asks that the speakers pay for their travel and accommodation, as opposed to the main JLF event. We camp with a generous family friend in the suburbs, but are still of a class that can afford flight tickets. Feminist publisher Urvashi Butalia of Zubaan Books would later rue this lack of funds in one of the panels, but not without asserting that some voices simply must be recorded and made available to the wider audience, even if it means waiting a long while before some of these books see the dingy light of a printing press.

Far from the madding crowd dressed in their winter festival best, right at the entrance to Diggi palace but unnoticeable, and covered by at least three security guards at all times, is the JBM venue. On a quaint terrace, it’s exclusive to invitees—translators, publishers, and writers. As one eager member of the audience fights to be let in, the Festival Producer Sanjoy Roy, who happens to be passing by, waves her in with a welcoming hand. The tame audience, hovering between ten and thirty, reveals that not many others have come upon such serendipitous generosity. The recurring few participate in enriching discussions over five days—on the politics of translation; the difficulty and the joy of it; and the omniscient complaint of abysmal funds and supporters, despite the obvious necessity for literary translations in an ever divided world.

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Dispatch from Jaipur Literature Festival

A look back on the "Woodstock, Live 8, and Ibiza" of world literature

The Jaipur Literature Festival, which just hosted its tenth edition, has been called “the Woodstock, Live 8 and Ibiza of world literature, with an ambience that can best be described as James Joyce meets Monsoon Wedding.” In 2013, over a quarter of a million footfalls were recorded, with 2014 promising even higher numbers. Travelling to the JLF this year (my third festival visit) from Kathmandu on a work-related trip, I attended days two, three and four. The full programme, over the course of five days, featured over 200 sessions in six venues. This year’s poor weather may have dampened things (quite literally) thanks to chilly thunderstorms throughout north-western India on day five and cold temperatures and fog on the other days—but the uncomfortably large crowds continued to congregate, turning the Diggi Palace grounds into something akin to Tokyo’s Shinjuku train station during rush hour.

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