Posts filed under 'earthquake'

Translation Tuesday: “Mirror” by Blagoja Ivanov

An earthquake is an indescribable event.

This Translation Tuesday, we present a short story from Macedonian author Blagoja Ivanov, about the niggling twists of fate in the wake of the earthquake that flattened Skopje in 1963. A young couple buy an antique mirror from a family about to leave for a holiday. The earthquake happens; the family’s apartment is leveled; miraculously, the mirror survives. The catastrophe is too enormous, too terrible for words, and it blurs accordingly in the memory, but its suddenness sharpens and sweetens the memories of the times before. We see the old Skopje in a hot summer, a city of “comfortable homes” and people with happy aspirations, heedless of the disaster.

“The summer of 1962 began with intense heatwaves. Everything was melting from the heat, acquiring a gray color, occasionally interspersed with the shades of dried grass. And yet,” says Martin, “for me and my wife, it was the start of a beautiful season. So, after a few years, in collaboration with a few friends, we built small houses at the foot of Gazi-baba, thus replacing the damp rented rooms with comfortable homes. After so many years since getting married, we still hadn’t had children, and today it seems funny that we were so unhappy wandering around the old neighborhoods of Skopje, searching for a more comfortable room, which, at a minimum, wouldn’t be in the basement and would have some sunlight. No matter how much our memory may have betrayed us, those difficulties are forgotten, just as we forget many unpleasant things from our youth.

“At first, we stayed at my parents’ place, not worrying about work, food, or clothing, but a person still feels constrained in such moments, struggling to reconcile their needs with those of the community they have lived in for so many years. It is, perhaps, the urge we know from birds — as soon as they hatch, they fly away from the nest. My wife and I were very happy in our new apartment,” says Martin. “Around the little house, there was a small garden or rather a place that still needed to be transformed into a garden. We were completely drained of money, two rooms remained empty, and the garden also required some funds, but the easy part was already ahead of us after we had passed the tricky part. We marveled at the view we had from the balcony — in front of us, below, the city extended towards the fortress Kale and the French cemeteries, while on the left, distant high-rise buildings showed us where the river Vardar was.

“When a person is young, there are so many trivial things that make life difficult. For example, arranging the apartment. We somehow arranged the few objects and furniture we had in the kitchen and two rooms, while the others remained empty. During the first winter, in one room, we pondered earnestly about what to do next. Ideas were born and multiplied. To be this way or that way. In any case, it would be best if it happened immediately. If not immediately, at least by tomorrow. Those conversations were, in fact, essentially wonderful. We constantly drew sketches of furniture pieces and rearranged parts of the apartment. We knew by heart all the measurements of the rooms, all the angles and uneven spots. Sometimes there would be disagreements between my wife and me, but they passed quickly. Nervousness and impatience would sometimes take hold, then pass like a spring breeze, with one side always giving in… which one? It doesn’t matter,” says Martin, smiling, as he takes a bite of the mezze and sips on the rakija.

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Weekly Dispatches from the Frontlines of World Literature

Your news from the literary world, all in one place.

Here we are again with literary updates from around the world. This week we bring you news on cultural responses to the earthquakes in Mexico and the latest on indigenous writers via Editors-At-Large for Mexico Paul Worley and Kelsey Woodburn. UK-based Executive Assistant Cassie Lawrence brings us up to speed on the latest from the UK, including recent prizes and publications. Finally, contributor Julia Chien and Editor-At-Large for Taiwan Vivian Szu-Chin Chih discuss the latest poetry and film initiatives in Taiwan.

Paul Worley and Kelsey Woodburn, Editors-At-Large, Mexico:

This week on Thursday, October 12, the 17th Annual Book Fair opened in México City’s Zócalo (main square downtown), and will run through October 22. As reported by Mexico’s Cultural Secretary, under the hashtag #CulturaSolidaria, the event will explore the role that the arts and culture play in rebuilding a city devastated by the September 19 earthquake that took over two hundred lives and left parts of the city in ruins.

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Weekly Dispatches from the Frontlines of World Literature

Your weekly roundup of global literary news and intrigue.

Ever get the feeling that even with all the news happening right now in the world, you’re still not getting enough? Well, that’s what we’re here for, keeping you covered with the latest in global literary news from our Editors-at-Large who are on the ground as we speak. This week we have reports about censorship and activism from Singapore and Mexico, as well as important news about festivals and prizes in the UK, and much, much more. 

Theophilus Kwek, Editor-at-Large, reporting from Singapore: 

The Singapore International Festival of the Arts (SIFA)―launched in 2014 to revive the Singapore Arts Festival, a landmark event in Southeast Asia’s arts calendar―drew to a close this week, concluding a month of theatre, film, music, and visual arts shows. These included a number of international partnerships such as Trojan Women, a Korean retelling of Homer’s epic directed by the SIFA’s founding festival director Ong Keng Sen; as well as Becoming Graphic, a collaboration between Australian theatre practitioner Edith Podesta and Eisner Award-winning graphic artist Sonny Liew, who previously had his funding withdrawn by the National Arts Council for his alternative political history of Singapore.

In a wide-ranging interview with The Guardian to mark his final year as festival director, Ong (who has previously spoken out against the censorship of SIFA’s programs by the government) lamented the “restrictive” attitudes of state funding agencies towards the arts, and said that he felt “drained by the fighting” of the past four years. His successor, fellow theatre practitioner Gaurav Kripalani―currently artistic director at the Singapore Repertory Theatre―struck a more conciliatory position earlier this year, saying that he would opt for increasingly “mainstream” programming.

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