Posts filed under 'dispatch'

Weekly Dispatches from the Frontlines of World Literature

The latest in literary news around the globe, all in one place.

If, like us, you can’t start the weekend without knowing what the literary world’s been up to this past week, we’ve got your back. We have dispatches from Central America, the United States and Indonesia with a real tasting board of talks, events and new publications. Wherever you’re based, we’re here to provide you with news that stays news. 

Editor-At-Large for Guatemala, José García, reports on events in Central America: 

Today Costa Rica’s book fair, the twentieth Feria del Libro 2017, kicked off in San José. During its nine days, CR’s fair will offer concerts, book readings, release events, and seminars. This year’s Feria will have the participation of writers like Juan Villoro (Mexico), Carlos Fonseca (Costa Rica), Pulitzer Prize for Poetry winner Rita Dove (United States), Horacio Castellanos Moya (El Salvador), and Mayra Santos-Febres (Puerto Rico), among others.

Some of the books to be presented or discussed during the fair are Larisa Quesada’s En Piel de Cuervos, Alfonso Chase’s Piélagos, Carlos Francisco Monge’s Nada de todo aquello, Isidora Chacón’s Yo Bruja, and Luis ChávesVamos a tocar el agua. Also, the renown Costa Rican writer Carlos Fonseca, famous for his first novel Coronel Lágrimas that was translated into English by Megan McDowell and published by Restless Books, will talk about his sophomore book, Museo Animal on September 2.

In Guatemala, the indie press Magna Terra continued the promotion of many of its titles released during this year’s Guatemalan Book Fair. On August 17 they officially presented Pablo Sigüenza Ramírez’s Ana es la luna y otros cuentos cotidianos. Also, they continue to push Pedro Pablo Palma’s Habana Hilton, about the most personal side of Ernesto ‘Che’ Guevara, during his time in Guatemala and his early years in Cuba.

Fellow Guatemalan indie press, Catafixia Editorial recently finished a local tour that included their participation in FILGUA, the international poetry festival of Quetzaltenango FIPQ, and a quick visit to Comalapa, for the presentation of Oyonïk, by the twenty-two-year-old poet, Julio Cúmez. Additionally, Catafixia is preparing for their participation in the IV Encuentro de Pensamiento y Creación Joven en las Américas in Habana Cuba next month. And recently they announced the inclusion of writer, poet, and guerrilla leader Mario Payeras to their already impressive roster; they have yet to share which of Mario’s books they will republish.

Finally, Guatemalan writer, Eduardo Halfon, has a new book coming out August 28 titled Duelo (Libros Asteroide).

READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The international literary news you won't find anywhere else.

It’s Friday and we’re back with the latest news from our Editors-at-Large, providing us with their personal roundups of the most exciting literary developments in their region. We kick off with Jessie Stoolman in Morocco, where there’s never a shortage of intriguing events and publications; Julia Sherwood in Slovakia takes us on a tour of the various cross-cultural literary encounters that have been occurring recently in the Czech Republic; and finally, Omar El Adl gives us some insight into the latest talks, discussions and publications that are taking place right now in Egypt. 

Jessie Stoolman, Editor-at-Large, reporting from Morocco: 

July was filled with literary events throughout Morocco, starting with a conversation between two Moroccan Prix Concourt winners, Leila Slimani and Tahar Ben Jelloun, at the Minzah Hotel, where they discussed “Comment écrire et publier un livre?” (“How to write and publish a book”) Another star Moroccan author (and painter), Mahi Benibine, whose novel Horses of God, inspired by the 2003 suicide attacks in Casablanca, was made into a critically-acclaimed film, presented his newest novel Le fou du roi at Librairie les insolites in Tangier.

Speaking of new publications from major Moroccan authors, Dar Toubkal’s newly released publication of the poet Mohammed Bennis’ الأعمال النثرية (Works of Prose) was just reviewed in Al-Hayat.

Still staying within the Tangier region, the Galerie Delacoix hosted artists, academics, and students for the الجسد الإجتماعي والمحيط الحضري (Espace urbain & corps social) program and internal working week. Among the participants was Moroccan-French artist and co-founder of the Cinémathèque du Tanger, Yto Berrada. Given continued action from the Al-Hoceima-based protest movement (حراك الريف), the geographer William Kurtz’s talk on “La Globalisation de la Région Tangier Al-Hoceima et son impact sur les inégalites sociales et spatiales” (“Globalization of the Tangier Al-Hoceima Region and its impact on social and spatial inequalities”) was particularly timely.

If that was not enough activity in Tangier, Librairie des Colonnes hosted Zahra Al-Khamleshi, who presented her most recent work, الحدود في شمال المغرب: آمال وآلام النساء الحمالات (Borders in Northern Morocco: Hope and Suffering of Women Porters) on the women who carry products between Ceuta (a Spanish enclave/colony in northern Morocco) and Morocco.

Moving further south, in Casablanca, Kabareh Cheikhats was back again. Their travelling show aims to shed light on the history of Cheikhats, who are often mischaracterized as exotic dancers. Historically, Cheikhats throughout the Maghreb were skilled poets, improvising verses on such controversial topics as resistance to colonization, which they sang and set to music at community gatherings.

Lastly, check out the “Lilipad” project, started by young Moroccan activist Sara Arsalane, which aims to collect books and distribute them to underserved schools throughout Morocco.

Julia Sherwood, Editor-at-Large, with all the latest news from the Czech Republic: 

On August 4, as we go to press, Czech poet and literary historian Petr Hruška and Georgian poet and musician Erekle Deisadze are reading from their works in the Ukrainian city of Lviv. Their performance brings to a close a 31-day long marathon tour of five cities, comprising Authors’ Reading Month (Měsíc autorského čtení or MAČ 2017), Central Europe’s largest literary festival. The readings, by two or more authors each day, are broadcast live and the recordings are available online. The festival’s founder Petr Minařík, whose publishing house Větrné mlýny is based in the Czech Republic’s second largest city Brno, has given a wide berth to capital cities, instead locating the festival in four other cities of similar size: Ostrava near the Polish border, Wrocław on the other side of the border in Poland, Košice in eastern Slovakia and, more recently, Lviv in Ukraine.

The guest country of this year’s festival, which kicked off in Brno on 1st July, is Georgia. This country in the Caucasus is fast becoming a trendy tourist destination, yet its literary riches are not all that well known in Central Europe. Thirty-one Georgian writers joined the tour, accompanied by acclaimed Czech authors, among them Ivan Klíma, Arnošt Goldflam, Ivan Binar, Marek Šindelka, Martin Reiner, Michal Viewegh and Jáchym Topol (whose 1995 novel Angel Station, just out from Dalkey Archive Press in Alex Zucker’s English translation, was reviewed by James Hopkin in last week’s Times Literary Supplement). A traditionally strong Slovak contingent was represented by poets Peter Repka and Ivan Štrpka, and fiction writers Balla, Monika Kompaníková, Ondrej Štefánik, Michal Havran, and Silvester Lavrík. Several Ukrainian and Polish writers and poets also took part in some of the readings.

One of the Polish festival participants, Zośka Papużanka, arrived in Brno fresh from another appearance, in Prague, with Czech writer Ivana Myšková. The two women read from their works at the (A)VOID Floating Gallery, a boat moored on the Vltava Riverbank, which serves as an art gallery and a venue for music, theatre and literary readings. Other writers reading there this summer include Ben Aaronovitch and Czech horror story writer Miloš Urban. The gallery provided a more than fitting venue for the launch of a bilingual Czech and English anthology, A Giant Barrel of Rotgut, that “celebrates the Vltava as a river of slain crocodiles, viziers and rotgut.” If that sounds intriguing, you can find out more in this interview with poet Sylva Fischerová on Radio Prague.

And, finally, emerging translators from the Czech (and Slovak) will be interested to hear that Underpass.co, an online journal for modern literature in translation, is seeking submissions specifically from these two languages. The journal aims to offer English-speaking readers a window into new countries, neighbourhoods, cultures, perspectives, and they are especially interested in stories with a strong sense of place.

Omar El Adl, Editor-at-Large, giving us the latest scoop from Egypt: 

Alia Mossallam presented a talk on August 3 in the Townhouse gallery in Downtown Cairo. The talk featured her text RAWI which deals with motherhood, writing, and revolutionary politics, according to Mada Masr. Mossallam has collected oral history testimonies in Nubia, Alexandria and Port Said, has been involved in alternative pedagogical structures in Cairo, and her dissertation focused on a popular history of Nasserist Egypt through stories and songs by people behind the 1952 revolution. The text was created as part of a long form essay workshop held in Cairo by 60pages, which describes itself as an international network of writers, artists, thinkers and scientists, based in Berlin. Other texts produced for 60pages include Arab Porn by Youssef Rakha (which will be published as a book featuring Rakha’s photography by Matthes and Seitz Berlin), Migrating the Feminine by Nora Amin and a forthcoming text by Amr Ezzat. The talk was held in Arabic, with a reading of the text in English.

Youssef Rakha is also to write a column as the central character from his Book of the Sultan’s Seal, Mustafa Çorbacı, according to his bimonthly newsletter. Rakha describes this development on his newsletter as follows:

“First, that mad newspaperman Mustafa Çorbacı has resolved to write a column. You may be familiar with Çorbacı from a certain, overrated Book of the Sultan’s Seal. In hopeless pursuit of the same meme, he has named his ephemeral effusions, “Postmuslim.” Raising vaguely relevant questions only to leave them grossly un-dealt with would not be untypical. But if mildly psychotic speculation on being in Cairo today holds some promise of amusement, do humour the unfortunate lunatic by reading and sharing his 400 words.”

According to Rakha, the column will appear printed in Al-Ahram Weekly as well as on this site every Friday starting from July 7.

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Section Editors’ Highlights: Summer 2017

From an essay investigating a literary hoax to new art responding to Trump's xenophobia, our editors share their favorites from the new issue!

Asymptote’s glorious Summer issue is chockablock with gems. Some of our section editors share their highlights:

“To assert that Tove Jansson’s invention of the Moomin world may be partially rooted in ancient lore is, for this writer, to fear performing an act of sacrilege,” confesses Stephanie Sauer in her essay on renowned Finnish author-artist, Tove Jansson. This confession is the crux of Sauer’s questionings. Journey with Sauer from the moment the Moomins were conceived, to its unlikely, subversive evolution. Hold tighter still as she dives into Jansson’s personal life, her questions of war, artistry, womanhood, and sexuality, and the fearless, unconventional course she cut through history.

—Ah-reum Han, Writers on Writers Editor

This issue features excerpts from two plays that deal with aspects of “disappearance” and surveillance. In Blanca Doménech’s The Sickness of Stone, translated from the Spanish by William Gregory, we take a look at a cold, dark world where random pieces of text read from discarded books become a kind of key to unlocking society’s ills or sickness. Gregory’s eloquent, tart translation finds the humor, bite and despair in this fascinating play.

In Hanit Guli’s Orshinatranslated from the Hebrew by Yaron Regev, a father must decide how he will disappear from his family’s life and what he will or will not tell them. An odd, compassionate family drama, Regev’s translation of Guli’s one-act is evocative and clear.

—Caridad Svich, Drama Editor

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Weekly Dispatches from the Frontlines of World Literature

No matter where you are, we've got you covered.

Since 2013 we’ve been bringing you the latest news in the literary world, and we’re not about to stop anytime soon! This week our Executive Assistant, Cassie Lawrence, showcases the latest exciting books being published and prizes being awarded in the UK; our new Editor-at-Large from Brazil, Lara Norgaard, focuses on racial and gender diversity in festivals across the country, as well as newly published work that had been previously lost; finally, our Editor-at-Large for Taiwan, Vivian Szu-Chin Chih, fills us in on the latest prizes as well as film festivals happening right now! 

Cassie Lawrence, Executive Assistant at Asymptote, reports from the UK: 

An unpublished manuscript from the late author Maurice Sendak (known for Where the Wild Things Are) has been discovered. The manuscript is complete with illustrations and is said to date from twenty years ago, according to Publishers Weekly. A publisher for the new title has not yet been announced.

June 20-23 saw twenty British writers and over fifty literature professionals from around the world gather in Norwich as part of the International Literature Showcase. An online platform that allows the showcasing and collaboration of international literature organisations, the live event included panel discussions and readings from Elif Shafak, Graeme Macrae Burnet, David Szalay, and more.

Good news for libraries finally! Following the cuts that have taken place across the country in recent years, The Bookseller brings news that 14 libraries across Lancashire are set to reopen later this year and early next year. These will be partly run by community groups, but with the majority still being run by the council.
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Weekly Dispatches from the Frontlines of World Literature

If you're wondering what's happening in the world of literature, you've come to the right place

This week brings us the latest, most exciting news from Austria, Taiwan and the United States. Contributor Flora Brandl gives us a taste of what Austria’s literary festivals have in store for us; Editor-at-Large Vivian Szu-Chin Chih shares the wonderful news about same-sex marriage in Taiwan and its connection with literature; Educational Arm Assistant Reverie Powell serves up some fantastic and diverse performances taking place in the United States. 

Contributor Flora Brandl reporting from Austria: 

In Salzburg, the city’s annual literature festival took place this May. Among its most renowned guests were the actor Bruno Ganz, who read excerpts from the deceased Swiss author Robert Walser, and the Salzburg-based, Georg Büchner Preis-winning author Walter Kappacher, who read some of his own unpublished fragments. Other authors featured in the five-day festival were Kirsten Fuchs, Nico Bleutge and Franz Schuh.

In Vienna, the multicultural and interdisciplinary art festival Wiener Festwochen is currently showcasing a number of performances, theatre productions, installations and exhibitions. With this year’s overarching theme of diversity, most works dedicate themselves to pertinent contemporary issues such as postcolonialism and global conflict. The play Während ich wartete (‘While I Was Waiting’, performed in Arabic with English subtitles), by the Syrian director Omar Abusaada and dramatist Mohammad Al Attar, portrays the story of a family as it comes to reflect larger military, political, cultural and generational conflict in Syria. The production has been touring Europe for a year, albeit with a heavily alternating cast: some actors had not yet completed their own asylum processes and were lacking the necessary papers to perform.

The 48-hour performance by Spanish artist Santiago Sierra was also showcased at the Wiener Festwochen. Bearing one of Sierra’s characteristically self-revealing titles, his performance The Names of those Killed in the Syrian Conflict, between 15th of March 2011 and 31st of December 2016 aims to attach individual identities to the many nameless war victims of those images that circulate in our media. Researched by a team of Brazilian academics, Sierra’s reading of names (accompanied by images projected to a wall) toured Tel Aviv, Vienna, London and Buenos Aires. The performance was accessible not only to a number of local spectators, but also to virtual audiences around the globe who were following it online, ensuring that the humanitarian toll taken on the Syrian population is neither overlooked nor forgotten.

Vivian Szu-Chin Chih, Editor-at-Large, reports from Taiwan:

May 24 marked a milestone in Taiwan: the Constitutional Court ruled that the constitution should serve to protect the rights for same-sex marriage. This unprecedented and long-awaited decision has made Taiwan the first Asian country to legalize same-sex marriage. Taiwan’s fight for the legalization of same-sex marriage has lasted for decades and has taken an arduous journey, one which has been reflected through the country’s literature. Last Words from Montmartre, a novel composed by the notable Taiwanese lesbian writer, Chiu Miao-Jin, who took her own life at the age of twenty-six, as well as Pai Hsien-Yung’s fiction depicting the condition of gays in Taipei in the 1960s, Crystal Boys, are again being widely reread and discussed.

From the last Saturday of May until early July, Prof. Li-Chuan Ou of the Department of Chinese Literature in National Taiwan University will be speaking about Chinese Tang poets and classical Chinese poetry at Kishu An. On June 17, the two Taiwanese doctors under forty will give a joint talk on how they have been striking a balance between their vocations and passion towards writing, together with the everyday realities they face in hospital that have been recorded through their writing. Kishu An will also host an exhibition and a series of related talks to pay tribute to the great Chinese writer, publisher, and translator, Ba Jin, starting from mid-June.

From mid-May to July, the winners of 2016 Taiwan Literature Award are touring around the island to share their experiences of writing. The themes of their speeches span from restoring Taiwanese history through historical novels, to aboriginal poetry about the natural landscapes of Taiwan to the world, to silencing and violence in theatre.

Reverie Powell, Educational Arm Assistant, reports from the United States:

Wordspace in conjunction with the South Dallas Cultural Center, presented poet, performer, and librettist, Douglas Kearney on May 25 in the third season of the reading series, African Diaspora: New Dialogues . Much like the Sankofa, a bird that simultaneously looks backward and forward, Kearney embeds the past, present, and future of African Americans into his work exploring themes important to African Americans such as the reality of being threatened and being ‘threatening’ as well as the historical pressure to ‘signify’ one’s identity. Kearney samples hip hop lyrics, rewrites the myth of Stagger Lee, who kills Bill Lyons for stomping on his sometimes magical, sometimes expensive hat, and sentences him to twelve Herakles-like labors.

Additionally, Dallas’s Mark David Noble is “listening to the arts community” with his new podcast, Wordwire, which broadcasts local performances and interviews giving listeners inside peeks at various authors’ creative processes from inception to delivery.

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Weekly Dispatches from the Frontlines of World Literature

The international literary news you won't find anywhere else.

It’s Friday and we’re back with the latest news from our Editors-at-Large, providing us with their personal roundups of the most exciting literary developments in their region. We kick off with Jessie Stoolman in Morocco, where there’s never a shortage of intriguing events and publications; Julia Sherwood in Slovakia takes us on a tour of the various cross-cultural literary encounters that have been occurring recently in the Czech Republic; and finally, Omar El Adl gives us some insight into the latest talks, discussions and publications that are taking place right now in Egypt. 

Jessie Stoolman, Editor-at-Large, reporting from Morocco: 

July was filled with literary events throughout Morocco, starting with a conversation between two Moroccan Prix Concourt winners, Leila Slimani and Tahar Ben Jelloun, at the Minzah Hotel, where they discussed “Comment écrire et publier un livre?” (“How to write and publish a book”) Another star Moroccan author (and painter), Mahi Benibine, whose novel Horses of God, inspired by the 2003 suicide attacks in Casablanca, was made into a critically-acclaimed film, presented his newest novel Le fou du roi at Librairie les insolites in Tangier.

Speaking of new publications from major Moroccan authors, Dar Toubkal’s newly released publication of the poet Mohammed Bennis’ الأعمال النثرية (Works of Prose) was just reviewed in Al-Hayat.

Still staying within the Tangier region, the Galerie Delacoix hosted artists, academics, and students for the الجسد الإجتماعي والمحيط الحضري (Espace urbain & corps social) program and internal working week. Among the participants was Moroccan-French artist and co-founder of the Cinémathèque du Tanger, Yto Berrada. Given continued action from the Al-Hoceima-based protest movement (حراك الريف), the geographer William Kurtz’s talk on “La Globalisation de la Région Tangier Al-Hoceima et son impact sur les inégalites sociales et spatiales” (“Globalization of the Tangier Al-Hoceima Region and its impact on social and spatial inequalities”) was particularly timely.

If that was not enough activity in Tangier, Librairie des Colonnes hosted Zahra Al-Khamleshi, who presented her most recent work, الحدود في شمال المغرب: آمال وآلام النساء الحمالات (Borders in Northern Morocco: Hope and Suffering of Women Porters) on the women who carry products between Ceuta (a Spanish enclave/colony in northern Morocco) and Morocco.

Moving further south, in Casablanca, Kabareh Cheikhats was back again. Their travelling show aims to shed light on the history of Cheikhats, who are often mischaracterized as exotic dancers. Historically, Cheikhats throughout the Maghreb were skilled poets, improvising verses on such controversial topics as resistance to colonization, which they sang and set to music at community gatherings.

Lastly, check out the “Lilipad” project, started by young Moroccan activist Sara Arsalane, which aims to collect books and distribute them to underserved schools throughout Morocco.

Julia Sherwood, Editor-at-Large, with all the latest news from the Czech Republic: 

On August 4, as we go to press, Czech poet and literary historian Petr Hruška and Georgian poet and musician Erekle Deisadze are reading from their works in the Ukrainian city of Lviv. Their performance brings to a close a 31-day long marathon tour of five cities, comprising Authors’ Reading Month (Měsíc autorského čtení or MAČ 2017), Central Europe’s largest literary festival. The readings, by two or more authors each day, are broadcast live and the recordings are available online. The festival’s founder Petr Minařík, whose publishing house Větrné mlýny is based in the Czech Republic’s second largest city Brno, has given a wide berth to capital cities, instead locating the festival in four other cities of similar size: Ostrava near the Polish border, Wrocław on the other side of the border in Poland, Košice in eastern Slovakia and, more recently, Lviv in Ukraine.

The guest country of this year’s festival, which kicked off in Brno on 1st July, is Georgia. This country in the Caucasus is fast becoming a trendy tourist destination, yet its literary riches are not all that well known in Central Europe. Thirty-one Georgian writers joined the tour, accompanied by acclaimed Czech authors, among them Ivan Klíma, Arnošt Goldflam, Ivan Binar, Marek Šindelka, Martin Reiner, Michal Viewegh and Jáchym Topol (whose 1995 novel Angel Station, just out from Dalkey Archive Press in Alex Zucker’s English translation, was reviewed by James Hopkin in last week’s Times Literary Supplement). A traditionally strong Slovak contingent was represented by poets Peter Repka and Ivan Štrpka, and fiction writers Balla, Monika Kompaníková, Ondrej Štefánik, Michal Havran, and Silvester Lavrík. Several Ukrainian and Polish writers and poets also took part in some of the readings.

One of the Polish festival participants, Zośka Papużanka, arrived in Brno fresh from another appearance, in Prague, with Czech writer Ivana Myšková. The two women read from their works at the (A)VOID Floating Gallery, a boat moored on the Vltava Riverbank, which serves as an art gallery and a venue for music, theatre and literary readings. Other writers reading there this summer include Ben Aaronovitch and Czech horror story writer Miloš Urban. The gallery provided a more than fitting venue for the launch of a bilingual Czech and English anthology, A Giant Barrel of Rotgut, that “celebrates the Vltava as a river of slain crocodiles, viziers and rotgut.” If that sounds intriguing, you can find out more in this interview with poet Sylva Fischerová on Radio Prague.

And, finally, emerging translators from the Czech (and Slovak) will be interested to hear that Underpass.co, an online journal for modern literature in translation, is seeking submissions specifically from these two languages. The journal aims to offer English-speaking readers a window into new countries, neighbourhoods, cultures, perspectives, and they are especially interested in stories with a strong sense of place.

Omar El Adl, Editor-at-Large, giving us the latest scoop from Egypt: 

Alia Mossallam presented a talk on August 3 in the Townhouse gallery in Downtown Cairo. The talk featured her text RAWI which deals with motherhood, writing, and revolutionary politics, according to Mada Masr. Mossallam has collected oral history testimonies in Nubia, Alexandria and Port Said, has been involved in alternative pedagogical structures in Cairo, and her dissertation focused on a popular history of Nasserist Egypt through stories and songs by people behind the 1952 revolution. The text was created as part of a long form essay workshop held in Cairo by 60pages, which describes itself as an international network of writers, artists, thinkers and scientists, based in Berlin. Other texts produced for 60pages include Arab Porn by Youssef Rakha (which will be published as a book featuring Rakha’s photography by Matthes and Seitz Berlin), Migrating the Feminine by Nora Amin and a forthcoming text by Amr Ezzat. The talk was held in Arabic, with a reading of the text in English.

Youssef Rakha is also to write a column as the central character from his Book of the Sultan’s Seal, Mustafa Çorbacı, according to his bimonthly newsletter. Rakha describes this development on his newsletter as follows:

“First, that mad newspaperman Mustafa Çorbacı has resolved to write a column. You may be familiar with Çorbacı from a certain, overrated Book of the Sultan’s Seal. In hopeless pursuit of the same meme, he has named his ephemeral effusions, “Postmuslim.” Raising vaguely relevant questions only to leave them grossly un-dealt with would not be untypical. But if mildly psychotic speculation on being in Cairo today holds some promise of amusement, do humour the unfortunate lunatic by reading and sharing his 400 words.”

According to Rakha, the column will appear printed in Al-Ahram Weekly as well as on this site every Friday starting from July 7.

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Dispatch from Translation Day at Oxford University

There is more wisdom in a poem than a poet herself possesses. Though necessarily incomplete, translation captures some of that expansive heritage.

‘I live half an hour away from Gaza. Two years ago, when we began work, we were at war.’

It’s an overcast day, and soft light floods into the room, filled with students, writers, academics, and publishers. I count translators from at least four languages, but these are only the regular faces I know. Many others have come into Oxford especially for the day, drawn by a rich programme of talks, readings, and workshops. Up front, the Israeli poet Agi Mishol is telling us how she and her translator, Joanna Chen, started collaborating on their recent volume of Mishol’s verse, Less Like A Dove.

‘We were hard at work on a poem when it came. The siren caught us with dictionaries open, and there was nothing we could do. We found ourselves laughing and panicking in the same language.’

Chen, like Mishol, speaks with a poet’s careful precision, and laughs and nods at the memory. They are joined, on the panel, by Adriana Jacobs from the Oxford Centre for Hebrew and Jewish Studies, and open the session by reading some of the earliest poems Chen translated for the book. The poems are about place and displacement, and their voices, in Hebrew and English, rise and fall in turn. Call and response: a present-day liturgy of sorts.

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Variations on a Theme: Carolina Schutti & Joanna Walsh on Poetic Prose

"Poets have long been questioning the usefulness/uselessness of the label 'prose poem.'"

When I was invited to create a miniseries of semi-regular author events as translator in residence at the Austrian Cultural Forum London, I wanted to make sure that the Austrian author would always be in dialogue with a British counterpart about something they have in common in their writing. My motivation is to juggle the foreignness and uniqueness of German-language literature with where it meets and overlaps with literature written in English in order to show that writing comes from a specific linguistic, cultural and literary context, but one that connects and communicates with others. As journalist Judith Vonberg summed it up in her review of the event for Literaturhaus Europa: “it’s a simple but unconventional idea. Instead of highlighting the differences between British literature and literature made on the continent, the starting point is similarity, which opens up far more interesting discussions.”

The first of these events brought Austrian writer and musician Carolina Schutti and author and illustrator Joanna Walsh together to discuss poetic prose and how poetry permeates their writing in terms of language, effect and form with me in the ACF London’s Salon back in February. As a writer of both poetry and short fiction, I’m interested in why sometimes one form does and then other times won’t do at all, and why it sometimes happens that I can read the poetry and prose of others interchangeably as if in the other form. What are the markers and where is the boundary? READ MORE…

Notes from the 2016 London Book Fair

"There is something unavoidably, well, icky, about book fairs: it is the necessary monetization, and inevitable corporatization, of art."

If we took Lemony Snicket creator Daniel Handler’s cautionary advice at face value—“Never trust anyone who has not brought a book with them”—then, at the least, we should not fear the Book Fair as a den of thieves and our attendance an exercise in tiptoeing above and around winking blades.

Quite the opposite: we are among the international literati of the first order, and we are free to ecstatically smile and sniff the books and promotional materials—like an American woman visiting a French perfume shop. On opening day, Guardian columnist and high-flying London salonnière Damian Barr dispensed more practical guidance particular to British connoisseurship. “#LBF16 have a great fair everyone! Remember to sneak out for gin/fags/sunshine,” he tweeted. READ MORE…

Tour de Farce: Julian Gough in Vienna

"'Uh, it kind of doesn't matter what it does. Everyone will want one. Look at it.' They looked at it. It was beautiful.”

Julian Gough’s four-day visit to Vienna started on November 12th, with a reading at Lane & Merriman’s Irish Pub. The Pub features pictures of Samuel Beckett and pint glasses with Oscar Wilde on them, as well as the latter’s appropriate quotation for such an establishment: “Everything in moderation, including moderation” on the wall. The Pub also provided the perfect setting for a lively reading and a long and engaging Q & A session that touched on a number of important current issues—ra(n)ging from 21st century technology to the pros and cons of a return to a gift economy.

The reading was co-hosted by write:now, the Association of English-Language Writers in Austria, the Irish Embassy in Vienna and the English Department at the University of Vienna, each of whom managed to blackmail bring a fair amount of people to the event—the room was packed and the “antici… pation” was palpable. After I had introduced Julian, he took the imaginary stage. READ MORE…

When an Author You Translate Gets Death Threats

On a visit to Krakow last week, Nobel laureate Svetlana Alexievich spoke out in support of Tokarczuk, whom she called a “magnificent writer."

Acclaimed Polish writer Olga Tokarczuk (pictured) has received a steady stream of hate mail and even death threats after questioning her country’s view of itself as “an open, tolerant country.” As one person put it in a post to Tokarczuk’s Facebook page, “The only justice for these lies is death. Traitor.” Many agree that Tokarczuk’s “betrayal” must be punished; milder comments call for her expulsion from Poland. On a visit to Kraków last week, Nobel laureate Svetlana Alexievich spoke out in support of Tokarczuk, whom she called a “magnificent writer,” saying, “Some people would happily kick me out of Belarus in just the same way others are now calling for Tokarczuk to be removed from Poland.” While others have also expressed their solidarity with the author, the widespread outrage at Tokarczuk’s remarks has yet to subside.

The remarks in question are taken from a television interview Tokarczuk gave shortly after receiving Poland’s highest literary honor, the Nike, on October 4. She was awarded the Nike for her latest book, Księgi Jakubowe (The Books of Jacob), a monumental novel that delves into the life and times of controversial historical figure Jacob Frank, leader of a heretical Jewish splinter group that ranged the Habsburg and Ottoman Empires and the Polish-Lithuanian Commonwealth seeking basic safety as well as transcendence. Tokarczuk’s twelfth book, considered by many critics to be her masterpiece, The Books of Jacob is also a suspenseful and entertaining novel that remained a national bestseller for months after its November 2014 release.

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Translating the Literatures of Smaller European Nations

Translators and scholars discuss stereotyping, globalization, and small sales in English-language literary markets.

Last September, three British universities—Bristol, Cardiff and UCL London—launched a two-year-long project on “Translating the Literatures of Smaller European Nations” in partnership with Literature Across Frontiers. The purpose was to “understand better the ways in which, through translation, these literatures endeavour to reach the cultural mainstream.” In addition to scholarly research, the project involves three public workshops and a conference.

The first of these workshops, held in February 2015 in Bath, explored the question of “Who Reads the Literatures of Small Nations and Why?”.  I had the pleasure of attending the second workshop, “Choreography of Translation,” which took place at the British Library in London as part of the European Literature Night in April 2015 (a third and final workshop, on promoting literature in translation, is planned for early 2016). Featuring publishers Vladislav Bajac of Geopoetika in Belgrade, Susan Curtis-Kojakovic, founder of Istros Books, translator (and Asymptote Close Approximations nonfiction judge!) Margaret Jull Costa, and Nicole Witt of the Frankfurt Literary Agency Mertin, the BL event ended up being more panel discussion than workshop, partly because the venue was not particularly conducive to the workshop format.

By contrast, a conference at Bristol University on September 9-10 provided many opportunities for lively discussions. The participants were a perfect mix of literature and translation studies scholars and practising translators from across Europe, covering a range of smaller European literatures from Catalan to Turkish. I’ll try to highlight some of the major issues covered, divided into often overlapping categories.

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The Afrofuture, for the Time/Being: Mat Randol

"The afronaut tells the disjunctive story of the history of the world, and says it with his own words (read: establishes the new lingual order)."

Mat Randol has a stylist. Her name is Miá—she’s nice, and so is Mat’s agent, Mulu. Mat Randol has an entire crew. I stress this point if only to try to convey my extreme surprise at finding out that I had unwittingly commissioned Mat’s first-ever live performance.

I met Mat on the Internet. He was part of a future-soul scene in Portland, along with formidable rappers like Grape God and Ripley Snell. In fact, these three musicians (Mat, Grape, and Rip) went on to become the Portland faction of a collective I started called The Spacesuits, an international network of musicians putting on otherworldly performances. READ MORE…

KROKODIL Literary Festival: A Dispatch

"Every year in mid-June, in front of the Yugoslav Museum in Belgrade, a strange sect gathers: made up of friends whose names you don’t know."

When organizing an open-air festival, it is easy to realize how religions first came into being: man gazed into the sky and yearned for weather to save the harvest. For seven years now, we—the organization team of the Krokodil festival—have been just-as-obsessively peering at the sky and weather forecasts, always clutching to the one that predicts the worst possible weather. Finally, on the opening day, we phone the Hydrometeorology Institute every two hours. We’re on a first-name basis with its employees.

The festival takes place in the open-air amphitheater in front of the Museum of Yugoslav History, which makes for great atmosphere and an exceptionally high turnout. Krokodil (an acronym loosely translatable as “regional literary gathering which does away with boredom and lethargy”) is conceived as a reading festival and a festival of contemporary literature. More than 120 authors, from over fifteen European countries, have participated thus far.

This year’s theme was “Centers of Periphery.” We aimed to examine the relation between the “center” and the “margin” in literature, as well as in society and politics, exploring the geographical aspects of banishment from the mainstream. READ MORE…