Posts filed under 'Colombia'

Weekly Dispatches from the Frontlines of World Literature

A trip around the literary world, from USA to Latin America to the Czech Republic.

The weekend is upon us—here’s a detailed look at the week that was by our editors-at-large. In the United States, Madeline Jones reports directly from the trenches of the Book Expo in New York City. A gathering of publishers, booksellers, agents, librarians, and authors, the event is the largest of its kind in North America. We also have Sarah Moses filling us in with tidings from Colombia and Argentina, and updates on the Bogotá39, a group of thirty-nine Latin American writers considered to be the finest of their generation. Finally, Julia Sherwood brings us some hot off the press literary news from the Czech Republic. Settle in and get reading.

Madeline Jones, Editor-at-Large, reports from the United States:

Last week in New York City, Book Expo (formerly Book Expo America) set up shop at the famously-disliked Javits Center on western edge of Midtown Manhattan. Publishers, literary agencies, scouts, booksellers, and readers gathered for discussions about the future of publishing, meetings about foreign rights deals, publicity and media “speed-dating” sessions, and more. Authors and editors spoke about their latest books for audiences of industry insiders, and lines trailed from various publisher booths for galley signings.

Though the floor was noticeably quieter than previous years, and certainly nothing compared to the busy hub of foreign rights negotiations that the London and Frankfurt book fairs are, Asymptote readers will be pleased to hear that multiple panel discussions and presentations were dedicated to foreign publishers, the viability of selling translations in the U.S., and indie books (which more often tend to be translations than major trade publishers’ books). READ MORE…

Theatres of Conflict: A Conversation with Susannah Tresilian of Project ARIADNE

"Because we all learn from role models, and these are women who are worth following and learning from and who are eager to pass that on."

Project ARIADNE is a revolutionary global arts movement promoting woman-led theatre in current and former zones of conflict. Their mission is to provide a stage to women across the world making theatre either because of the wars they have lived through, or in spite of them.

Susannah Tresilian is a founding member of the project and its current Artistic Director, collaborating with theatre-makers around the world, including Hope Azeda (Rwanda), Dijana Milosevic (Serbia), Frédérique Lecomte (Burundi), Iman Aoun (Palestine), Patricia Ariza (Colombia) and Ruwanthie de Chickera (Sri Lanka).

Her corpus of work focuses predominantly on the promotion of gender equity within international theatre. Recently, her work has seen her collaborating with the Belarus Free Theatre in London and Minsk on Soul Power: The Opera. The Belarus Free Theatre is an underground theatre troupe banned in their home country by the presiding Lukashenko regime, often described as the last dictatorship in Europe. The artistic directors of the group are currently in political exile in London, and are residents of the Young Vic Theatre. The Arts Council offers a bursary for actors and theatre-makers to travel to Minsk and work with the troupe in lieu of their exiled members. Tresillian is covertly working with them, enabling other actors and theatre-makers such as Jude Law, Michael Attenborough, and Sam West to make the journey.

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