Place: Yemen

On The Revolutionary is a Hermaphrodite by Yemeni Novelist Mohammed “Al-Gharby” Amran Followed by an Interview with the Author

There is only one voice and it is the voice of violence.

The Yemeni literary scene is replete with examples of fiction that accompany the tragic events Yemen is going through, principally the war, on the one hand, and on the other the desire for social and political change. This phenomenon is clear in many Yemeni fictional works, including novels by Wejdi Al-Ahdal and Nadia Al-Kawkabani, as well as the short stories of Huda Al-Attas, Arwa ‘Abd Uthman, Saleh Ba Amer, and others. Mohammed Al-Gharby Amran in particular is among those who have touched the heart of real life in Yemen, and whose voice has reached the wider Arabic nation.

Mohammed Al-Gharby Amran’s most recent novel, The Revolutionary is a Hermaphrodite, was published by Dar As-Saqi in 2014. Prior to that, he had written two significant works, The Red Quran, published by Dar Riyadh Arreyis in 2010, and Yael or Yael’s Darkness.The former produced strong reactions, especially in Yemen, where the book was banned because of its bold ideas, and the latter received the Tayyeb Saleh Award in 2012. He has also written short story collections, including Bed Sheets[1] (1997), published in Damascus by The Union of Arab Authors, and Black Minaret, published in 2004 by The Union of Yemeni Authors and Writers.

READ MORE…

Huda al-Attas: A Writer Who Speaks for the Women of Yemen

In her stories, Al-Attas documents Arab women’s lives in general and Yemeni women’s lives in particular.

This essay is the first of a series of three which will highlight three women writers from Yemen, Sudan, and Saudi Arabia who never before have been translated into English. The series was catalyzed by Asymptote’s call this past winter for a Special Feature for the Spring Issue dedicated to literature from the countries covered by Trump’s travel ban on certain predominantly Muslim countries. One of Asymptote’s core goals is to provide a platform for work from regions generally underrepresented in translation. Yemen, Sudan, and Saudi Arabia have long been marginalized in the realm of translations from Arabic to English. The contributors have chosen to focus on women writers because they tend to face greater hardships in getting published, particularly in Saudi Arabia.

Yemeni writer and journalist Huda al-Attas, born in 1971, is a pioneer of women’s short-story writing in Yemen and other Arab countries. Al-Attas has been writing for more than two decades. She was born in Hudarmut, in southern Yemen, and was raised in Aden with her brothers by her mother. Her family members are her biggest fans and greatest supporters. As a journalist, she is a regular Yemeni newspaper columnist. Her short stories have been published in Yemen and all over the Arab world.

Al-Attas has a broad fan base, consisting of not only conservative middle-aged literary readers but also a new generation of young, liberal readers. Contrary to stereotypes about the Arab world, Yemeni culture has been hospitable to writers, male and female alike. Interestingly, Al-Attas’s Yemeni audience can be divided into two parts: a liberal, secular audience that desires progressive change and a conservative audience that does not believe in women’s rights and even goes so far as to believe that a woman could not be the author of such daring work.

Well regarded by writers around the Arab world, Al-Attas is known as a liberal advocate of human rights and equality between people. She was well known before the Arab Spring as a bold writer who shed light on religious, social, sexual, and political taboos in a conservative society that shackles both men’s and women’s rights and prevent progress. Her personal bearing is as daring as her literary work: for example, pictures of her not wearing a scarf (a breaking of taboo in her culture) appear frequently in newspapers. She has received awards from many different Arab countries, such as Yemen and UAE. Her collections of short stories include Obsessed Spirit…Obsessed Body (hājisrūḥwahājisjasad, 1995), Because She (li’annaha, 2001), and Lightning Training to Be Light (bariqyatadarrabalada’, 2003). Her work has been translated into many languages. Topics that she addresses include incest, patriarchal ownership of women’s bodies, child brides, child begging, child labor, and khat addiction, to name a few. She explores these topics through innovative literary techniques that are as liberating as her subject matter.

READ MORE…

Announcing Our Call for Literature from Banned Countries

Spread the word!

Thanks to the 77 backers of our Indiegogo campaign who’ve contributed $12,736 so far, there’s already enough for us to launch a call for a Feature on Literature from Banned Countries. As new work from these affected countries will have to be specially commissioned as well as promoted, we will be directly constrained by what we manage to raise. If you’d like to see a huuge showcase to answer Trump’s new travel ban, due to be released any day now, please pitch in with a donation of whatever amount you can afford or help us spread the word about our fundraiser!

Here is the official call, taken from our submissions page:

Asymptote seeks hitherto unpublished literary fiction, literary nonfiction and poetry from the seven countries on Trump’s banned list (i.e. from authors who identify as being from Iran, Iraq, Libya, Somalia, Sudan, Syria, and Yemen) that have been created in response to Trump’s travel ban, or can be interpreted as such. If selected for publication, the work will run either in our Translation Tuesday showcase at The Guardian or in our Spring 2017 quarterly edition (or both). Submissions of original English-language work will only be considered for publication in our Spring 2017 edition. For works in English translation, the decision as to where the work will be placed rests entirely at the discretion of our editor-in-chief, who curates Translation Tuesdays at The Guardian and who will be assembling this Special Feature.

While other guidelines from our submissions page apply, contributors to this Feature only will be paid at least USD200 per article.

To make sure that the articles from this Feature are circulated widely, we will leverage on our eight social media platforms in three languages, and, depending on whether our crowdfunding campaign meets its target, paid ads in high-profile media outlets to promote them for maximum impact.

Submissions can be sent directly to editors@asymptotejournal.com with the subject header: SUBMISSION: BANNEDLIT (Country/Language/Genre). Queries, which can be directed to the same email address, should carry the subject header: QUERY: BANNEDLIT

Deadline: 15 Mar 2017 

Our Fundraiser Is Now Live!

Help us bring you literature from the seven countries Trump intends to ban!

Johnny Depp was reported to have spent three million dollars firing Hunter S. Thompson’s ashes out of a canon; our endeavour is modest by comparison: we are aiming to raise at least $30,000 for an urgent showcase of marginalised voices to happen both in our Spring 2017 edition and at The Guardian (here’s an example of what you can look forward to). 20% of all proceeds will be donated directly to ACLU or Refugees Welcome. The more we raise the more we can do: e.g. a printed anthology of the work, a large-scale free event featuring these authors.

8books2

But wait, there’s more: support our campaign and you’ll receive specially autographed books by Junot Díaz, Yann Martel and George Szirtes, among others! Apart from the wide selection of books below, we’ll also give away, among our wide range of Asymptote memorabilia, a newly designed AsympTOTE—featuring artwork by the guest artist of our current issue, Dianna Xu. If you’re a loyal Asymptote supporter, you’ll certainly want to add this AsympTOTE to your collection. Don’t wait—donate to our fundraiser today!

newgeorge