Place: Sweden

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Slovakia, Hungary, and the Nordic countries.

Friday is once again upon us, dear Asymptoters! This time, our report brings you the latest literature in translation news from Europe. Editor-at-Large for Slovakia Julia Sherwood has been at the Central European Forum conference and Blog Editor Hanna Heiskanen attended the Helsinki Book Fair, while Zsofia Paulikovics has an update from Hungary. Enjoy the ride!

Editor-at-Large for Slovakia Julia Sherwood has these stories from Slovakia:

On 20 October, the emerging writer Dominika Madro’s story Svätyňa [Sanctuary] won the annual short story contest Poviedka 2016. Now in its twentieth year, the competition is run by the publisher Koloman Kertész Bagala and all submissions are anonymous. This year’s runner-up was the story Šváby [Cockroaches] by novelist and Elena Ferrante’s Slovak translator and Asymptote contributor Ivana Dobrakovová.

A survey of reading habits, commissioned by the Slovak Publishers’ and Booksellers’ Association, has recently published very depressing findings: 72 percent of the public don’t buy a single book in any year; 40 percent read books only once a month and 28 percent don’t read at all. Nevertheless, judging by the crowds attending a huge variety of literary events taking place across the capital, Bratislava, over the past month, the picture isn’t perhaps quite as bleak as these figures suggest.

Slovak-Swiss writer and journalist Irena Brežná, Polish novelist Grażyna Plebanek, and recent Neustadt Prize winner Dubravka Ugrešić sought antidotes for despair as part of Bratislava’s annual Central European Forum conference from 11 to 13 November (video recordings here); Dubravka Ugrešić also read from her book of essays, Europe in Sepia, which will be published soon in a Slovak translation by Tomáš Čelovský. Parallel with the conference, some 200 publishers displayed their recent publications at the Bibliotéka Book Fair, held in the somewhat drab Incheba exhibition halls and vying for space with a “World of Minerals” exhibition. At the Centre for the Information of Literature stand two young authors, Peter Balko and Peter Prokopec, along with graphic designer David Koronczi, introduced their new “anti-logy” of Slovak writing. Aimed at schools but very far from being a stuffy textbook, Literatúra bodka sk (Literature.dot.sk) aims to show that contemporary authors inhabit the same world and share the same sensibilities as young readers, and includes samples of fiction and non-fiction as well as a graphic novel, Rudo, by Daniel Majling. Rudo started life as a Facebook cartoon strip and has now been issued in book form by Czech publisher Labyrint (in a Czech translation!).

slovakiaimage_rudo_obalka

On the other side of the Danube, housed inside the Slovak National Gallery and overlooking the river, Café Berlinka is fast establishing itself as a vibrant literary venue, in association with the adjoining Ex Libris bookshop. Since September 2016, the café has been hosting Literárny kvocient [Literature quotient], a series of debates featuring leading literature scholars and critics.  Of the many book launches that took place over the past few weeks, the liveliest must have been the feminist press Aspekt’s presentation of a selection of poems by Hungarian activist poet Virág Erdős, Moja vina [My Fault].  The book was translated into Slovak by Eva Andrejčáková (a past Asymptote blog contributor) in cooperation with poet Vlado Janček, who read some of the hilariously outrageous poems to his own guitar accompaniment (you can watch Virág Erdős perform “Van egy ország”/ “There is a Country” in Hungarian with the band Rájátszás here). READ MORE…

What’s New in Translation? November 2016

Asymptote reviews some of the best new books from French, Swedish, and German.

cabo-de-gata

Cabo de Gata, by Eugen Ruge, tr. Anthea Bell, Graywolf Press

Review: Sam Carter, Assistant Managing Editor, US

First published in German in 2013—when his In Times of Fading Light appeared in EnglishEugen Ruge’s Cabo de Gata, out this month from Graywolf Press, might strike a familiar note for readers who have witnessed a surge in autobiographically-inflected works that frequently take the production of fiction as a subject worthy of novelistic exploration. Hailing from both the Anglophone world and beyond, such novels record the process of their creation or the struggles to even begin them, and Ruge quickly aligns himself with this approach in his tale of a writer’s attempt to get away from it all in the hope of figuring something out. “I made up this story so that I could tell it the way it was,” declares the dedication to this slender volume, and a more precise formulation arrives soon after as the narrator recalls a period in which “I was testing everything that I did or that happened to me at the same moment, or the next moment, or the moment after that, for its suitability as a subject … as I was living my life, I was beginning to describe it for the sake of experiment.”

While in Cabo de Gata, a small town on the Andalusian coast, the narrator quickly settles into routines designed to simultaneously distract him from blank pages and provide him with some inspiration to fill them. The local fishermen, whom the narrator visits on his daily stroll, can empathize with such difficulties: ¡Mucho trabajo, poco pescado! A lot of work for only a little fish—it’s a piscatory philosophy that applies just as well to the writing life. Ruge, however, proves to be an exceptionally gifted angler as he reels in catch after catch in what would seem to be difficult waters, namely a single man’s short trip to this seaside village.

Serving as a metronome marking out the rhythm of memories that constitute the novel, a refrain of “I remember” begins many of the paragraphs that have been expertly rendered by translator Anthea Bell. Far from repetitive or reductive, such a strategy instead seems somehow expansive, particularly when we are reminded that, “fundamentally memory reinvents all memories.” Both the vagaries and the vagueness of memories—“I remember all that only vaguely, however, like a film without a soundtrack,” remarks the narrator in a line that will be hard to forget—serve as the subjects of reflection that find their counterpart in the rhythms of the sea and the surrounding Spanish countryside.

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Weekly Dispatches from the Frontlines of World Literature

This week's literary news from the Nordic countries, the UK and Israel.

The week is nearly over, which not only means it’s the weekend but also that it’s time for our literary catch-up! For this edition, Blog Editor Hanna Heiskanen shares updates on the upcoming awards season, among other news from Scandinavia. Editor-at-Large Julia Sherwood then reports on literary happenings from the UK. Rounding it all up is our correspondent for Israel, Alma Beck, currently residing in New Orleans, where she teaches philosophy for children.

Obligatory reminder: After you’ve caught up with all the news, head over to our just-launched Fall 2016 issue here!

First up, Blog Editor Hanna Heiskanen has the latest from the Nordic countries:

Lars Huldén, the Swedish-speaking Finn poet, has passed away at the age of 90. Born in Pietarsaari, Finland, Huldén was a much loved and highly regarded writer, scholar, translator, and recipient of the Swedish Academy Nordic Prize in 2000. He grew up among a tradition of oral storytelling in the local Swedish dialect and worked tirelessly throughout his adult life, publishing a large collection of poetry, prose, plays, and sonnets, among other works. He also produced Swedish translations of Finnish and English classics, such as the Finns’ national epic, Kalevala, and Shakespearean texts.

Finnish Literature Exchange (FILI) is accepting applications for grants until November 1. If you are a publisher, translator, author, or event organizer interested in working with Finnish literature, FILI has a handy guide on their site to guide you through the options. FILI, founded in 1977, hands out approximately 700,000€ worth of grants annually, in addition to hosting translator residencies and maintaining a database of translations of Finnish literature.

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Translation Tuesday: “The Princess” by Alit Karp

As she baked the cake, she thought about what she would say when she'd present it to the Princess.

By the time Nils Holgersson turned forty-eight, he already lived very far north, in Jokkmokk, the capital of Swedish Lapland, which could only with the utmost pretension be called a capital city, since it was no more than a small, remote village upon which, as Tacitus wrote, the sun never shone in the winter and never set in the summer. He worked as a custodian at the only local high school, which had three classes for each grade and a dormitory so that students who lived as far as 100, 200 or even 1000 kilometers away would have a place to stay. The school menu was standard for Sweden: mashed potatoes with butter and strips of bacon on Mondays, fried fish and potatoes on Tuesdays, pea soup and pancakes with jelly on Wednesdays, tuna salad on a roll on Thursdays, and noodles with ground beef on Fridays, which was the children’s favorite. He knew all this from his wife, Maria, who was the cook in the school where he worked as the custodian.

No children had been born to them. They accepted this as their lot in life and did not ask questions, neither of the doctors nor of their own parents, who were still alive when children remained a possibility. Sometimes Nils would amuse himself with the notion that if he had a son, he would teach him how to hold a hammer, how to drive in screws, and how to chop down trees. Most of the time, however, he did not torture himself with such pointless musings.

He rarely spent time with Maria during work. She would be in the kitchen and he’d be in the schoolyard, which was generally covered in ice, or else he’d be in the classrooms or the bathrooms. They didn’t think it was appropriate to consort as a couple just because they were lucky enough to share a workplace. If by chance they passed each other in the hallway, they would mumble feeble greetings and continue on their way. In the evenings, when they met at their home adjacent to the schoolyard, they did not engage in long conversations: Hi. Hi, do you want to eat? Yes, thanks. Beer? Yes, please. Can you turn up the volume on the television? Thanks. They would doze on and off until midnight, each in an armchair, and then go to sleep in their bed, which was neither particularly big nor particularly small, but in any case no act of love had been committed there in quite some time.

One particular morning Maria burst into the school storeroom which served as Nils’ office and said to him breathlessly, “Did you hear? Princess Victoria is getting married in two months and her wedding procession will pass through all of Stockholm. We have to be there. She’ll be so disappointed if we don’t go. And I want to bring her a present, something that will remind her of that day in the forest, you remember, right?” READ MORE…

Translation Tuesday: An Excerpt of “Bret Easton Ellis And The Other Dogs” by Lina Wolff

An orange canary perched on a stick inside, its head aslant, looking at us with its black pinhead eyes.

So no Dad, not that I’ve lacked for stand-ins. Only my fathers have all been mayfly dads, the kind that are here one day and gone after three days at most. Some left traces behind, a khakicoloured toothbrush in the bathroom, an inhaler, a book on a bedside table, and sometimes those traces would give rise to hopes that they might come back, come in the door to the flat and suddenly be struck by the idea that this really was a bit like returning home, that everything was already herea home, a wife and a childall they had to do was enter and start living. I wrote about all of them in my diary, and because their names eventually started to blur (Valerio, Enrique, Álvaro, José María) I began calling them ‘the Jogging Pants Man’, ‘the Chuckling Man’ and ‘the Tartare Man’ instead, and then their images would immediately reappear before me. ‘The Tartare Man’ once made himself a steak tartare on our terrace. I had no idea what steak tartare actually was until he explained with a lofty expression on his face that this was what sophisticated bohemians in Paris ate. The sophisticated inhabitants of Paris were people whose taste buds had not yet been destroyed by charred meat and fried onions. He took the ingredients out of the bag and put the tartare together in front of us. The tartare consisted of cutting up a packet of raw mince and mixing it right there and then with egg yolk, salt and pepper. Have a tasteit’s delicious, he said and offered the greasy plastic tray to Mum. She turned her head away and pretended not to look, but I did. His fingers closed hungrily around the mess and you could see the pleasure in his face as he pushed the morsel into his mouth. Uhhnn, he said. Then he swallowed and it was impossible not to think of a snake as his Adam’s apple pushed the mouthful down his throat. Please don’t let her let him move in, I thought, and she didn’t.

For his part the ‘Canary Man’ made his mark with a rather distinctive present. Before he arrived Mum explained that this man wasn’t ugly, or attractive, but attractively ugly. He turned up one Friday evening, appearing in the gloom of our hall with a bottle he presented to Mum. Mum accepted the gift and put it on the linen cupboard.

‘Thank you,’ she said.

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Manolis’ Mopeds

A selection from the novella

From all of us at Asymptote, we’d like to wish you a happy holiday season, and to thank you for reading us this year. We look forward to 2014 where we will continue to publish new literature from around the world. Today, as promised, please enjoy a short excerpt from Jan Henrik Swahn’s novella Manolis’ Mopeds, translated from the original Swedish by the author himself.

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Writing an Austere Richness

On a writer's complicated career

Jan Henrik Swahn was born in 1959 in Lund. He grew up in Copenhagen and from 1970 on has lived in Malmö. His first novel, I Can Stop a Sea, about life in two gangster’s houses in a poor village in Normandie, was published in 1986 by Bonniers, the biggest publishing house in Sweden. The ten novels that followed were all published by Bonniers, and he was chief editor of Bonniers Literary Magazine from 1997-1999.

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Weekly news round-up, 20th October 2013: Nobel Prize and awards-season special

The first of our weekly columns on literary news from around the world.

The big news of the week (naturally) was the launch of Asymptote‘s new Fall 2013 issue, and, alongside it, that of a new blog, which we very much hope you’re enjoying. For those of the Asymptote team who’ve worked on the quarterly journal, one of the more exciting things about the blog is the new-found ability to comment on events almost straight away. You’re reading the first of our weekly news round-ups, and the idea is to bring together (and perhaps even hold forth on) the most interesting literary news of the past week.

Stockholm. The problem with launching just over a week after the major literary news of the year – the announcement of the Nobel Prize for Literature – is that we feel compelled to report on it, even though, given the internet’s voracious 24-hour-news appetite, it’s really all a bit old-hat by now. Oh well. We hope your own appetites will stretch to a more international view on proceedings than you might have seen elsewhere. READ MORE…