Place: Iceland

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Slovakia, Hungary, and the Nordic countries.

Friday is once again upon us, dear Asymptoters! This time, our report brings you the latest literature in translation news from Europe. Editor-at-Large for Slovakia Julia Sherwood has been at the Central European Forum conference and Blog Editor Hanna Heiskanen attended the Helsinki Book Fair, while Zsofia Paulikovics has an update from Hungary. Enjoy the ride!

Editor-at-Large for Slovakia Julia Sherwood has these stories from Slovakia:

On 20 October, the emerging writer Dominika Madro’s story Svätyňa [Sanctuary] won the annual short story contest Poviedka 2016. Now in its twentieth year, the competition is run by the publisher Koloman Kertész Bagala and all submissions are anonymous. This year’s runner-up was the story Šváby [Cockroaches] by novelist and Elena Ferrante’s Slovak translator and Asymptote contributor Ivana Dobrakovová.

A survey of reading habits, commissioned by the Slovak Publishers’ and Booksellers’ Association, has recently published very depressing findings: 72 percent of the public don’t buy a single book in any year; 40 percent read books only once a month and 28 percent don’t read at all. Nevertheless, judging by the crowds attending a huge variety of literary events taking place across the capital, Bratislava, over the past month, the picture isn’t perhaps quite as bleak as these figures suggest.

Slovak-Swiss writer and journalist Irena Brežná, Polish novelist Grażyna Plebanek, and recent Neustadt Prize winner Dubravka Ugrešić sought antidotes for despair as part of Bratislava’s annual Central European Forum conference from 11 to 13 November (video recordings here); Dubravka Ugrešić also read from her book of essays, Europe in Sepia, which will be published soon in a Slovak translation by Tomáš Čelovský. Parallel with the conference, some 200 publishers displayed their recent publications at the Bibliotéka Book Fair, held in the somewhat drab Incheba exhibition halls and vying for space with a “World of Minerals” exhibition. At the Centre for the Information of Literature stand two young authors, Peter Balko and Peter Prokopec, along with graphic designer David Koronczi, introduced their new “anti-logy” of Slovak writing. Aimed at schools but very far from being a stuffy textbook, Literatúra bodka sk (Literature.dot.sk) aims to show that contemporary authors inhabit the same world and share the same sensibilities as young readers, and includes samples of fiction and non-fiction as well as a graphic novel, Rudo, by Daniel Majling. Rudo started life as a Facebook cartoon strip and has now been issued in book form by Czech publisher Labyrint (in a Czech translation!).

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On the other side of the Danube, housed inside the Slovak National Gallery and overlooking the river, Café Berlinka is fast establishing itself as a vibrant literary venue, in association with the adjoining Ex Libris bookshop. Since September 2016, the café has been hosting Literárny kvocient [Literature quotient], a series of debates featuring leading literature scholars and critics.  Of the many book launches that took place over the past few weeks, the liveliest must have been the feminist press Aspekt’s presentation of a selection of poems by Hungarian activist poet Virág Erdős, Moja vina [My Fault].  The book was translated into Slovak by Eva Andrejčáková (a past Asymptote blog contributor) in cooperation with poet Vlado Janček, who read some of the hilariously outrageous poems to his own guitar accompaniment (you can watch Virág Erdős perform “Van egy ország”/ “There is a Country” in Hungarian with the band Rájátszás here). READ MORE…

Forthcoming Autumn Translations, in Review

Asymptote’s own review brand new translated literature.

 

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Wayward Heroes, by Halldór Laxness, tr. Philip Roughton. Archipelago Books.

Review: Beau Lowenstern, Editor-at-large, Australia

The process of reading literature in translation is to dip into the perennial pool: possible meanings are compounded by language, we splash and struggle and only when we begin to get on our feet do we realise how much deeper and longer the cave goes. Often great writers see only a tiny fraction of their oeuvre translated for a wider audience—as a reader, we must play a game of guessing the size and shape and clarity of the submerged iceberg from only its superficial crown. Not to mention the person we all know who constantly admonishes us that if we had only read the original

Iceland’s Halldór Laxness falls into this lamentable category, with the majority of his collection of stories, essays, novels (including a four-volume memoir), plays and poetry frozen in time to all bar those with a blue tongue. Published in Iceland in 1952 as Gerpla, The Happy Warriors was the title of the original, sparsely recognised English translation, though it contributed to his body of work for which he was awarded the Nobel Prize in Literature in 1955. 

READ MORE…

What’s New in Translation? August 2016

Fresh off the printing press, here are Asymptote's must-reads in translation this month!

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Limbo Beirut, by Hilal Chouman, tr. Anna Ziajka Stanton. Center for Middle Eastern Studies, The University of Texas at Austin. Review: Claire Pershan, Assistant Director, Educational Arm

Beirut is a city of collisions. Bad drivers, sudden friendships, graffiti in a mess of languages. And yet, when enough chaos collides, it produces its own order—the way a sprawling city looks from far away.

This is the effect of Hilal Chouman’s latest novel, Limbo Beirut, recently translated from Arabic into English by Anna Ziajka Stanton, and published by University of Texas Press. Chouman’s novel fills the space between history and memory. Six narrative chapters document the fighting that broke out in the city in May of 2008, as it was experienced by the city’s residents. These clashes, between Hezbollah and pro-Syrian militias on one side, and members of the Sunni-supported Future Movement on the other, didn’t gain much attention from western media, but for the Lebanese people, they were a frightening echo of the Civil War that devastated the country between 1975 and 1990.

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What’s New in Translation? July 2016

This month's hottest titles—in translation.

 

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The Blue Blood by Oddný Eir, tr. Philip Roughton, Amazon’s Day OneReview: K.T. Billey, Assistant Editor

The Blue Blood seems simple: a woman wants to have baby. Motherhood has always been “in her cards.” She has found a partner who is game, and they love each other. They try everything, including multiple artificial inseminations from donors selected for their blue eyes—hoping the baby will approximate the father. Disappointment and hope begin to frame the narrator’s consuming obsession: finding someone who can help with ‘their problem.’ Her search for a donor expands into the world, as heartbreak and determination test the limits of her relationship. The reader is privy to the narrator’s pseudo-diary “As if recounting a clever story gives my life purpose…”

In a series of titled vignettes, The Blue Blood does more than chronicle the toll of dreams and bodily realities on our relationships. Blue is everywhere—signs, names, auras, eyes, oceans—a mystic slice reminiscent of Maggie Nelson’s Bluets, revolving around fertility and the windows to the soul. The reader experiences the writer’s symbology and suffers along with the woman struggling to read into and ignore them. We feel the weight of their accumulation, the damaging pressure. Desire and action are not enough. When is trying trying too hard? The nature of coincidence gets tangled with intimacy, confronting us with the what we cannot know, will, or hope into being. Of course the couple’s vacation to Argentina finds them in a mountain village with a Nazi past and many blue eyed specimens. Of course they cannot neuter the dog. READ MORE…