Language: Nahuatl

Weekly Dispatches from the Frontlines of World Literature

I wrote whenever anything struck me. As I started to write, I began to revive little by little, from my fingernails to my hair.

Happy Friday, readers! The Asymptote team has some exciting news: starting this week, we will be replacing our Friday literary news round-up with a more diverse and decidedly international column, brought to you by our team members around the world. We’ll have the latest and most pertinent updates on the literary scenes from various regions each week, from national trends to local events. This is your one-stop, world tour!

Starting this week in India, Poorna Swami, Editor-at-Large for India, updates us by region:

Noted Assamese poet Nalinidhar Bhattacharya passed away on September 2 in Guwahati at the age of 95. The Sahitya Akademi Award winner’s books include five poetry collections, five essay collections, and even a translation of Dr. Zhivago into Assamese.

But while the country lost a literary great, it also regained one. Tamil writer Perumal Murugan ended his self-determined literary exile on August 22. His reentry in to the literary world comes a year and a half after he publicly declared to quit writing because his book, Madhorubhagan [One-Part Woman], faced attacks from Hindu fundamentalist and caste-based groups. He had said on his Facebook page: “Perumal Murugan the writer is dead. As he is no God, he is not going to resurrect himself.”

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Plunge into the Multilingual Writing Feature from the July 2016 Issue

Readers must ask themselves whether they are entitled to a full understanding —or indeed if such a thing is ever possible.

The past two Mondays here at the Asymptote Blog, we’ve brought you highlights from the July 2016 issue, THE DIVE. This week we’re back with Ellen Jones, editor of the vibrant and provocative multilingual writing section.

The Asymptote July issue special feature on multilingual writing is the second of its kind. The more than two hundred pieces of original poetry and fiction received in response to last year’s call for submissions—many, many more than we were able to publish—opened our eyes to the wealth of new writers who are experimenting with language mixing, and persuaded us that it was necessary to run the feature again.

What I love most about this work is its variety. There are seven contributions, from writers as far afield as Peru, South Africa, and India that, between them, incorporate English, German, Spanish, French, Romanian, Sanskrit, Afrikaans, Italian, Nahuatl, and Arabic. But more importantly, they also make use of the spaces in between these languages: unique cross-lingual sound combinations and associations, and spoken varieties that are thriving but have yet to be documented. There is some poetry, some prose. Some written by well-established literary figures and some by poets who are only just finding their voices. Some pieces for readers of only English, others best left to the true polyglots among us.

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